Artistic portrait
637 creative works found
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Created entirely in Illustrator. Miss Elvie won runner-up in the Local Artist Award at the ‘Arts on Show’ exhibition held in Mackay.
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Velvet touch.
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Jean M. Laffitau
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This man works infront of the Empress Hotel in Victoria, British Columbia. I bought two prints from him, one based around Mother Earth and the other based around the Tree of Life. He has an interesting look to both himself and his prints. On a sidenote, I went back to Victoria about 8 months after I took this, found him selling his wares at the same place and gave him a copy of this photo. The version here is actually the 3rd reincarnation of this shot as I haven’t been truly happy with the post processing until now.
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Who can resist these eyes? This image is a reproduction of my original color pencil painting of ’”Blink” a beautiful cat owned by a fellow artist.
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Chase, in black and white. Portrait of an artist, musician, godson, beautiful person inside and out. / MCN:CCC01-B6F70-4CB5A
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A tribute to Beatles.
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Another work from the series “Red Umbrella”
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Collage pen and ink watercolor.
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Chase, in color. Portrait of an artist, musician, godson, beautiful person inside and out. / MCN: C8F72-D24DF-0194D My Portfolios: / People / Portraits / Street Life / In Living Color / Architecture/Cityscapes
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An acrylic on canvas. Portrait of a Medieval Girl, losely based on Mary Boleyn. 40×40 cm. (16” x 16”) I had already experimented with this image using Corel Painter, so thought it was about time I tried to paint it. Some of the stages, in case anyone is interested: /
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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Self Portrait. Everyones in on the joke but me. Graphite Pencil (c) REO 2007
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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For Alexandra, dipped in gold I was inspired by body painting Pencil drawing, study – 100 minutes. / Cannes, professional model.
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Pastel colored pencil drawing of a Man with a Apple. This is a freestyle drawing I didn’t know what I would get.
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Self Portrait
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