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  • A little old tee for you postmodernists, collage artists, culture jammers and samplers out there. Buy it…its a no brainer!

  • This image was taken @ Port Willunga at the remains of the old jetty. On a recent journey back to Port Willunga recently, I’d noticed that many of these posts had been burnt. A fun stunt at the time I suppose :( Best viewed on a black background. Images from Australia / Architecture / Images from Japan / Sunsets / Water Scenes

  • THE LAST WORKS (CLIKC FOR VIEW) CLICK FOR VIEW OR COMMENTS

  • Post box in the Old Dutch Fort, Galle, Sri Lanka Iceland / Belgium / Italy / France / Hungary / Spain / Sri Lanka / USA / London / Portraits / Other

  • Verona, the place where Juliet supposed to live has become a peregrination for all lovers! / Potfolio : abstract / bw / landscape / portrait / graphic design / plant / flower / mixed media / china

  • My inner rumblings reflect my personal trials, dreams, needs and obligations. My Artwork reflects who I am! THOU SHALT NOT STEAL MY ART / / Photography / By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.

  • My inner rumblings reflect my personal trials, dreams, needs and obligations. My Artwork reflects who I am! / A ROSE IS A ROSE / / / Smudge Art TM. / Fractal art / Photography By: Madeline M. Allen Thank you for viewing my work Image copyright © 2008, Madeline M. Allen / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited*

  • www.lindsayblamey.com.au

  • / Instead of going for my usual afternoon walk around Princess Park I had that creative urge… So I went walking with my camera and this is one of the finished images from yesterday evening. Approx. 50mts from Moreland Station in Brunswick. / As you can see I’m up to my old tricks with long exposure and post proc!! :D / This image was captured on the same evening as this piece… / / Peace and hugs!! / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography

  • Featured in “DIMENSIONS” on October 5, 2009 and in “NEW JERSEY SCENERY” on October 6 2009 This is a New Jersey view of Manhattan during an October full moon in 2007. Shot at f8 1/60 sec iso 200 with a Canon 1DS and at 135mm.

  • Enjoy!!

  • Collab with Ms.Chen Now this one seriously took me a very long time to make. Finally! and Salty was after my life to complete it. PRINT AVAILABLE!!!

  • Art Criticism: How to Criticize a Work of Art
    by Trace Lowe

    Art Criticism: How to Criticize a Work of Art / A four step process This is what I give my students as a guide to art appreciation: / ...

    Art Criticism: How to Criticize a Work of Art / A four step process This is what I give my students as a guide to art appreciation: 1. Description- What do I see? Study the work in detail carefully. Describe the work in full detail. Be factual. Mention everything you see. 2. Analysis- How is the work organized? Look for and talk about the elements and principles of art and design that seems to dominate the work. Look at how the artist has used The Elements of Art / • Lines- real and implied, curved and straight, direction of movement / • Shapes, Space, Forms- Are the shapes geometric or free-form? Where is the horizon? Where is your point of view as the viewer? (Above, below, in the work, or outside) / • Colors- Warm, cool, bright, dull, soft, bold, etc. / • Value- light: reflecting much light; dark: absorbing much light. / • Texture-Both the medium and the objects portrayed: rough, smooth, shinny, dull Look at The Principles of Design / • Rhythm- Are there repeats of elements or images? / • Movement- Is there an illusion of action? How does the eye move around the work? / • Balance- Formal or Symmetrical, informal or asymmetrical / • Proportion- The size relationships between one part to the whole or one part to another part / • Variety- Visual difference and contrast within the work / • Emphasis- What part is dominant, and what part is subordinate? / • Unity- Does the work hold together? 3. Interpretation- What is happening? This is more than storytelling. As in literature, you need to interpret and generalize from data given. You need to find the metaphor or allegory in the work. What is the artist trying to communicate? Use your intelligence, imagination and courage to explain and tell the meaning of the work. This is based on the facts you have observed and your own life experiences. You can express your feelings, but they must be backed up by the observations you have made about the work. 4. Judgment- What do I think of the work? Does the work hold together visually? Does it communicate with the viewer? Judge whether the work succeeds or fails. You give your opinion backed by the three steps above. To make a judgment, you need to be honest with yourself. You need to know why you feel the way you do. Three Theories of Judging Art Imitationalism -Some people believe that art should imitate what we see in the real world. / Formalism – Some people believe that the most important part of a work is in the use of the principles of design and the elements of art. A work is successful if the texture, color, lines, etc are organized properly. / Emotionalism – Some people believe that the most important part of the work is the mood the artist communicates. Perhaps it is best to use all three theories when judging a work of art. Adapted from many sources, including Arttalk by Rosalind Ragans

  • Legs – Dollybeck. My mother’s Volvo. I always said it looked like a Mafia car… Copyright 2008 Harmony Nicholas

  • Model – Teagan Post-its are awesome. I saw a pack of them in the shape of lips for $1, and this is the idea that sprung to mind. / Yeah, my head is odd. Copyright 2008 Harmony Nicholas

  • DIMENSIONS / Best viewed large. / / / / “DIMENSIONS” was FEATURED in GROUP INCENDIA / / / / / “DIMENSIONS” was FEATURED in the group YOU’RE ACCEPTED / / / / / “DIMENSIONS” was featured in the group IMAGE WRITING / / / I created this image “DIMENSIONS” using new parameters in fractal art through Incendia software, and did all of the post-processing in Photoshop. / ABOUT FRACTAL ART: / Fractal art is created indirectly with the help of fractal generating software, iterating through three phases: setting parameters of appropriate fractal software, executing the possibly lengthy calculation, and evaluating the product. In some cases, other graphics programs, such as Photoshop, are used to further modify the images produced. / /

  • figurative pastel by Maria Paterson, 1m x 70cm / pastel on colourfix paper FEATURED IN CONTEMPORARY PASTELS / FEATURED IN IMPRESSIONIST ART The circus as a subject has provided me opportunities to explore the human condition. By studying the gestures and theatre of the human performance, I have discovered many symbolic references. In this work “little bee” , the element of trust, striving to reach out, bravery, and the freedom to try, come to the surface, perhaps the changing face of families. The little bee may be carrying those seeds of change “ORIGINAL FOR SALE ” through Hang Up gallery Billinudgel / www-mariapaterson-com.jpg go to profile my website 2010 circus art calendar

  • Deadpool + Ryan Reynolds = Epic

  • Remote Western Isle of Scotland situated South of Outer Hebrides. / Beautiful beaches and carpets of colourful wildflowers characterize this tiny but perfect island. Home of the ancient MacNeil clan, the island is steeped in Gaelic tradition and heritage. / Original size 50×50cm / Oil on canvas / Featured in the RedBubble home page June 2009 ScottNaismith.co.uk

  • This photo has not been cross-processed properly, apparently. However, I’d never heard of cross-processing until recently. I’ve read that the term started by developing color print or slide film in the wrong chemicals – for example, color negative film in slide chemicals or slide film by the color negative process. This causes wild color and contrast shifts and requires lots of trial and error. for more, see Dana DiPasquale’s forum page. Apparently a group exists for cross-processing experts, as well. / / However, playing with the RGB channels certainly stretched my tendency for more realistic, staid photos! I played with this photo last night using Sue Wickham’s method and the tutorial that Mary Campbell posted. I used curves and RGB channels in Photoshop and Nikon’s Capture NX2.1 software. / / This is the Capture NX2 version, with a bit of a vignette blur from efex. Original: Nikon D200, Nikkor 70-300mm, 145mm, f/5.6, 1/1000sec, -0.3ev., ISO 200, manual exposure, / Converted from 12-bit RAW to jpeg. Manfrotto tripod. / 2025×3037px

  • Horses in the Smoky Mountains for Festival Re-enactments. / Old Timers Day Events, and pleasure riding any day. / Artist Post Cards. / I would like to help causes with my work / Enjoy sharing with digital / Oil on Canvas 12×16 JeffeeArt4u

  • Featured in Freedom to Shine / Featured in Light in the Darkness / Featured in Eye Macros / Featured in Graphic Editing 101 / —August 09 -—Thank you so much to those groups! Featured in Globes, Spheres and Curves / —September 09 -- Thank you! It’s Sunday afternoon and I’ve been playing. I know eye macros are scary and they make babies cry but… well, I had fun. ( :

  • Old wooden posts in Swan River, Perth. Captured with Nikon D300, exposure 30 sec at f / 32 Featured in Night Photography group 30/11/2009

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