The Devil’s Marbles. This wonderful rock formation is near Tennant Creek, Northern Territory. This image was shot on film with a Nikon F70d and yes, I used a polariser to match the natural colours.
Bright and colourful medium size oil Painting done from Captain Cook’s Lookout at the town of 1770.Queensland Australia. Original painting done on with wrap around canvas is 66×56 cm,ready to hang. POA
Share this page with your social network: The former Bank Of Victoria in Ford Street, Beechworth, Victoria, Australia.
These kangaroos were photographed between Tom Groggin and Dead Horse Gap in the Kosciuszko National Park, New South Wales, Australia.
Taken from the Exhibition series Decay+Time=Beauty
Alt Morning Glow for OE Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
Humpback Whale breach at Twofold Bay – Eden NSW, Australia
Your spirit for today More Texture from dazzle Canon 5D, 16-35mm at 35mm, f/7.1, 1/13”, ISO 640 People / Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes
TextureoftheSin in a bit of a pickle…... Tots series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
little earth nymphs yasemin and Sheamus
I can’t talk about these filters in any sort of technical way, but I can explain what I bought, and how good they are at allowing you to …
I can’t talk about these filters in any sort of technical way, but I can explain what I bought, and how good they are at allowing you to shoot dawn and sunset without losing all your sky detail. I started off with a set of Cokin P filters. The filters sit in a plastic holder, that attaches to the front of your lens by way of an adaptor ring. The ring needs to fit the front element of your main landscape lens. When I used the Canon 20D the Cokin P was fine, with no vignetting, but once I bought the full frame Canon 5D, my lens had to be closed down to 24mm wide. This was unacceptable to me, since I like wide landscapes. Looking into various other filters meant spending quite a bit more money, however, all the reviews showed Lee filters to be ideal. There are a couple of companies here in Oz that sell them, and after wasting time ordering and paying in advance to an overseas company, only to find that they were out of stock, with no idea of a delivery date, I asked for a refund and contacted Mediavision in Sydney. Geoff was very helpful, and gave me a quote for a foundation kit, wide angle adaptor ring, a set of 3 neutral density soft graduated filters, and a full 0.6 ND filter. Postage was only slightly extra, and I had them in my hot little hands within the week. Geoff also sent a Lee catalogue. / Mediavision Australia / Sydney Office:- 4 Monash Road,Gladesville NSW 2111 / Phone:(02) 9816 4055 Fax: (02) 9816 1661 / Melbourne Office :- 22 Yertchuk Avenue,Ashwood Victoria 3147 / Phone:- (03) 9807 5133 Fax:- (03) 9807 7814 When I go to the beach, I take a bag with just filters and holder. They all have their soft cloth or soft vinyl bags, and it’s easier to slip them in and out of there without having to take off my backpack. Before dawn I’ll generally just have the adaptor ring and holder on the lens, with no filter. As the sun gets closer to jumping up from under the horizon, the filters are brought into play. Usually I’ll add the 0.6 first, if there’s not much cloud around, and once the sun has risen, the 0.9 will be added on top. The soft graduation means that you can slide the filter up and down, even slightly below the horizon, and it doesn’t leave a solid line. I haven’t been in a situation where I think I’d need the hard grad, to be honest. The holder turns easily if you wish to switch to portrait mode, just remember to turn it back when you go back to landscape mode! Because I live in Queensland where the sun is especially bright, all year round, it’s important to have these filters to make the most of a good sky. It’s near impossible to capture sky detail AND foreground detail without them. I don’t shoot in the daytime if I can get away with it, usually we pack up and leave the beach within 30mins after sunrise. I believe that you can still make good use of the ND grads all through the day, but I don’t have any real experience of that. Even shooting waterfalls can be easier when using ND filters, because it cuts out some of the light that might otherwise over-expose your image if you’re trying for silky water. The only problems we’ve all had is when the sea mist is particularly bad. In that instance we are constantly looking for ways to clean the filters, and still haven’t come up with a satisfactory solution. If anyone can help, we’d be much obliged! I hope this helps, as I said, not techy, but may be helpful for anyone looking to know what to buy….. cheers This has also been added to the tips and advice forum of All Seascapes Group forum
Anzac Bridge Canon powershot pro1 IR, f/3.5, 1/160”, ISO 50. Infrared Seascapes / New Zealand / Frogs / Lensbaby / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
Completely different Canon powershot pro1 – infrared, f/3.2, 1/20”, ISO 50 Infrared / Seascapes / New Zealand / Frogs / Lensbaby / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
Maples at Bright, Vic Canon 5D, 70-200mm at 200mm, f/2.8, 1/320”, ISO 50, hand held, IS engaged. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
When all is lost / People / Infrared / Seascapes / New Zealand / Frogs / Lensbaby / Industrial / Spam / Panorama / Landscapes
Double up of St Johns Cathedral in Brisbane, Qld, Australia
The Anzac Bridge for Paddy’s day / Model = Canon EOS 5D / Software = Adobe Photoshop CS3 Windows / Artist = Mel Brackstone / Exposure Time = 1/100” / F Number = F8 / Exposure Program = Aperture priority / ISO Speed Ratings = 200 / Exif Version = Version 2.21 / Date Time Original = 2009-01-17 06:32:38 / Focal Length = 15mm SEASCAPES / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / FROGS / INFRARED / PLASTIC PEOPLE / PEOPLE / DICKY BEACH
This is a forerunner of my newest series. ( over the next coming week ) / I took this sunrise this morning on May 29th at the Merri Creek in Fawkner, which is a northern suburb of Melbourne Australia. / It was about 7:30am with the cold mist still rising and the sun shining through the mist. / I ended up with over 100 images, so now I have to filter down through the best. / I am going to include the word Merri in each title, so-as to keep the series together. / ( hdr x2 images using Dynamic-PhotoHDR with Picasa3 as Post Op ) / ===================
/ / Original pencil drawing on Aquarelle Arches paper 56×76cm / Drawing 15 hours/painting 12 hours = 27 hours total A digitally painted hand drawn artwork… the inspiration for this is “Meeting Places”... As a child one of the most frequent things we did together as a family was to attend church on Sundays, I went to a Catholic School and the church I remember best was St Agnes’ at Port Macquarie… the nuns would come over for morning tea sometimes, and the priests would come for dinner occasionally…they were the days of fun parish picnics and life that wasn’t so hurried..when we took time to socialise, meeting and enjoying one another’s company. Mum was/is a great cook and host…and although this picture isn’t authentic as a portrait of her and myself…it’s representative. It’s also representative of new life and hope for the future, as the mother figure is with child….. and the child herself nurtures the wildlife…perhaps she is taking them to church for a blessing… perhaps the joey has lost his mother and needs nursing til he can fend for himself. The kookaburra is all seeing and all knowing….. the wise overseer of the bush… in this case, he stands in as the owl figure.
red flowering gum in a rose mallee vase with a nut brown background. vector illustration from my original drawing. Australian art inspired by the wood block prints of Margaret Preston. Limited edition prints.
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