Asa 

36 creative works found

  • This is Asa Broomhill at the launch of the 2007 Caloundra Music Festival

  • This is Asa Broomhill at the launch of the 2007 Caloundra Music Festival

  • This is Asa Broomhill at the launch of the 2007 Caloundra Music Festival

  • You have remembered, the kind person remembering, your room the [ru] / Or in the lip to be sweet as for you who are been clear feeling outer space, the [ru]? Well memory forever is too dazzling / Even then well me it is it keeps walking the [ri], it is One one kind word it probably will trace / And therefore as for you whom perhaps it can meet once upon a time it flies through the sky love Well memory forever is too kind / Because even then well now I feel / Well memory forever is too kind / Because even then well now I feel Well memory forever is too dazzling / Then [a] I even always should have started moving You have remembered [Oboete iru yo feat.ASA-CHANG] “this” and SPACE_k

  • Exposure - for beginners/ intermediate photographers.
    by Mark German

    I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….

    I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A larger aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.

  • The useful Sunny 16 rule always with you!

  • The useful Sunny 16 rule always with you! Special Edition available for limited time /

  • ‘Asa’ by F.M.Gore-Kelly – 2008 Asa means ‘Born At Dawn’

  • Seagull flying.

  • Taken at Ponds Forge, Sheffield 29th July 2008.

  • Taken at Ponds Forge, Sheffield 29th July 2008.

  • Spring in Jim Thorpe, Pennsylvania / This is a lovely public park near the historical Asa Packer Mansion / All occasion card

  • may 2007 / kodak film / 100 asa

  • may 2007 / kodak film / 100 asa

  • Abstract Macro Photography – Landscapes I got really exited when i seen this mini landscape today. / It is a large stone, part of a very large, old stone wall bearing the weight of railway tracks. / The bridge is actually got a name, which suprised me, as railway bridges dont usually get named. / The bridge is called ‘Woodhouse bridge’, and it is in Calverley, Leeds, and it runs across the ‘River Aire’ (but it does not go over the Leeds to Liverpool canal which runs parallel to the River Aire) This large stone, part of the bridge really stood out from the rest because it was blue and orange with moss growing up it, making it look very much like a clear sunny day with a bright blue sky and a forest of pine trees.

  • The wall is part of a disused warehouse at Fulneck, Pudsey Leeds. (Along the ‘Leeds Counrty Way’ walk). / /

  • Abstract Macro Photography – Urban Art Graffiti found on a wall / Canal Road / Armley / Leeds

  • I took a bucketload of shots like this in the space of about 15 minutes on my way to work one winter morning. I’d never seen fog in 25 years of living in Japan and there was no way I could miss work that morning. Fortunately I had to pass through a park and just kept taking shots until I could delay no longer. I arrived at school with about a minute to spare!

  • Rushed to catch the train when I saw what the weather was like. Normally, the front is empty where I get on, but when I boarded, Sod’s Law decreed that there were 2 people standing in front of the window – A big guy with a newspaper and a little old lady with a walking stick. I was just trying to make up my mind which I was going to strike down when the old lady got lucky and was offered a seat : )

  • La Salle is just off HWY 16 about 30 miles west of McBride BC in the Robson Valley. I grew up just a few miles from this spot. The Mountain in the background is nick named Hammer Mountain because Many years ago, I think before I was born, a forest fire left a scar in the shape of a hammer head just below tree line and below and to left of the highest peak. View large and see if you can spot it. / I took this photo over 20 years ago with my Canon AE-1 Program film camera. Captured on Kodak 100asa film.

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