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Taken in a back alley of Fitzroy – looking towards the back of the shops that face Brunswick street. This rusty old shed on the right recently sold for approx $600k
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The original goddess image of me that inspired the Ophelia’s Garden Series.
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The name Mia is of Swedish origin, meaning “uncertain”....an appropriate name for this painting as I have been in two minds about something for a little while now. medium: acrylic on stretched canvas / ............................................................................................. / size: 40cm x 40cm / ............................................................................................. / currently listening to: Sure Know Something by KISS
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This was a spontaneous shot taken at a local Adelaide cafe on Rundle Street East in Kent Town one day when I was out with Dan. It was included in the series ‘When He’s Away’ and was a part of the ‘Living Queer in Adelaide’ group exhibition for the 2006 Feast Arts Festival there (Exibited at the Town Hall) I really like this one – human body against unyielding cement wall and rigid geometric lines. The theme that I was working on with the shots in this series was an analysis and exploration of sexuality – but more specifically gay male sexuality and the universal themes relating to the divide between public and private, acceptibility and unacceptibility, connection and disconnection, and of course human vulnerability / sensitivity and the structures and systems which confine or limit this. Image copyright © 2007, Robert Knapman. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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This shot was taken in Malahide Dublin. / / / MCN: CA6C4-55BD2-60E5B / / © Imber 2007. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / / /
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I wish eye could find a way to give nature back it’s earth!
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A man sitting on a ledge near a canyon.
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We tread so harshly on this earth, wish it wasn’t so…
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/ MCN:C7B12-080A7-B8FA9 / / © Imber 2007. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / / Many thanks to Geir Floede who nominated this image to Pay It Forward group; this is what Geir had to say about the image: “She make so beautiful art and with a basic about meaning of life. She turned the persphective born-death around and created a genious kind of art. / This is an extrordinary and very powerful art and its moving me much” / / / /
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Julia Heliconian butterfly, Dryas Iulia, / macro closeup. / —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- 2009 BUTTERFLIES CALENDAR / / / / / / Or a T-Shirt to go along with /
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The original painting is also available gallery wrap around canvas stretcher. Contact the artsist < boab@iinet.net.au > ORIGINAL PAINTING SOLD PRINTS STILL AVAILABLE
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/ “The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in a while and watch your answers change.” / Richard Bach
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During a product shoot for a hip hop band, I caught Alex in between outfits. As she was facing away from me the light on her back was incredible. I asked her to freeze. She turned slightly and I took this picture. Model: Alexandra Rodionova / http://www.alexandrarodionova.net / Photo by Jef Harris / http://www.jefharris.net
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ABOUT MY EXHIBITION The woks exhibited represent the linkup of two artists, a photographer and a sculptor. Such an attempt to blend two spheres of art is really innovative and a bit unexpected. There had been few who were successful in such an attempt. Both authors, blending their art by the means of the photo art, are the winners. Sculpture, as such, is rather a static art, sometimes “performing” in a specific, sometimes artificial, environment. However, the means of the plastic photography, seemingly, make the sculptures movable, dynamic; they make you feel the sculptures are moving. They become alive, start moving and react both to the environment and the views captured by the photographer. I would like the viewers also note the colour solutions of the photos, aimed at the strengthening of the overall impression of the imagery. The original blend and overlapping of two arts let see the impressive plastic metaphors, giving birth to various associations. / / /
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© Marbia Studios / This image cannot be reproduced in any format without the express written permission of Marbia Studios. Here are my resent vector art work’s, I think I just went vector crazy. I’m still working on a few other designs. Please feel free to look at my other work /
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Canon EOS 40D / Focal Length: 17mm / Shutter: 30secs / Aperture: f/18 / ISO: 320 Title: Electric Vespers / Artist: Chris White / Medium: Signed Photographic Print / Technical Help: / Model: Throw caution to the universe…
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