Red Bubble’s First Book /// In the Moment /// Overall Winner / I found myself in Geneva for a week for work last year. The only other time I had been to Switzerland was Zurich for 2 nights in the middle of winter, so I was kind of surprised by the beautiful (and hot!) summer weather I experienced on this visit. / The Lake at Geneva is where everyone goes to cool off and I was mesmerised watching all these crazy dudes doing amazing things off a high-dive on the edge of the lake. I took a few shots and managed to capture this moment among them. / I entered this work into the 2007 Linden Gallery Post Card Show in St.Kilda, and was absolutely stoked to have been awarded one of the six entries to be reproduced as postcards and sold through the gallery.
Every now and then when I feel a bit stuck for good single shot inspiration, I like to create something odd. This image was the result of one such time…
This guy was pretty cool, sitting there minding his own business, and I just had to get the shot. But as I lifted the camera and looked through the lens he just broke into this mean stare into the lens like he was gonna hurt me. I saw it and quickly pressed the shutter. Later I complimented him on his tattoos and showed him the shot and it was then that his frown turned into a broad grin…phew!
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
Mixed medium illustration. Photograph of the closed off opening posture of a gesturing anonymous woman with Asian motifs.
Byron Bay, late afternoon, The Pass.
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron Happy holidays to all my bubble friends! :o)
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added some Apophysis layers to it. If you like what you see here please go and check out the rest of his great work. Sold as a matted print in March 2008 http://www.redbubble.com/people/tron
Wilsons Promontory – ‘The Prom’, 2008 Have managed this summer to get out there and surf a bit. Lately just me, my board and my camera down the coast, tenting it and basically taking time out for myself. After a few hours in the water you get this kind of fuzzy peaceful feeling inside, equal parts exhaustion and elation. I love that headspace of daydreaming, and find it a really inspirational state for visual ideas to come to the surface.
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added a photo and an Apophysis layer to it. If you like what you see here please go and check out the rest of his great work.
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added a photo and an Apophysis layer to it. If you like what you see here please go and check out the rest of his great work. http://www.redbubble.com/people/tron
Industrial Light & Magic This photo was taken using a combination of hand held soft filters – homemade, actually. It has not been colourised with image-editing software. What you see, is what I took. / / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Another World / Time & Tears / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added a number of Apophysis layers to it. If you like what you see here please go and check out the rest of his great work.
We all spend a part of each day, just waiting for something…a phone call…a bus to come…the traffic to move…the kettle to boil…a holiday…a pay rise…love…happiness…success…a file to upload. / Perhaps you’ve been waiting your whole life for something to happen? / Or maybe it’s just about to…any minute now.
This is one of my favourite shots taken on black and white film and taken in St Mark’s Square in Venice, Italy. I have scanned the print. I like the timelessness of this shot, I think. She was surrounded by the pigeons at first and she didn’t mind. But later, one flew on her head and she minded a lot. I recently made a sale on redbubble with this shot. A matted print in Off White to Lucy, my sister-in-law, in the UK. Many thanks so much for purchasing this. This shot was featured in the Urban Art Group and the I love Italy Group.
The Sign: / 50mm f/2.8 – muted colours, uncropped. / / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / “The Great Feast”: http://www.redbubble.com/people/deckham/writing/836100-the-great-feast More Here / /
Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / The Great Feast More Here / /
Karin Taylor, Jo O’Brien, Stuart Chapman, Lance Jackson, Ragman, Mark German, Steven Lippis, Simone Byrne and myself have added some v…
Karin Taylor, Jo O’Brien, Stuart Chapman, Lance Jackson, Ragman, Mark German, Steven Lippis, Simone Byrne and myself have added some very useful tutorials and links for those members who’d like some help in learning a few extra tricks to make their time on the bubble easier. I have this link in my profile, so it’s going to be easy to find. I’ll add to it as I learn of new helpful information. How to enhance your profile Text formatting Where to get help/critique/FAQ Help on how to sell your work How to TAG your work effectively Inserting image links easily with Stuart Add category lists How to make smoke photos Digital Infrared info Ragman’s excellent advice on all things arty farty Mark German’s fantastic photographic techniques Steven gives an explanation on how to utilise a flash modifier My experience with Neutral Density Filters My hints on shooting at the beach Explaning focal lengths for digital Polarisers – a visual experiment
Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / The Great Feast More Here / /
I have recently had occasion to comment on a person’s photography, and give some advise, as I see it. As I sometimes do, I have collated …
I have recently had occasion to comment on a person’s photography, and give some advise, as I see it. As I sometimes do, I have collated it into this journal so that it may serve others as well. These are my own opinions, and not to be taken as coming from some authority on the subject. Hope it helps, particularly with Christmas arriving soon, and lots of family members milling around the lounge room. When shooting people, particularly when you have (a) a busy background, and (b) have not much distance to the background – a wider aperture helps isolate the subject/s. This is possibly the single-most visual and initial difference between what looks like a family snap, and a professional photo – largely because point-and-shoots do not have the ability go to very wide apertures. Wide apertures decrease the DoF (depth of field) – which is the region that is in appreciably good focus. A bit of experience (or online DoF calculators, or your DoF preview button) helps you to select the correct aperture to bring to attention the areas of a scene that you want to highlight. Narrow apertures (higher F-number) produce deeper DoF – bringing more of the scene into focus. Useful for landscapes and such – not so great for a busy lounge room. The point to the photo. / It helps to keep in mind as you work, what exactly you are trying to achieve. Lucking shots is what most people do, and being pleasantly surprised every now and then. But the truth is – there is no need for luck. A photo is a story – a visual slice of time, frozen forever in a way that cannot be accomplished by other means. A good photo maximises this concept, by bringing a message, story, emotion to the viewer. A good photographer is a storyteller. A great photo reads like a book. Light / When we shoot, we are shooting ‘light’. We are capturing how light reacts on physical objects, just as our eyes do. Learning to read, use and manipulate light sounds complex, but in fact it is not. A good professional photographer can immediately see and sense how light falls, how shadows interact, how scenes and moods change with different lighting. Using available light such as sunlight, or overhead house lights is one of the most important things one can learn. This can be accomplished from moving yourself around a subject to take advantage of the conditions, by moving your subjects, and/or by moving your light sources. Using flash or another source of artificial light is a field unto itself and is worth learning, but I won’t get too far into here, other than to say – pointing a flash at your subject and firing is the least effective and natural way to add light to a scene. Try bouncing your flash off a ceiling or wall. Focus / Obviously, your subject, or at the least, the poignant portion of your subject, should be in focus. Aside from the obvious, DoF comes into play. Widening your aperture will reduce the depth of your focus area, as well as bring in more light, allowing faster shutter speeds and/or lower ISO. When focusing, there are a few methods to ‘nail it’. There are very few times when manual focus is preferable with indoor group photos and current day cameras. One method is ‘focus & recompose’ – a system I use very often when shooting from 20’ away or greater (the further away your subject, the greater your DoF). This is performed by selecting your exact focal point on the subject (like the eye) using the centre area in your viewfinder, half depressing your shutter release button, and recomposing your photo to frame as you see fit. Alternatively, you can use a different focal point, which will minimise your recomposing, and therefore not shift your plane of view appreciably (which can shift your focus at closer ranges and wider apertures). Composition and framing / Another major difference between snapshots and great photos. When I take a photo, I instinctively imagine the image in my viewfinder hanging on someone’s wall. This is before I release the shutter. I have done this for so long, and so instinctively, that I rarely need to crop any photos. It is a good practice, saving post-processing time, allowing you to keep the entire frame (and pixels), and also satisfying. All scenes have a natural flow to them. Just as we read books, our eyes follow an image from top left to bottom right. This does not mean that all photos need to take advantage of that particular physiological trait, but it is handy to keep in mind. A good photo has balance, with areas of the scene harmonising to each other using light intensity, facial expressions, emptiness, lines, etc. In fact this is a whole huge subject in itself – the psychology of photography. Timing / Since a photograph is a slice of time, getting your timing right, particularly with moving and animate subjects – makes a whole lot of difference. It is one of the main things I look for when shooting. I think of a snapshot as a glass of milk. A well-timed shot is a Pina Colada :) / Look for expressions on faces that relate to the mood/scene/environment. Hands have expressions also, and often carry as much ‘weight’ as faces. Exposure / In my journal I have a brief commentary on exposure – it may help you. Not plugging myself here – just something I wrote quickly to save time when people ask – I point them to it instead of re-writing. Feel free to debate, query or challenge. / Hope this helps you in your Christmas photography, and have fun
Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / The Great Feast More Here / /
After too many millennia without Her, She is finally rising into our consciousness again… I borrowed this wonderful image from Mark Peterson and added a number of Fractal Explorer layers to it. If you like what you see here please go and check out the rest of his great work.
St. Mark’s Basilica, the most famous church in Venice, is reflected in a watery St. Mark’s Square. An opulent example of Byzantine architecture and gilded mosaics, Paul Jackson’s painting captures the true beauty of this 11th century Italian symbol of wealth and power. This watercolor is one of a series of architectural works by the artist of churches, monuments and museums across Europe and the United States.
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