Axe

294 creative works found

Piwi's Prize
by cdwork

He was sixteen, I was six / When half a finger went by axe / I thought this was pretty cool / So I picked it up to take to school / Into a m…

This poem was based on a true story, told to me by two old timers in a pub on the West Coast of the South Island of New Zealand – (A magic place)
Tree Of Life
by transmute

It is with regret I carry an axe in my hand

Vote Green this Saturday
CyberSaurs: TyrannoZaurus
by GuitarAtomik

This is part of a series I’m doing where I turn dinosaurs into warring cyborg death machines. Because it’s cool. So first up (at least here) is the TyrannoZaurus who comes complete with a hip mounted beam rifle, back mounted missile pods, head cannon, a battle axe + mace that I call Battle-Axe-Mace for enemies that get too close, and of course cyber-jaw action. Deadly. Check out the T-shirt version of this here: / CyberSaur: TyrannoZaurus T-SHIRT
Tower Fight (Noise Reduction Pt 2)
by David Sundstrom

Well after playing round with a few different applications, I settled on Noiseware Community Editio…

Well after playing round with a few different applications, I settled on Noiseware Community Edition. While I am not completely happy with the results, it was good enough for me to get the picts out. When I get a chance I think I am going to revisit the Noise Ninja and see if I can coax something better from it. Anyway here are some of the images from last Sunday. Let me explain a little about them first. Some of my friends are involved in medieval re-enactment. Every so often (usually once or twice a year) they use the fire training facility in Alexandria (Sydney, Australia) to re-enact a tower / fort battle. The following shots are from inside the tower, using my trusty Nikon D70 and a sigma 10 – 20, most shot at ISO 1600: Click on the image for a larger version, a few more shots here .
Shirtheads - featuring Liesl Yvette Wilson
by caanan

It’s not easy to pull off ‘sweet but sinister’... / Unless you’re Liesl Yvette Wilson that is….

It’s not easy to pull off ‘sweet but sinister’... / Unless you’re Liesl Yvette Wilson that is. ;o) / This shirt in particular, and this one / / is what inspired me this week, but also the general scampiness of Liesl’s Tullulah. break out your evil grins folks, and smile with me ;o) So, what can you tell us about Tullulah? Is she based on anyone? What’s the story? What are the books you’re working on and when/where can we see them? Hmmmmm….Well as so often is the case, I don’t know where Tullulah came from, she kinda just showed up one day…she didn’t even bring any treats with her, not even a jar of Marmite, Tulluala’s really rude that way…at least Paddington brought his own suitcase. But no, she just landed on me…I’ve had to look after her ever since and it hasn’t been easy, cos she is such a little freak. Tullulah is a little bit me, a little bit my niece. I wrote a kid’s story called “Around the Corner and on the Left”, it was a quirky little piece about a kid that lived in a creepy house and was always fleeing from spooky things. My niece who was about five at the time, posed for the illustrations. She had her hair in bunches and it looked really cute. Much later when I was just tinkering around, with a simple character design for a grown-up fairy story, I worked from the basic illos of my niece…. And suddenly ‘T’ appeared. / There are quite a few stories featuring Tullulah, which is why she is so arrogant! The first to be printed is more for grandma and kiddies, unfortunately for all you ghouls out there. It is called a balloon and a bear. Printing is being organised and hopefully by the time my website is up and running, they will be ready to go! What were some of your favourite kids books growing up, and now? Wow, I have sooooo many fav books. As a very little kid I liked “Bread and Jam for Francis” and I have no idea who wrote that! I also loved Maurice Sendak ( Where the Wild Things Are.) Anything with beautiful illustrations, Richard Scarey etc. When I could read properly I loved “The Famous Five” and I still do…all that adventure and running unsupervised around the moors chased by circus people and jewel thieves, how could you not like it? What really influenced me was Alan Garner (“The Owl Service”,”Elidor”, “Red Shift”) I loved how weird it was and how not everything made sense, leaving you going “Hmmmmm, what was that about?”. What prompted the move from Aus to the UK? What are the differences? I moved here from Oz about five years ago…I had always wanted to try living in the UK and although it was really difficult, I’m glad that I have. It is a huge community of artistic people and it seems like everyone is an actor, writer, poet, singer. Amazing! I had sold work pretty consistently in Australia but it was usually wildlife photorealistic stuff and I couldn’t seem to break out of that with any real success, so I thought a move might just do that. If we took two cute furry animals, and cross bred them, which ones would they be, and what would we end up with? Well my absolute favourite animal is a ring-tailed lemur and I also love gliders, probably flying foxes would be the fav (yes I know they smell but so would you if you had to pee whilst hanging upside down! There is a bit of a design flaw there…) So I guess my little animal would be a lemur that could fly….how completely cool! How did you find the bubble? What made you join and stick around? Do you know what? I can’t remember how I found Red Bubble, I think I was just looking for artists and writer’s communities…I really don’t remember… What’s your favouritest tshirt you’ve ever worn? HmmmI don’t know about the fav shirt….I did have one that had a pig on it and it said…”Piggy Wiggy – Don’t eat me I’m a friendly animal!” I used to wear that to BBQs. What did you want to be when you were 6 years old? When I was six I wanted to be a writer…or a gymnastics instructor… What are you most proud of? I don’t know what I’m most proud of…I don’t really think that way…If I had to pick something I would say that I don’t give up easily. What are your minor and major goals right now? My major goals would be to sell Tullulah books online, and prove it can be done! I would love to work at my art and writing full time, but I am realistic about the possibilities of that – still every one needs a dream to motivate them! What do you think the world would be like if children were running things instead of the politicians? It depends how old the kids are…if they were all three year olds the world would be one big Baskin and Robbins! Better go buy some shares in sprinkles. Thanks Liesl! Don’t forget to come back next week, folks, for our next victim, but in the meantime, here’s some more art Liesl graciously supplied, just ‘cos I think it’s aces! :oD Caanan. Memory lane… The Original Strip BigFatRobot Chris Richards Paul McClintock David J Cunning Johdie Tambatoys Simon Sherry Ross Robinson Natalie Tyler thickblackoutline rubyred Liesl Yvette Wilson Chris Wahl Jaywalker sparklehen jemimalovesbigted purelydecorative nofrillsart Superteam: Non-Stop animo Tabita LilyM bahgoesthesheep LuckyVegetable o0OdemocrazyO0o MuscularTeeth
AXE THE KID
by Warren Hart

MY LITTLE SISTER LOVES TO WATCH HORROR MOVIES WITH ME. I LOVE HER FOR THIS. DIGITAL PHOTO EDITED IN PHOTOSHOP.
The Woodcutters
by colbrown
Wolf Boy Killer
by Ross Radiation

Cute and innocent? ... or vicious little monster?
The Great Cover-Up
by AxeSwipe
Axe'd
by wakeupapparel
I am He-Man hear me snore ...
by lightsmith

I am he-man, hear me snore, / In deci-bells you can’t ignore, / And I watched the game right up until the en-end. / And though I’m sleeping …

Oh dear. Lightsmith is at it again. See also, please, I am Goldfish hear me roar
Sally
by aartax

Sally had a dolly / and it never did what she said / so she got her daddy’s axe / and cut off dolly’s head.
Colonial Utensils
by Mike Savad

Made as an HDR, 2 RAW, the 3rd was too blurry. / Suburban Scenes by Mike Savad / Postage, Cards, Framed Prints, Keychains, Shirts, Stickers, Magnets, Shoes, and more.Plus everything is customizable and can be bought in bulk. Mike’s Americana / Gifts for the Barber, Dentist, Doctor, Writer, Fireman, Mailman, and hobbies including sewing. Houses, Trains, Cars, Motorcycles, and more. Suburban Scenes II / Featuring puzzles, watches, clocks, clothes and so much more. Squidoo Lenses / Advanced HDR methods.
These Diamond Days of Oblivion
by j3concepts

Full details here http://www.behance.net/Gallery/These-Diamond-Days-of-Oblivion/266576
The Hills Have Eyes Pt.2: More and More
by ZOMBIE RUST

Inspired by Alexandre Aja’s 2006 remake of the Wes Craven horror classic The Hills Have Eyes. / Second of two parts, the titles are also refered to the film’s soundtrack and score. More and More is a 1954 country classic performed by Webb Pierce. Pencils and pastel colours on paper.
Child's play
by ZOMBIE RUST

Ade due damballa. Give me the power, I beg of you. Leveau mercier du bois chaloitte. Secoise entienne mais pois de morte. Morteisma lieu de vocuier de mieu vochette. Endenlieu pour du boisette damballa! Endenlieu pour du boisette damballa! Endenlieu pour du boisette damballa! Inks
Pop Picker
by Mark Wilson

Getting into the groove with his heavy axe
Off with their heads!
by Vaggelis Ntousakis

Corel Painter painting.
The Gherkin (30 St. Mary Axe), London, United Kingdom
by jmhdezhdez

Others related images: 2.001-2.004 ENGLISH Client: Swiss Reinsurance Company / Architect: Foster + Partners / Height: 180 meters / Floors: 40 / Area: 76,400 m2 Although the official name corresponds to the direction where it is located, 30 St. Mary Ax, “The Gherkin”, is also known world by the nickname of Swiss Re, in honor of the construction company responsible, the Company Insurance Switzerland Swiss Reinsurance Company. The revolutionary design was given by renowned architect Norman Foster, who would win the contest to design a breathtaking skyscraper located in the lot where he was formerly the Baltic Exchange, a building destroyed years before by an IRA bombing sad, and it was impossible to restore . The splendid building was erected in the city’s financial center of London. Its helical shape design makes better support the forces of strong wind around it and diverting it up. The 40 floors of the building that are being reduced in height, are not completely circular. The architect designed each concrete slab with a series of triangular sections, separating each platform in various wings, which facilitates the entry of natural light, thereby renewing the air with the help of parkland. The exterior of the building consists of a double facade of translucent glass, thus providing an air chamber to cool the building and saving on air conditioning to 50% more than a traditional skyscraper. A lookout restaurant is situated on the top floor offering a panoramic view of 360 degrees and sight and most of the city of London. The surface of the translucent glass facade entirely greatly favors the entry of natural light, resulting in energy savings that entails. The building has completely recyclable materials, which make it one of the first ecological skyscraper century. ESPAÑOL Cliente: Swiss Reinsurance Company / Arquitecto: Foster + Partners / Altura: 180 metros / Plantas: 40 / Superficie: 76.400 m2 Aunque el nombre oficial corresponde a la dirección donde se encuentra situado, 30 St. Mary Axe, “The Gherkin”, el Pepinillo, es conocido también mundialmente con el sobrenombre de Swiss Re, en honor a la empresa que encargaría su construcción, la Compañía Suiza de Seguros Swiss Reinsurance Company. El diseño vanguardista corrió a cargo del prestigioso arquitecto Norman Foster, quién ganaría el concurso para diseñar un rascacielos sobrecogedor localizado en el solar donde se encontraba antiguamente el Baltic Exchange, un edificio destruido años antes por un triste atentado del Ira, y que fue imposible restaurar. El edificio se erige espléndido en el centro financiero de la ciudad de Londres. Su diseño de forma helicoidal, hace que soporte mejor las fuerzas del fuerte viento, desviándolo alrededor del mismo y hacia arriba. Las 40 plantas del edificio que se van reduciendo en altura, no son totalmente circulares. El arquitecto diseñó cada losa de hormigón armado con una serie de cortes triangulares, separando así cada plataforma en diferentes alas, con las que se favorece la entrada de luz natural, renovando así el aire con ayuda de zonas verdes. El exterior del edificio está compuesto por una doble fachada de vidrio translúcido, que ofrece de este modo una cámara de aire para así refrigerar el edificio ahorrando en aire acondicionado hasta un 50 % más que un rascacielos tradicional. Un restaurante mirador se sitúa en la última planta para ofrecer una vista panorámica de 360 grados y divisar así la mayor parte de la ciudad de Londres. El revestimiento de la fachada enteramente de vidrio translúcido favorece en gran medida la entrada de luz natural, con el consiguiente ahorro energético que esto conlleva. El edificio cuenta con materiales enteramente reciclables, lo que lo convierten en uno de los primeros rascacielos ecológicos del siglo XXI. © José Miguel Hernández Hernández
i am evil
by Paul Baka
Moonspell
by PeractoVita

An old dilapidated shack sits deep in the cold, dead forest. Scattered around is the aftermath of blood from a recent massacre. The body parts have been cleaned away but the forest craves the blood. The trees weep, the bloody stump cries, the dead grass absorbs, and the moon lies, observant, omnipotent, uncaring and full.
Axe Blade Blues
by Glen Allison

Display of Rajasthani axe blades (you install your own handle) found at a street display in Pushkar, India.
Axe Clown Girl
by ogfx

A clown girl that turns her ex-boyfriends into dummies than cuts their heads off :D Ink on Paper, Digital Color.
The Axe
by Gazart

Taking a rest from chopping wood for our fire and boiler.