Artist visual
317 creative works found
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Miss Elvie
by DeezynCreated entirely in Illustrator. Miss Elvie won runner-up in the Local Artist Award at the ‘Arts on Show’ exhibition held in Mackay.
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Digital painting by the visual artist Alejandro Silveira
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/ / The Silent Cry is a self-portrait taken from photographic artist Jaeda DeWalt’s The Abyss series and is a part of the DeWalt Gallery collection. Image shot using a digital camera and remote controlled shutter release. I love the way shadows can paint our face with emotions deep. About this image / Speaks to the sea of darkness, the silent cry and the quieter emotions, i so often hide, from the rest of the world. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in Self as Other group on 8-17-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Artography Book! / Shades of the Soul – Click to Preview! / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm contact my Agents at Gallery 112 / .....................................................................................
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My picture (half of it) painted with honey watercolours. / The first of such kind.
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Medium: Multi/mixed-media – charcoal, pastel, gesso, watercolour, acrylic, oil, collage, leaves, fabric, papers – himalayan rice paper, cartridge, Arches 300 gsm rag paper. / Triptych: H.122 x W.170 / This work is from the curated group exhibition ‘Remnants of Presence’ Exhibition. Innisfail, Far North Queensland. / One of the conceptual challenges for each artist was to approach a work with subject matter in-two-parts to show recent practice/new work development and be shown together. Visible Traces represents renewal, journey of experiences and time passage. Part A – Of recent practice (the two outer side panels) makes reference to the initial inspirations from: the natural environment, the human figure, various motifs including banana fibre made receptacles/vessels, lino prints and evolved symbology. Part B – The new work (centre) Prior artwork imagery & object ‘remnants’ were used for the initial stimuli and also represents my ‘presence’. All is fused into an abstract multi-layered composition. It is a collective tribute to the tropical shapes, forms, patterns, and textures etc that were the initial inspirations, the visible signage. Organic, gestural and spontaneous in feel (energy), with collage and mixed media processes mingled with personal symbolism. The work provides the viewer with facets and moments. Although ambiguous, there are sufficient visual markers to draw them in to discover further information and help them to intuitively and conceptually complete what they may perceive in the work and to sense the presence of the artist (spirit).
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Acrylic, collage on canvas. / SIze: Height 864 mm x Width 567 mm Taking over a period of 12 months to complete, this work started out as four separate feature areas working from original sketches studied from nature in the landscape (Brampston Beach, Far North QLD) . They were then combined into the one composition. Features are textures/patterns of collaged pieces and thickly applied, textured acrylic gel with multiple paint overlays. In artist’s collection.
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Work exhibited in the Visual Arts Association Group Exhibition ‘Four Seasons’, held Cairns Regional Gallery, Qld. / The exhibition theme was inspired by the Vivaldi’s music ‘The Four Seasons’. Mixed media – archival black ink, acrylic, collage – paper painted, mono & screen-printed, drawing, photo; screen-printed cotton fabric, carpet material; on canvas. Background: I had been working individually on art compositions relative to my passion to interpret music, rhythm, movement and energy through the use of formal visual art elements ie. line, colour, tone, shape, texture and art media. The interpretation of any music requires one’s senses to hear and feel, absorb sound and energies, to internalize and contemplate, as apposed to recording information seen/perceived through the eyes from the physical ‘outer’ world. One has to create and interpret a visionary abstract, from a pure transitional and spiritual sensual state, from one’s own internal environment, the knowledge, understanding and experience one brings to canvas for the moments of manifestation. I jumped at the chance when this exhibition theme came up. Also I am much inspired by Kandinsky and his work, a long time favourite art philosopher and mentor. ....................................... /
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illusions… / yesterday… tomorrow and memories
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Medium Pencil drawing on A1 size Kent cartridge paper. Art & Design theme Extension of the Senses of Man (Woman) / Always had a passion for direct observational drawing/painting from life/nature, especially to observe and study the human figure/form/anatomy. / The skin is our largest sensory organ and requires the extension of clothing for its protection against the environmental elements. Thinly draped clothing veiled over the human form provides ample study of soft falling movements along body lines, flowing shapes & patterns etc. I wanted to explore the human form/skin/clothing outdoors in the natural environment as apposed to life models posing in a protective drawing room set-up that I had been so far exposed to. / / Process: / Stage 1) Exploring the extension of the senses by exposing the human form/skin/clothing to the natural physical elements of water, air and earth/sand at a public beach landscape and documenting this through the photographic medium. Two fellow art students modelled for me in loose light negligee clothing. Stage 2) From there I developed a B&W photographic series learning several darkroom manipulation techniques in the process. Stage 3) From the resultant photographic imagery (on the human structure, female shapes and forms, skin & cloth exposured to the natural elements of water, wind/air, earth/sand/rock in the landscape) I further explore and study the inherent structure and ‘dynamics’ of several images and produce several drawings. / / I think my two fellow art student models totally enjoyed the creative photographic documentation experience, even though they got cold, wet and buried in sand, and I, the photographer stayed dry!
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wait, curiosity, longing, yet the spark of pure hope. PRINT AVAILABLE!
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Elfin Gaze
by RLHallApplied alpha layer to photo with leaves in it and removed background with erase tool, pasted it to photo of eyes and anchored it. Used glow, and sparkle effects, then added nova effect to each eye Slightly adjusted color and contrast with GiMP2. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Colored Pencil Drawing. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Drapes, Moulds, and cuts of life make the perfect Silhouettes
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All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Medium: Gesso, sanguine pastel on Arches 300gsm rag paper, 76×56 cm (30×22”). / Worked directly from a life model in my studio gallery, this work combines both drawing and painting skills. I have a love/passion for embellishing, building up a surface with both actual and implied textural qualities. / / WORKS ON PAPER- ‘Two (2) Colours’ Challenge / In TOP TEN – In 2nd place (mid-July 09) / Click on the image link below to see the challenge page. / A Monthly FEATURE (June 09) / in Life Session Expressions / “Life Session Expressions” Challenge “No. Favouritings – in The Top Ten
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Medium: Fabric textile markers, acrylic on calico & canvas. / Artwork SIze: 126.5×131.5 cm. All figures were drawn directly from the life model and the work can be viewed from all sides, and at best when hung from a ceiling! Original work has sold and is in a Private Collection – America. Secret Thoughts – Winner of the Nudes – The Naked CreationChallenge in Creative Spirits of Queensland (18.10.09) /
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Mixed-media on rag paper. / Monoprint, drawing, painting, collage. FEATURED / “Transcendance (Abstract 92)” was featured in Works On Paper / (May 09) /
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Medium: Mixed-media: acrylic, pastel, linen thread, banana fibre, fabric – hessian, tarlatan; butterfly wing, leaf, rice paper, paper. / Support: Canvas / Techniques: Collage, painting, drawing, banana fibre basketry, stitching. / Size 8” x 6” / Original sold at Postcard Exhibition, Cairns Regional Gallery. / SYMBOLISM: Abstract, Archetypal Expressionism Acknowledgement of transitional states and the work of the spirit through the repetition of the X’s reflecting time, movement, physical attachment – stitching, threads. The X’s: also vortex symbol, “As is above, so is below”, spirit/matter, heaven/earth realms, parallels, thoughts, manifestation, mesh, grid, lattice, interconnections, signifying realms of planes – a particular level of existence, mental activity, achievement. Channels, layers, stitching, butterfly wing, leaf – passage, transit, conduit, levels, parallels, planes, carriers. Vessels – embodiment of your ‘being’, container, inner alchemy processes, all is one; open, receive, filter, give and take, shelter, nurture, protect, shadow self, dualities. Colours/fabric, rice paper collage – Primal, energy/chakra levels, alchemies, signifying realms of existence, of various planes – worldly, spiritual.
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Assemblage. Mixed media: Linen thread, collage, rag paper, acrylic, assembled on canvas. Size: 335×415 x 32 mm / Hanging format – Pages can be turned to view the different sections. From the Exhibition Elevating the Spirit “The world is full of resonance’s. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.” (Wassily Kandinsky from Article ‘On the question of the form’) Archetypes and symbols: the thread ‘tracks’ are a metaphor for transition between states of being, planes of paint, spirit and matter; forms of vessels, grids and planes echo containment within levels; colour resonates with symbology, emotion and memory.
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Bodyscape de-saturated and hand tinted to evoke feelings of comfort and tranquility. Hi-Resolution image shot with Canon 400D and soft box at 100iso. This image copyright Jeffrey Boyle-Ikon Visuals and cannot be used for commercial or private purposes without permission.
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Pastel, gesso on Arches Rough 300gsm Rag Paper / 765×565 mm
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Influence of nature. Graceful curves. The wispy lines resambles branches and leaf motif on this piece. Enjoy it!
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