Art primitive
385 creative works found
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I AM NOT AN ARTIST I AM JUST A MAN WHO PAINTS.L.S.LOWRY).... I have been painting as an amateur artist on and off for many years.I have over the years developed a very unusual use of colour and content, which I now know from experience appeal to many people, Including individual collectors and dealers. Newcastle upon Tyne England has been a hotbed of heavy Industry since the beginning of the industrial revolution, most of which has now gone forever. A lot of my paintings are recollections of youthful images of the period, late 1940s and 1950s. They are inspired by local naïve and primitive pitmen artists I am also an admirer of L.S.LOWRY, and the great American artist EDWARD HOPPER .AND GRANMA MOSES among others. All images are copyright of Peter McPartlin, All Rights Reserved Any prints are for private, non commercial use. You may not copy or redistribute these images without my written permission
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water color / Tarahumara indian women as angels I went to a talk and event on Tarahumara people and their crafts Saturday, Oct 27. I was very inspired by their colorful and simple way of life. The Tarahumara or Raramuri, as they call themselves, inhabit the Copper Canyon, as it is known in the U.S., or the Sierra Tarahumara in northwest Mexico. Tarahumara live in caves, under cliffs and in small wood and stone cabins in remote areas. They live a simple life undisturbed by modern technologies. They are known as a quiet and considerate people who are expert farmers. / (Mexonline.com)
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Pastel drawing from Anatomy Eyes Series.
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(I AM NOT AN ARTIST I AM JUST A MAN WHO PAINTS.L.S.LOWRY).... I have been painting as an amateur artist on and off for many years.I have over the years developed a very unusual use of colour and content, which I now know from experience appeal to many people, Including individual collectors and dealers. Newcastle upon Tyne England has been a hotbed of heavy Industry since the beginning of the industrial revolution, most of which has now gone forever. A lot of my paintings are recollections of youthful images of the period, late 1940s and 1950s. They are inspired by local naïve and primitive pitmen artists I am also an admirer of L.S.LOWRY, and the great American artist EDWARD HOPPER .AND GRANMA MOSES among others. All images are copyright of Peter McPartlin, All Rights Reserved Any prints are for private, non commercial use. You may not copy or redistribute these images without my written permission.
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From my original acrylic painting
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I mentioned when I uploaded the Irish Cottage that I had only done two paintings in my entire life – lol. The other is a large overdoor painting on a wood panel – an acrylic done in what I refer to as “primitive” or folk art style. I cannot draw a thing – lol – and certainly have no gift for faces etc – so folk art suits me well. I cannot draw or compose from memory or some internal vision either as so many talented artists can, nor from just looking at something and attempting to capture it in a painting. So I can claim no credit for originality here. The entire painting is a composite of buildings I’ve seen in folk art calendars or books, rearranged and placed to reflect the progression of seasons from spring to fall. Calling it a primitive folk art allows me to get away with a lot of problems with perspective, proportion and anatomy – lol. Still I wanted to share it with you so I’m going to post it in four parts (and that still doesn’t catch the whole thing – lol) I hope you like it – it was painstaking but a great deal of fun to do!
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My main website will lead you to all my other online gallery’s and stores: / Arteology
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A fusion of Baroque style elements mixed with primitive tribal art.
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(I AM NOT AN ARTIST I AM JUST A MAN WHO PAINTS.L.S.LOWRY).... I have been painting as an amateur artist on and off for many years.I have over the years developed a very unusual use of colour and content, which I now know from experience appeal to many people, Including individual collectors and dealers. Newcastle upon Tyne England has been a hotbed of heavy Industry since the beginning of the industrial revolution, most of which has now gone forever. A lot of my paintings are recollections of youthful images of the period, late 1940s and 1950s. They are inspired by local naïve and primitive pitmen artists I am also an admirer of L.S.LOWRY, and the great American artist EDWARD HOPPER .AND GRANMA MOSES among others. All images are copyright of Peter McPartlin, All Rights Reserved Any prints are for private, non commercial use. You may not copy or redistribute these images without my written permission
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The postbox from my original acrylic painting digitally enhanced
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My main website will lead you to all my other online gallery’s and stores: / Arteology
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My main website will lead you to all my other online gallery’s and stores: / Arteology
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Sharing the Fire – original sold / When I was growing up, my mother used to make flour tortillas almost every day. During the hot summer days, her friends and neighbors would get together to make tortillas outside their homes. They would share the fire on this big metal burner. This painting reflects my memory of it. I also remember a small blue crooked table where they used to put the tortillas. It was probably made by somebody for kids to play with. I loved to eat the tortillas when they were hot off the burner. I would stay close by so I could have one. Now I make tortillas almost every weekend for my boys. They love them. They always come and stand behind me asking for one. And of course, Sasha the dog would love to have one too. I have changed my mother’s tortilla recipe. She used to use lard. My recipe for a dozen tortillas: / 2 cups all purpose flour / 1/2 teaspoon salt / 1/2 teaspoon baking powder / 1/4 cup extra light olive oil / 1/2 cup warm water
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I AM NOT AN ARTIST I AM JUST A MAN WHO PAINTS.L.S.LOWRY).... I have been painting as an amateur artist on and off for many years.I have over the years developed a very unusual use of colour and content, which I now know from experience appeal to many people, Including individual collectors and dealers. Newcastle upon Tyne England has been a hotbed of heavy Industry since the beginning of the industrial revolution, most of which has now gone forever. A lot of my paintings are recollections of youthful images of the period, late 1940s and 1950s. They are inspired by local naïve and primitive pitmen artists I am also an admirer of L.S.LOWRY, and the great American artist EDWARD HOPPER .AND GRANMA MOSES among others. All images are copyright of Peter McPartlin, All Rights Reserved Any prints are for private, non commercial use. You may not copy or redistribute these images without my written permission
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Having fun with psychology, fractal style. / / © Dave Moilanen 2008
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The Methodist Church, Cades Cove, Great Smoky Mountains National Park, USA A steeple points one to the heavens, symbol of the dwelling place of Christ. Through city streets, across the valleys and lakes, through the countryside far and wide, the steeple declares Christ. I lift up my eyes to the hills / where does my help come from? / My help comes from the LORD, / the Maker of heaven and earth. / Psalm 121:1-2 NIV Ordering the people to sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed {the food,} and breaking the loaves He gave them to the disciples, and the disciples {gave them} to the crowds… / Matthew 14:19 NAS We lift up our heart and hands Toward God in heaven; / Lamentations 3:41 The spire originated in the twelfth century, but America’s steeples are decended from those designed by Sir Christopher Wren after the Great Fire of London in 1666. The fire began early on September 2, not far from the famed London Bridge, and spread quickly, overtaking everything in its path. Over four days the conflagration destroyed most of the city. Many famous buildings, including St. Paul’s Cathedral and 86 other churches (not to mention more than 13,000 homes), were destroyed, and the city smoldered for months. The task of rebuilding many of these houses of worship fell to Wren, a young architect. Noted for his Oxford background as a mathematician and astronomer, Wren was commissioned by King Charles II to rebuild St. Paul’s Cathedral. In his design of St. Paul’s and about 50 other city churches he included steeples, leading men and women to turn their gaze toward God in his heavens. Wren’s simple, straightforward treatment of the steeple quickly caught on. They were increasingly found on American churches, often with bells built in the tops. These bells served dual purposes, calling worshipers to services and summoning citizens for special announcements or emergencies. Early American steeples were usually made of wood. Today most congregations have replaced their wooden steeples, which were showing the effects of time and weather, with beautifully designed steeples made from lightweight fiberglass or metal. In terms of size and shape, steeples are as varied as the church buildings they accentuate. But even in their variety, steeples still serve their traditional purpose—to guide people’s eyes toward the heavens, to God himself. Other works in the Cade’s Cove Collection: > Companion Piece http://images-1.redbubble.com/img/art/border:blackwithdetail/product:laminated-print/size:small/view:preview/1223691-1-the-tipton-place.jpg!:http://www.redbubble.com/products/configure/4160293
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I AM NOT AN ARTIST I AM JUST A MAN WHO PAINTS.L.S.LOWRY).... I have been painting as an amateur artist on and off for many years.I have over the years developed a very unusual use of colour and content, which I now know from experience appeal to many people, Including individual collectors and dealers. Newcastle upon Tyne England has been a hotbed of heavy Industry since the beginning of the industrial revolution, most of which has now gone forever. A lot of my paintings are recollections of youthful images of the period, late 1940s and 1950s. They are inspired by local naïve and primitive pitmen artists I am also an admirer of L.S.LOWRY, and the great American artist EDWARD HOPPER .AND GRANMA MOSES among others. All images are copyright of Peter McPartlin, All Rights Reserved Any prints are for private, non commercial use. You may not copy or redistribute these images without my written permission
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Pen and ink drawing done on a plane while leaving my love in SF to New Orleans. He ended up coming to New Orleans to be with me. We are now still the best of freinds. This goes with my writing here. Please check it out! December 7th 1992 Peering through with squinted sight into a / locked shut eye. Do not Listen to the burden of a withered mouth / It will only lap you up with / it’s dry white filmy tounge. The following / day you will / feel ok.
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This was taken from the same Palm Tree as my ‘Storm Rider’ photograph but further down the tree. I feel it has an ancient primitve feel to it with wonderful textures making a great nature bark abstract. Took this around noon it was a little cloudy making it ideal for the lighting! Macro photography of tree bark is my passion. I am always on the look out for different species of trees. Such a wondrous variety of textures and colours that Mother Nature has hidden. I like to find abstract landscapes or abstract art in my macro photography inviting the viewer closer whilst creating intrigue and atmosphere.
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This is a red pen and ink drawing of “Adidda Primal” It was unknowingly inspired by a story that a friend pinkyjain told me about how adidda’s ar made with Kangaroo skins. I guess the story stuck because this came out the other night while scribbling. So it is what it is and I hope the story effects you as much as it did me. I have never afforded adiddas but now I never will!
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Macro photograph taken from a rock!
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from my original acrylic
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