Artist gallery
374 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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The lyrically fluid movement of the ocean against the sand on a calm quiet day. . . Oil on Stretched Canvas – No Airbrushing, etc 36 X 55 inches / 92 X 140 cm Original : / Sold / contact my Agents at Gallery 112 / ...............................................................................................
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Who's the Artist?
by RedBubbleStanding, looking at an artwork in a gallery recently I found myself asking, who is the artist? At one level the answer is obvious – the …
Standing, looking at an artwork in a gallery recently I found myself asking, who is the artist? At one level the answer is obvious – the person who created the object. But the tricky bit is they may or may not be the person/s who decided it was art. A recent exhibition at the National Gallery of Australia of Aboriginal art is a case in point. The early objects on exhibit became “art” when a curator determined they were. Before that they were objects the community created to give meaning to their lives. There were no artists just the people making the works. And, I will confess here, I find the idea of being an artist a little bit diminishing. It is possible to be a lawyer because other people aren’t one (I know at least that I am not a lawyer). But if I decide I am an artist does that mean I wasn’t one before or that you aren’t one? The truth is we are all artists or at least have the potential be. And so being an artist is really little different than being human. At least if we allow ourselves to be fully human. And whether the things we make are considered to be “art” or not, I guess we will have to leave that to the critics. Martin (aka Pilgrim)
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
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There is a type of quiet peaceful solitude that one can only experience in a park Oil on Stretched Canvas – No Airbrushing 36 X 56 inches / 92 X 143 cm Original : / Sold / contact my Agents at Gallery 112 / .......................................................................................
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Got this young artists permission to take this pic. / She was practising her skills at Kelvingrove Art Gallery. Had a mono in mind,this is the outcome.
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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I have tried to keep the butterfly and its shadow to scale to give the impression of a real butterfly about to land on someone’s T-shirt
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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PHOTO SHOOT MELBOURNE & SYDNEY PHOTOGRAPHERS ALL WELCOME: JOIN THE MAILING LIST
by AlateiaI PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / ”!http:/...
I PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / / photo courtesy of MAREE TOOGOOD / / photo courtesy of Jodie Johnson If you are interested in attending any of the PHOTOGRAPHIC SESSIONS that i stage and stepping off the virtual platform for a shoot, meeting other bubblers, working with excellent models, picking up tips on the job, let me know! and i will add you to our mailing list and keep you in the loop. / _photo courtesy of KARLS I organise, models, drops & props, venues, equipment etc. for on location and studio shoots. So jump on the mailing and stay in the loop just email SHOOTER MELBOURNE or SHOOTER SYDNEY to / events@arthouseproductions.com.au Some of the sessions are by invitation only as location can restrict numbers so let me know what areas interest you ie, dance, portraiture, black and white, cityscape, sports, nudes, fashion, catwalk, landscape, storms, seascape, animals, babies, night , long exposure, photo journalsim, macro, etc. etc Look forward to seeing you at the next SHOOTERS GALLERY !!
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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TUTORIAL: Adding Buttons To Your Profile Page
by Patricia Montgomery*I recently had several requests for instructions on how to add buttons like the ones in my profile...
I recently had several requests for instructions on how to add buttons like the ones in my profile. Rather than send individual bubblemail messages, I’m posting it in my journal in case someone else would like to add buttons to their RB profile. BUTTON INSTRUCTIONS Tip: print out this page and put it beside the computer before you start. You can make your own buttons or you can use a site called ButtonGenerator. If you decide to use this site and not to pay for a membership, you will need to add a link back to the site. I made all of mine 125X26 to give you some idea of the size of the ones on my page. This size allowed 3 buttons side-by-side. Make all your buttons and then save them in a folder on your computer. Then you will need to upload each button to your RB image gallery and use the “Hide” feature so that no one sees them but you. Once you have them uploaded you will need to right-click on each one to get the url address html code in the properties box. Example: http://images-0.redbubble.net/img/art/size:ularge/view:main/1407403-1-autumn-button.jpg Then go to “Edit Your Profile” to copy the image html code AND the tag html code – it will look like this (without the spaces): ! http://images-0.redbubble.net/img/art/size:ularge/view:main/1407403-1-autumn-button.jpg ! : http://www.redbubble.com/people/patmonty/art/everything/tags/autumn [REMEMBER NO SPACES. I had to add spaces so you could see the html code. If I had not added spaces, the button would have appeared in the journal instead of the code.] The last word in the html code is the “tag” word. In the example above it is autumn. You will need to put one space between each set of button html code. If you have a lot of buttons the language is long and wraps around forever. But with one space between each button html code, the buttons will sit next to other and then wrap to the next line. Now you will need to add the tag word to each of your images that will correspond to the buttons. Happy Button Making!
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DIGITAL ARTISTS' FRONT COVER CHALLENGE FRONT PAGE FEATURE OPPORTUNITY ON OUR HARDCOVER PUBLICATION THE WORLD IS WELCOME TO THE CHALLENGE
by AlateiaI AM WORKING WITH MY GROUPIES OF THE MELBOURNE SHOOTERS GALLERY & EVENTS AT THE MOMENT TO PUT…
I AM WORKING WITH MY GROUPIES OF THE MELBOURNE SHOOTERS GALLERY & EVENTS AT THE MOMENT TO PUT TOGETHER A REALLY COOL HARDCOVER PUBLICATION. HERE IS SOME INFO / YOU CAN BE ANYWHERE IN THE WORLD & TAKE UP THIS CHALLENGE THERE IS NO LIMIT TO THE NUMBER OF ENTRIES YOU MAKE AND THE DATE IS LEFT OPEN UNTIL FURTHER NOTICE BUT GET IN QUICK. * THE LAST PHOTOGRAPHIC PRODUCTION THAT I STAGED FOR THE GROUP CALLED ‘THE ANGELS’ PRODUCED SOME AMAZING IMAGES, HIGHLY UNIQUE. THEY WERE SHOT WITH THE EXPRESS PURPOSE OF PROVIDING MATERIAL FOR DIGITAL ARTISTRY. THE CHALLENGE IS FOR DIGITAL ARTISTS TO TAKE YOUR PIC OF ANY OF THE SAMPLE IMAGES BELOW, HAVE A PLAY AND SEE IF YOU CAN TRANSFORM THEM INTO REAL ANGELS WITH WINGS AND THINGS… oh, i f you don’t have a spare pair of wings floating around try something sureal, mythological, futuristic…... . THREE OF THE BEST WILL BE OFFERED THE ENTIRE COLLECTION TO CHOSE FROM AND PROVIDED WITH THE HIGH RES IMAGE TO WORK WITH. SOME CLUES….....? / imagery to represent / ART HOUSE PRODUCTIONS all due credits of course. / HERE ARE THE IMAGES GOING INTO JIUCY, GLOSSY PAGES My weaknesses: / Classical mythology, purple, blue, red, gold, fantasy, sureal, scifi, paris, 1920- 1950, favourite times 60’s & 70’s, favourite gods, demi gods, bacchus, pan, diana, athena, neptune, hercules, hermes, adonis, icarus, oh did i say ICARUS? favourite moveis, the 13the element, dead man, elizabeth, 300, favourite music, french, mademoiselle K, manu chau, donavan, favourite designers: jean paul gautier, de la renta, jimmy choo, kanzai yamamoto, favourite art: japanese woodblock, kabuki, manga, marquesian tattoo, favourite cultures: japanese, italian, polynesian have fun… but before you do…........READ THE FOLLWING AND DO NOT ENTER IF YOU DO NOT INTEND TO ABIDE BY THIS CONDITION. IMPORTANT NOTE: TO PROTECT THE AUTHORS OF THESE IMAGES PLEASE OBSERVE THE FOLLOWING:* / . / (THE AUTHORS OF THESE IMAGES HAVE GRANTED THEIR APPROVAL FOR DIGITAL MANIPULATIONS OF THEIR IMAGES SOLELY FOR THIS CHALLENGE ALONE. _SAMPLES OF YOUR WORK MUST BE FOR THIS PURPOSE ONLY AND ANY WORK YOU DO ON THEIR IMAGES MUST ONLY BE FOR THIS CHALLENGE AS SAMPLES AND NOT TO BE USED OR EMPLOYED, PUBLISHED, DISPLAYED ANYWHERE ELSE APART FROM THIS JOURNAL ENTRY. / IF YOU ARE SELCTED FOR THE FINAL IMAGE A FORMAL AGREEMENT WILL BE DRAWN UP TO EMBRACE SHARED IMAGE COPYRIGHT AND CREDITS. / ‘fallen angel’ courtesy of Missy Miss / / / Over the next day or so i will post some more up. I have permission from the photographers to offer their images up for this project, they are also very excited to see what you can do with them. ............go for it. !! / take out the aparatus and background and turn them into amazing Arc Angels would be cool….. i like mist and mystical, rich tones and intensity. THE MORE CAPTIVATING THE BETTER. COVER IMAGE BABY!!! / #3by me#4by me. CHECK THIS OUT GUYS* i have been given permission to post this bubble up…... Aloramyst wrote you a BubbleMail about 3 hours ago: Alateia, I would like to offer up my entire Redbubble portfolio which contains over 1500 pieces of artwork for collaborations for digital artists for your Digital Artist’s Front Cover Challenge. They may manipulate any of the images to be a part of this challenge only. I have an abundance of artwork ranging from magical, fractal, nature shots an more. I would luv to see what others can do with them in combination with your provided models. Here is a link to my portfolio if you’re interested in making it available to others. I THINK THATS A WONDERFUL IDEA, HAVE A LOOK THROUGH HER COLLECTION… SOME AMAZING ZTUFF…......ooooo this is getting FUN!! TAKE A SNEAK PEEK AT THE COLLECTION / the password is … crusifix
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Click on the image below for a more detailed close-up / The subconscious delights of nocturnal thoughts Pen & Ink Freehand 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ..............................................................................
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“Today, the degradation of the inner life is symbolized by the fact that the only place sacred from interruption is the private toilet.” Lewis Mumford Original: 30”h x 42”w x 1.75”d, Ink on Acrylic. Contact the artist for any information, pricing or shipping details. For sale by artist, please contact directly to purchase original Digi-Origi™ works or Limited editions. Some groups that you may want to visit and join: / AW Welcome Center / EF Welcome Center / Globes, Spheres and Curves / DaDa Land / Boolean Art / Fantasy Art / Human and Nature / Light and Reflections / Disclaimer
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“Astro Boy” strives to render the iconic cartoon character to look as realistically three dimensional as possible in an attempt to give Astro Boy what he’s always wanted – to be as human as possible. The Pinocchio of the robot world… Oil on Stretched Canvas – No Airbrushing 24 X 16 inches / 61 X 41 cm Original : / $900 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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View from the air through the eyes of a seagull Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Color Coordinated – III / Color Coordinated – II / Color Coordinated – I / / Exhibited at Brunswick Street Gallery from July 4th to July 17th. / Color Coordinated – II / Color Coordinated – I / / Exhibited at Brunswick Street Gallery from July 4th to July 17th. Melbourne Graffiti Artists This laneway in Melbourne is a gallery for artist to express themselves it is well know around the world for the beauty young emerging graffiti artists can contribute to it. / Melbourne Graffiti has become a tourist attraction and a popular backdrop for fashion and wedding photography. / The naming of this image goes to Snobardnlife / many thanks
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BYGONE ERA IMAGE COLLECTION We saw this wonderful old wagon on the side of the road during a road trip through West Virginia in December 2005. This wonderful old girl is “Miss December” in my 2009 calendar. ~ ~ ~ ~ ~ Please don’t copy or download this image. My photos may NOT be reproduced and/or used in any form without my written permission. If you want this photograph, I would be honored for you to purchase it. ©2008 Patricia Montgomery | Bucks Mountain Galleries All rights reserved.
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