Artist gallery Wall Art
507 creative works found
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
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Alley life – Graffiti Melbourne / Color Coordinated-Graffiti Melbourne Melbourne Graffiti Artists This laneway in Melbourne is a gallery for artist to express themselves it is well know around the world for the beauty young emerging graffiti artists can contribute to it. / Melbourne Graffiti has become a tourist attraction and a popular backdrop for fashion and wedding photography. grafitti calenders / Graffiti around Melbourne / Color Coordinated – III / Color Coordinated – II / Color Coordinated – I / / Exhibited at Brunswick Street Gallery from July 4th to July 17th. / Color Coordinated – II / Color Coordinated – I / / Exhibited at Brunswick Street Gallery from July 4th to July 17th. Melbourne Graffiti Artists This laneway in Melbourne is a gallery for artist to express themselves it is well know around the world for the beauty young emerging graffiti artists can contribute to it. / Melbourne Graffiti has become a tourist attraction and a popular backdrop for fashion and wedding photography. / The naming of this image goes to Snobardnlife / many thanks sold / 8-calenders sold Redbubble / 4- 20×16 matted prints- clients and redbubble / 1-Poster – clients and redbubble / 1-framed matted print – redbubble / 6- 10×8” clients /
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Tree snag with sandstone cliffs in background. Established in 1909 Utah’s first national park will celebrate its 100th birthday in 2009. Canon 30D / 18mm focal length / F/6.3 / 1/100 sec. This image placed 2nd on October 31, 2008 in the November Avatar Challenge challenge in the Welcome to Utah group. ~ ~ ~ ~ ~ Please don’t copy or download this image. My photos may NOT be reproduced and/or used in any form without my written permission. If you want this photograph, I would be honored for you to purchase it. ©2008 Patricia Montgomery | Bucks Mountain Galleries All rights reserved.
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Got this young artists permission to take this pic. / She was practising her skills at Kelvingrove Art Gallery. Had a mono in mind,this is the outcome.
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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This image was chosen as the November ‘09 image to be included in the 2009 Christmas Seasons calendar by CalendaRus. There have been two sales of this calendar. BYGONE ERA IMAGE COLLECTION We saw this wonderful old wagon on the side of the road during a road trip through West Virginia in December 2005. This vintage wagon is “Miss December” in my 2009 calendar. There has been one sale of this image. Thank you for stopping by to comment on this image. I don’t normally respond with individual thank-you comments due to time constraints (slow dial-up speed). I prefer to spend my limited time on RB by commenting on your work instead. However, I want you to know how much it means to me that you took the time to view and comment on my work! Patricia ~ ~ ~ ~ ~ Please don’t copy or download this image. My photos may NOT be reproduced and/or used in any form without my written permission. If you want this photograph, I would be honored for you to purchase it. ©2008 Patricia Montgomery | Bucks Mountain Galleries All rights reserved.
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“It’s not the voting that’s democracy, it’s the counting.” Tom Stoppard “Voters don’t decide issues, they decide who will decide issues.” George F. Will “The fact that a man is to vote forces him to think. You may preach to a congregation by the year and not affect its thought because it is not called upon for definite action. But throw your subject into a campaign and it becomes a challenge.” John Jay Chapman “The ignorance of one voter in a democracy impairs the security of all.” John F. Kennedy “Constantly choosing the lesser of two evils is still choosing evil.” Jerry Garcia On November 4th, 2008 Americans have the chance to help select the President and the direction our country shall take over the next few years maybe even longer. Don’t sit at home and let your vote not be counted, every vote does count especially during this blackest time of America since the Great Depression. If you think your vote doesn’t count you have not learned from history where candidates were decided by the difference of a thousand votes or less. If you don’t vote you don’t have the right to complain about what happens to America after the vote you gave up that right by not casting your vote. So go vote as if your world depends upon it because it does on many levels. Original: 42”h x 42”w x 1.75”d, Ink on Acrylic. Contact the artist for any information, pricing or shipping details. For sale by artist, please contact directly to purchase original Digi-Origi™ works or Limited editions. Some groups that you may want to visit and join: / AW Welcome Center / EF Welcome Center / Globes, Spheres and Curves / DaDa Land / Boolean Art / Fantasy Art / Human and Nature / Light and Reflections / Disclaimer
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The late evening sun casts a golden glow on the sandstone cliffs in Zion National Park. Established in 1909, Utah’s first national park will celebrate its 100th birthday next year. ~ ~ ~ ~ ~ Please don’t copy or download this image. My photos may NOT be reproduced and/or used in any form without my written permission. If you want this photograph, I would be honored for you to purchase it. ©2008 Patricia Montgomery | Bucks Mountain Galleries All rights reserved.
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“Astro Boy” strives to render the iconic cartoon character to look as realistically three dimensional as possible in an attempt to give Astro Boy what he’s always wanted – to be as human as possible. The Pinocchio of the robot world… Oil on Stretched Canvas – No Airbrushing 24 X 16 inches / 61 X 41 cm Original : / $900 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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In this painting I have endeavored to reduce the landscape down to its absolute minimum, focusing purely on the line of salt-bush on the horizon, with one solitary bird hovering in the air, to give the impression of the raw empty heat of a mid day summer where nothing stirs until l the cool of the evening. . . Oil on Canvas – No Airbrushing 24 X 48 inches / 92 X 122 cm Original : / $1200 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................................
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These little brothers are Blue Heelers (Australian Cattle Dogs) and celebrated their 3-week birthday on October 11th. Their father is a Blue Heeler that belongs to a friend of ours. Their mother is our beloved pet, Dottie, an abandoned and abused Blue Heeler who wandered onto our property one day about 5 years ago. It was divine intervention! Dottie was starving, ribs showing through her thin coat, and the only food I had was some cat food. I fed her, she fell in love with me, and me with her. Dottie is a very smart dog with a large repertoire of tricks that always impress folks who meet her for the first time. This is Dottie’s first off-spring and we were so excited to get some of her pups. We expect them to be just as smart as their mother! Thank you for stopping by to comment on this image. I don’t normally respond with individual thank-you comments due to time constraints (slow dial-up speed). I prefer to spend my limited time on RB by commenting on your work instead. However, I want you to know how much it means to me that you took the time to view and comment on my work! Patricia Please don’t copy or download this image. My photos may NOT be reproduced and/or used in any form without my written permission. If you want this photograph, I would be honored for you to purchase it. ©2008 Patricia Montgomery | Bucks Mountain Galleries | All rights reserved.
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“Seabird In Flight” is about the form of a bird’s airborne movement in relationship with the harmonious contours of the overall landscape. The bird itself becomes a natural part of the world that it resides in. . . Oil on Stretched Canvas – No Airbrushing 36 X 61 inches / 92 X 155 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .......................................................................................
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To give an indication of the sheer size and scale of this cloud mass, on the bottom right of this image there are some full-sized pine trees and that small white dot next to them is a huge lighthouse sitting on the end of an island. . . Digital Camera
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In “Seagull In Flight 2” the focus is primarily on the seagull and it’s contrasting shadow. Both moving in equally opposing directions as the seagull glides close over the peaceful mid-day sand… Oil on Stretched Canvas 36 X 60 inches / 92 X 153 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ...................................................................
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Melbourne Graffiti Artists This laneway in melbourne is a gallery for artist to express themselves it is well know around the world for the beauty young emerging graffiti artists can contribute to it. / Melbourne Graffiti has become a tourist attraction and a popular backdrop for fashion and wedding photography. /
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The transcendental art of fire dancing, combined with a backdrop of stark, urban-industrial desolation. / The background represents the state of one’s life (like the inside of their mind) and the subject twirling fire represents the transmuting of this apathy of existence into the realization that there is so much more to life and the Universe than what is going on in their head.
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View from the air through the eyes of a seagull Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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