The party’s never over when you’re having fun. . . Oil on Stretched Canvas – No Airbrushing 20 X 36 inches / 51 X 92 cm Original : / Sold / contact my Agents at Gallery 112 / ............................................................................................
Satire on the fact that an artist usually has to be dead before they truly become a famous artist. Pen & Ink & Color Pencil on Watercolor Paper 12 X 18 inches / 31 X 46 cm Original : / Sold / contact my Agents at Gallery 112 / ...............................................................................................
“Seabird In Flight” is about the form of a bird’s airborne movement in relationship with the harmonious contours of the overall landscape. The bird itself becomes a natural part of the world that it resides in. . . Oil on Stretched Canvas – No Airbrushing 36 X 61 inches / 92 X 155 cm contact my Agents at Gallery 112 / .......................................................................................
Homage to Edvard Munch - / Natural formation found on a large rock Digital Camera
One of the better back lanes in my area Digital Camera
Click on the image below to see the entire artwork / Detailed close-up of “Angie” pen & Ink Freehand
Upon my skin there caress / A late summers breeze, / On hills far below; waves gently roll / On grassy seas.
Try getting someone else to read this to you, while you close your eyes, and imagine and picture this piece, I try to paint pictures with the words I chose. This is a great poem to use for relaxation, meditation, or healing. Ps: I was 14 when I wrote this. (editor)
Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
Archival pigmented ink on Merlin Natural 100 % Rag Paper Multiple art techniques and mixed media processes have been combined for compiling this compostition ie. photography, stencilling, painting, scanning, computer printing, re-assemblage & Photoshop. A Limited Edition of 25 only, size A3+ [13” x 19”] signed giclee prints in the highest resolution quality, are available for sale direct from the artist here Exhibited Light, Time & Facade Exhibition 2007 & ELevating the Spirit 2009 ..................................... ARTIST STATEMENT My response to Light, Time and Facade has been to discern and depict metaphorically, multifaceted aspects of one’s being in both mind and matter or existence and universe. The vessel (symbol for being) in light and time, absorbs, reflects, refracts and transmits information to and from the surfaces around. ...”Reality is a game of illusion, delusion, perception and deception … The trickster (an archetype, a boundary dweller) exists to question, to cause us to question and not accept things blindly.” (Quote by Ellie Crystal). In the light of spirit I reflect that the boundaries that separate us are not as real as they appear, that our personal distinctions are illusory and that we are connected with all in the sea of universal consciousness, a fusion, a melting point. ........................
Lana Wood (born Svetlana Zakharenko on March 1, 1946) is an American actress and producer. She was born to Russian émigré parents, Nikolai and Maria Zakharenko, and is the younger sister of actress Natalie Wood. She made her film debut in the classic John Wayne western The Searchers and was a regular on the soap opera Peyton Place. She is best known for her role as Plenty O’Toole in the James Bond film Diamonds Are Forever. Wood was born Svetlana Nikolaevna Zakharenko to Russian parents, but they grew up far from their homeland: her father lived in Vancouver, British Columbia, Canada, while her mother grew up in a Chinese province. After her parents were married, they settled in Santa Monica, California, where Lana was born. By this time her parents had legally changed their surname to Gurdin. Her older sister was actress Natalie Wood. They have a half-sister, Olga Viriapaeff, from their mother’s previous marriage. As a baby, Lana appeared in Driftwood (1947), but her scene was deleted from the final version of the film. Lana’s first credited film role was in the 1956 western classic The Searchers (1956), which starred John Wayne and also featured Lana’s sister Natalie. Their mother Maria had picked Natalie’s stage name (her real name was Natasha) after director Sam Wood. Maria was asked under what last name Lana should be credited, and Maria agreed it would be best if she could be credited as “Wood,” like her famous sister. As a child, she also made guest appearances in Playhouse 90 (1957), The Real McCoys (1958) and appeared in the film Marjorie Morningstar (1958). Early on in her adult career, Wood usually played bit parts in films Natalie appeared in. Starting in the 1960s, her own career landed off. One of her roles was in the beach party film The Girls on the Beach (1965). After appearing in the short-lived drama series The Long, Hot Summer, she landed in the role of Sandy Webber in the soap series Peyton Place. She played the role from 1966 to 1967. In 1970, Lana was approached to pose for Playboy by Hugh Hefner and agreed. The Playboy pictures appeared in the April 1971 issue, along with Wood’s poetry. Even though her sister strongly disapproved of Wood’s move to pose nude, the publicity was a major reason for her being cast as a Bond girl, Plenty O’Toole, in the 1971 James Bond film, Diamonds Are Forever, in which, in one scene with Sean Connery, she appeared wearing only a flimsy pair of see-through panties [1]. Wood has more than 20 other films and over 300 television shows to her credit, including The Fugitive, Bonanza, Mission: Impossible, Police Story, Starsky and Hutch, Fantasy Island and Capitol. Some of her other film roles have been in the Disney film Justin Morgan Had a Horse (1972) and the western Grayeagle (1977). After appearing in the horror film Demon Rage (1982), she retired from acting, concentrating on her career as a producer. In 1984, Wood published the controversial tell-all book Natalie, A Memoir by Her Sister, shortly after the death of her sister. The book reached #3 on the New York Times Bestseller List. In 2004, she produced the biopic The Mystery of Natalie Wood. She recently returned to acting and has several projects in production.Lana is a character in the new Steve Alten book”Meg:Hell’s Aquarium” Lana has married five times. She was briefly married at age 16 to Jack Wrather Jr. before their marriage was annulled. At age 18, she was briefly wed to Karl Brent. At age 21, she was briefly wed to Steve Oliver. Lana married a fourth time to Richard Smedley in 1973. They have a daughter, Evan Taylor Maldonado, born on August 11, 1974. In her memoir, Lana claims that Smedley hit her on occasions. They later divorced, and Wood married a fifth time to Alan Balter, whom she also divorced. Wood was romantically involved with actors Warren Beatty, Ryan O’Neal and Sean Connery. Wood’s memoir includes very in-depth, vividly detailed stories of her sexual encounters and affairs. On November 29, 1981, Wood’s sister Natalie drowned near Catalina Island under suspicious circumstances. Lana has said: “The person I loved more than anybody else, with the sole exception of my own daughter, is dead. I cry for her often. I expect I always will”. Later on, their mother Maria had alzheimer’s disease moved in with Lana and her family. Maria Gurdin died on January 6, 1998. Lana wrote a book about her experience with Maria which was not published. After Lana published her tell-all memoir Natalie: A Memoir by Her Sister, her former brother-in-law Robert Wagner broke off contact with Lana and her family. Wagner later married actress Jill St. John, who was a childhood friend of Natalie’s and co-starred with Lana in Diamonds Are Forever. In the spring of 2000, the women became involved in an altercation during a cover shoot for Vanity Fair featuring the Bond Girls. Lana cooperated with author Suzanne Finstad on her biography of Natalie, Natasha, in which Finstad suggests Wagner played a part in Natalie Wood’s death. Lana currently lives in Thousand Oaks, California. She has three grandchildren: grandsons Nicholas and Max, and a granddaughter, Daphne.
oil/rag paper/pastel 29.5×40 / Gathering momentum with a solo / Men with Hats / Men With Hats encompasses the evolution of portraiture. Dynamics are the essence of every image and yet each image lives in a past moment never to occur again. My interest with this series is to validate living through events and perceptions of those events through long and short term recall. My thoughts and documentation of this series of work has changed and continues to change as I create new pieces. Keep looking!
Casino on the Vegas Strip. Limited edition can be purchased for artist.
Rivière-du-Loup, Québec, 2008
Old Orchard Beach, Maine, 2008
Wells Beach, Maine, 2008
Sunflower, Québec, 2008
Old Orchard Beach, Maine, 2008
Wells Beach, Maine, 2008
Street Entertainer, Château Frontenac, Québec, 2008
Street Entertainer, Château Frontenac, Québec, 2008
This artwork deals with the subject of racism. The reason for the coloured shapes over the faces is to imply that anyone can be a victim of racism and at the same time there’s a racist in every ethnic group basically no ethnic group is immune to these evil ways of thinking. This artwork came from a drawing that was printed onto photographic paper, the coloured shapes were added in before the print. I used photoshop for the coloured shapes. The artwork done by adelaide artist Ashoka Chowta, made in 2008.
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