Avant
1 member found
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Sheldon Silvera
United States
277 creative works found
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mixed media on canvas / 100×100cm original SOLD
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For all the Kraftwerk fans out there who want to pay respect!
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View All Art » 1 2 3 4 5 6 / / Haunted is a self-portrait taken from artist, Jaeda DeWalt’s, Haunting Hands series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in First Things group on 7-23-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / About This Image / Image originally photographed using a self-timer and Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Surrealities calendar. / / / / View All Calendars » / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Haunted The eyes do not lie / Weakening the surface of the social masks we wear / A bruised and battered soul can betray the prettiest smile / As the pain seeps through to the surface / Speaking volumes to our emotions and life experience © Jaeda DeWalt listen to Jaeda recite Haunted / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / This image is featured in Jaeda’s Artography Book! / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / You might also like . . . / / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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All photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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My more Avant Garde Work .. as seen through my eyes.. please view larger …this work was featured in .. For The Love Of Jesus group, taken with my Kodak Z1285 Peace, I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid. / (John 14:27) ...................................................................... / For ye shall go out with joy, and be led forth with peace: the mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands. / (Isaiah 55:12)
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featured in The World as We See it 10-01-2009 / featured in Metallic Junktion 09-25-2009 MUSIC Ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm / Won’t you ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go Tell me how should I feel when I know what I know / And my female intuition tellin’ me you a dog / People told me ‘bout the flames I couldn’t see through the smoke / When I need answers, accusations what you mean you gon’ choke You can’t stay, you gotta go / Ain’t no other chick spendin’ your dough / This is taking a toll, the way the story unfolds / Not the picture perfect movie everyone would’ve saw She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go Ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm / Won’t you ring the alarm, I been through this too long / But I’ll be damned if I see another chick on your arm Tell me how should I feel when you made me belong / And the thought of you just touchin’ her is what I hate most / I don’t want you, but I want it and I can’t let it go / To know you give it to her like you gave it to me, come on He’s so arrogant and bold / But she gon’ love that shit, I know / I done put in a call, time to ring the alarm / ‘Cause you ain’t never seen a fire like the one I’ma ‘cause She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go Ooh, how can you look at me / And not see all the things that I kept only just for you / Ooh, why would you risk it babe / Is that the price that I pay, ooh But this is my show, and I won’t let you go / All it’s been paid for, and it’s mine / How could you look at me / And not see all the things She gon’ be rockin’ chinchilla coats, if I let you go / Hit in the house off the coast, if I let you go / She gon’ take everything I own, if I let you go / I can’t let you go, damn, if I let you go She gon’ rock them VVS stones, if I let you go / In the ‘Bach or the Rolls, if I let you go / She gon’ profit everything I taught, if I let you go / I can’t let you go, damn, if I let you go / / INCENDIA & PSP
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This version appears darker, lacking the colored light bands crossing the face, the white facial outline, and the blowing sheers behind her right shoulder. I am posting this because I like to experiment; and want your valued opinion of which version you like better and why. NOTE: “I deleted the OLD VERSION. FEATURES 2009-07-10 The Golden Necklace…Museum-II in Lifeline 2009-07-10 The Golden Necklace…Museum-II in ABSTRACT DIGITAL ART AND WRITING Version I was featured before I could change the image to this version II. Therefore I loaded a different page: 2009-07-09 The Golden Necklace… Museum in ! Inspired Art ! The Golden Necklace, Night at the Museum Ball Rumored provenance of the golden necklace notwithstanding, no one could deny that it transferred magic to the wearer. The tale of the golden necklace is the story of its beneficiaries, their travels, travails, passions, and play. Tonight the golden necklace would drape the neck of Jill Monroe. It was a special occasion. She was going to the Fine Arts Museum Ball to dance the dance of her life and to gaze once again on her favorite painting in the world, Van Gogh’s brilliant Field with Poppies, visiting from the Kunsthalle. There on her dresser lay the necklace, so beautiful and other-worldly. Her perfectly manicured nails gently nudged the beads along an invisible straight line. Yes, it would contrast boldly with her pink floral gown. And he would like that. He would notice, and would lean in to tell her so, touching her ear with his hushed whisper of approval. What neither of them knew was the magic that the golden necklace would bring that night, when it went to the museum ball. *—by F.A. Moore, July 2009 Digital Fine Art by F.A. Moore, July 9, 2009 / First work in a series, “The Golden Necklace”. Special thanks to stock providers katanaz-stock for the two models, which I used for model and hair, respectively; and to FantasyStock for the pink peonies used for the dress. Textures over or under the main background are from: B-squared stock. The backdrop is my ever-evolving “life collage”, featured in other works, including “Life-Giver” and “The Choice” series. Besides the background, the life collage was also used for the “mosaic” in the pink ball gown. Finally the necklace is made up of over 30 replicas of the circle in Golden Silk, a work just uploaded as a reference for this series. DETAIL / Face detail (Click image for 100% scale view of the face.) / Her Right Eye and Background detail, click for expanded image, full scale
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A photograph I took July 09. Took out the background, rotated, upped the contrast and was pleased with the sc-fi like vista it became.
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Metal Rust / Truck Fire / Abstract Macro
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Metal Rust Paint / Abstract Macro
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Metal Rust Paint / Abstract Macro Best In View Larger
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Metal Paint Rust / Abstract Macro
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Hazardous Waste Paint Abstract Macro
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Metal Rust Paint / Abstract Macro / Also featured in Natural Textures Sept 09
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Metal Burnt and Rust on a burnt limo at a car dealership that burnt down. Managaed to get in for 20 minutes and get some images / Abstract Macro
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Metal and Rust / At the dump today came across an old stove just worderful. / The dump never lets me down
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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Abstract Macro / Should be viewed in larger / Dumpster art
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Birth
by Bob BremnerMetal Rust Paint / Abstract Macro
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Metal Rust Paint / Abstract Macro
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Featured in the All Abstract Art Group Nov 09 ~ Many thanks to the Group
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11×16” approx, mixed media (oil pastels, colored pencils, black marker, gold acrylic pen) on pastel paper. View more of my artwork online at www.lynnetteshelley.com
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My last image for this year, ending 2009 with a bang! lol! :) / Thank you all so much for your comments and feedback! So much appreciated! Wishing you all a wonderful Holiday Season and tons of luck and happiness for 2010!! LOVE YOU!!!! / XXX! (now sing with me!) / A mixture of Incendia, Apophysis & photographs blended together in PSP
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