Art gallerie
2418 creative works found
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Selling Art Through Galleries- My Advice
by Jo O'BrienI recently received an email from a fellow RedBubbler and thought I should share my response… DISCLAIMER: this is just my opinion an…
I recently received an email from a fellow RedBubbler and thought I should share my response… DISCLAIMER: this is just my opinion and advice so don’t take my word as gospel! ____________ Hi Jo, I ‘discovered ’ you on Red Bubble and love your work.. You mentioned you work for a gallery that takes work on consignment. I’m interested in getting some of my work into galleries but don’t know how to. My stuff is here… http://www.redbubble.com/URL So just wondering if you have some advice?? Cheers & thanks, ____________ Hey M First thing is you will notice that the footer of this email has all my phone numbers- please do not hesitate to call me and we can have a proper conversation about this. I have a lot of artists ask me about this and am only happy to help out. I have found that the best way to get your stuff into galleries is to do what you have just done- send an email with a link to your work. Your webiste is basically your CV in the art world – it doesn’t have to be flashy (and redbubble is totally appropriate) but having work that loads quickly is important. You will be lucky if a gallery spends more than 1-2 minutes looking at your site. The other thing you can do is to print out samples of 5-8 images of your work, a biography or artist’s statement and any quirky info that could be used to market you. Put this together into a CV or folio and make several copies. Then you do the door knock thing. If you take this option be aware of a few things- Gallery staff at some places (certainly not us though) can be quite snobby to artists who come off the street and try to sell their wares. I suggest being pleasant but do not try to take up too much of their time. I’m more receptive to a “here’s a copy of my folio, here’s my contact details, i’d love to have a chat some time but obviously now isn’t the best time for you- maybe give me a call if you’re interested?” than a lengthy rehearsed sales pitch. Each gallery will have a slightly different way of doing things. Some will ask for a tax invoice when you bring in art and they will just pay you when it sells. Other will ask for an invoice only once something has sold and they may or may not request a consignment note when you deliver your art. Other places do 90% of the paperwork for you but these are rare. We keep a running file of what work you bring in and if anything gets returned to you because it wasn’t selling. Then if something sells we call or email you the same While I’m on this I should mention that some galleries will not deal with you unless you have an ABN. GST normally doesn’t make a difference but I have heard of a couple of fussy places who have insisted on dealing with GST inclusive artists only- go figure? The other thing that changes between galleries is the mark up of your work. In some of the artist run galleries you can get a 30/70 split of the sale (with the artist being better off). Other places will rip you off majorly and mark up your work by more than 100% and therefore will get more money than you do when it sells. Don’t let people bargain with you for your cut and THEN try to add 10% on for GST- insist on bargaining on the final price inclusive of GST. I make this bargaining process sound difficult but the truth is most places have a policy about how they split things and you either take it or leave it- my advice is more to show you the difference between money grabbing and artist appreciating! Which brings me to my next point- look at the attitude of the gallery. Some places are really picky about what you give them to sell which can mean that they either have no idea OR it could mean that they know their clientelle really well. You just have to be good at reading people to wrok that one out. The places that I would steer clear of are the ones who don’t seem to fussed by what you give them or don’t really care about having a biography or any information about you. They should be interested is selling ‘you’ as a product as well as your stuff. You have to balance out the financial side of things with the personal side. At our galleries we go 50/50 on sales which is considered a bit high. The upside however is that you get a mini cheering squad who will rave about your amazing talents to anyone who glances at your work sideways. We don’t have artists complaining about the higher mark up because we make up for it in branding and promotion you. This is a call each artist has to make for themself. If you’re stuff is considered sellable (which is decided on a case by case basis) we will give it a decent chance of selling- normally I put new stuff on display straight away or in the shop window. Then we see hwat the reaction is. Sometimes we find out very quickly that there is no interest, or everyone loves the image but thinks it is too small, or red, or badly framed or whatever. We aim to have open lines of communcation with our artists so that they don’t keep sending us stuff that no one wants! But in the end if after 4-6 weeks things are not going so well I send things back and invite the artist to try again if they begin experiementing with a different syle or medium. I certainly invite you and any other RedBubble artists to contact me about selling work through our galleries. We are always very keen to see what people have got to offer. Jo O’Brien Work: +61 3 9349 4333 (Sunday, Wednesday, Thursday) Work: +61 3 9827 3338 (Monday)
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Learn from yesterday, live for today, hope for tomorrow…..... Natural History Museum, London, England. / One of my most favourite places…....... / . . /
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Meet 'n' veg
by tankoil on canvas / 3505 views
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Ella
by scarlettcatElla is a sultry little vixen deciding which heart to grab next. I adore her magnificent striped dress and gigantic fluttery eyelashes – who could resist! If Ella look familiar, it may be because she was recently chosen to appear on Avant Cards distributed around Australia ..................♥ the fine print ♥…............... (c) scarlett 2007 / This artwork is protected by copyright which does not transfer with sale. In plain English – while you’re buying a piece of artwork, you’re not buying the right to copy, print or reproduce it in any way. xxx scarlett
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Striking artistic representation of how the flow of technology advances is viewed by the artistic mind. The view is horrible and huge.
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Artists Deb & Vexta, the piece to the left is by LADIE POIS
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Woods
by Anne StaubAll photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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It’s Paris, It’s the Louvre, It’s the Glass Pyramid from the Da Vinci Code. It’s also a 10-20mm lens and above all… a pleasure and privilege to have been there again!
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Who's the Artist?
by RedBubbleStanding, looking at an artwork in a gallery recently I found myself asking, who is the artist? At one level the answer is obvious – the …
Standing, looking at an artwork in a gallery recently I found myself asking, who is the artist? At one level the answer is obvious – the person who created the object. But the tricky bit is they may or may not be the person/s who decided it was art. A recent exhibition at the National Gallery of Australia of Aboriginal art is a case in point. The early objects on exhibit became “art” when a curator determined they were. Before that they were objects the community created to give meaning to their lives. There were no artists just the people making the works. And, I will confess here, I find the idea of being an artist a little bit diminishing. It is possible to be a lawyer because other people aren’t one (I know at least that I am not a lawyer). But if I decide I am an artist does that mean I wasn’t one before or that you aren’t one? The truth is we are all artists or at least have the potential be. And so being an artist is really little different than being human. At least if we allow ourselves to be fully human. And whether the things we make are considered to be “art” or not, I guess we will have to leave that to the critics. Martin (aka Pilgrim)
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Wedding photography / Alley life – Graffiti Melbourne / Color Coordinated-Graffiti Melbourne Melbourne Graffiti Artists This laneway in Melbourne is a gallery for artist to express themselves it is well know around the world for the beauty young emerging graffiti artists can contribute to it. / Melbourne Graffiti has become a tourist attraction and a popular backdrop for fashion and wedding photography. grafitti calenders / Graffiti around Melbourne / Color Coordinated – III / Color Coordinated – II / Color Coordinated – I / / Exhibited at Brunswick Street Gallery from July 4th to July 17th. / Color Coordinated – II / Color Coordinated – I / / Exhibited at Brunswick Street Gallery from July 4th to July 17th. / The naming of this image goes to Snobardnlife / many thanks sold / 8-calenders sold Redbubble / 4- 20×16 matted prints- clients and redbubble / 1-Poster – clients and redbubble / 1-framed matted print – redbubble / 6- 10×8” clients / Wedding photography
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This laneway in melbourne is a gallery for artist to express themselves it is well know around the world for the beauty young emerging graffiti artists can contribute to it. / Melbourne Graffiti has become a tourist attraction and a popular backdrop for fashion and wedding photography. /
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The painting is based on a photo I took on Dartmoor a few years ago. The light was fantastic and I’ve expanded on that to create this vibrant landscape.
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......OF ART Antony Gormley sculpture… Melbourne People Seascapes New Zealand Frogs Lensbaby Infrared Industrial Spam Panorama Landscapes Real Estate Series Plastic People*
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Snow Leopard / Endangered Species / Canon EOS 30D DSLR The Snow Leopard (Uncia uncia),sometimes known as the ounce, is a large cat native to the mountain ranges of Central Asia from Afghanistan to Lake Baikal and eastern Tibet. The taxonomic position of this species has been subject to change. In the past, many taxonomists included the Snow Leopard in the genus Panthera, with several of the other largest felids, but later it was placed in its own genus, Uncia. However, a recent molecular study places the species firmly within the genus Panthera, although the exact position remains unclear.[3] Along with the Clouded Leopard, it represents an intermediate between so-called big cats and smaller species, as it cannot roar, despite possessing an incomplete ossification of the hyoid bone, which was thought to be essential in allowing the big cats to roar. However, new studies show that the ability to roar is due to other morphological features, especially of the larynx, which are absent in the Snow Leopard.[4] Well known for its beautiful fur, the Snow Leopard has a whitish-tan coat with ringed spots of dark, ashy-brown and rosettes of black. Its tail is heavy with fur and the bottom of its paws are covered with fur for protection against snow and cold. The life span of a Snow Leopard is normally 15–18 years, but in captivity they can live up to 20 years. Although the Snow Leopard is internationally regarded and legally protected as an endangered species, currently there exist no effective measures to stop poaching and loss of habitat in Jammu & Kashmir. The Snow Leopard population of Jammu & Kashmir has increasingly come under pressure as a result of poaching for furs, loss of habitat caused by deforestation and dam projects, and loss of food sources caused by similar environmental pressures. In both Pakistan and India-administered Jammu & Kashmir, this threat to the Snow Leopard has developed. The armed conflict of the last 8 years in Jammu & Kashmir has further exacerbated this problem as the soldiers and armed resistance groups have shown little regard for species preservation. The instability has also allowed for an illegal trade of furs. A 1994 raid on a group of traders in Srinagar that hauled more than $1 million worth of furs and garments made from 1,366 of the world’s most endangered wild cats, tigers, snow and clouded leopards and Bengal tigers indicated that the lack of effective measures to preserve endangered species has deteriorated further as a result of the 8 year old conflict. Cases like these reveal that the poaching of wildlife in Jammu & Kashmir’s forests and in other Himalayan regions has returned with a vengeance that threatens some of the world’s most beautiful and exotic animals after a period of curtailment of such poaching in recent decades. Under this situation, the Snow Leopard is directly threatened. K.E.W.A. advocates that strict conservation measures be put in place in Pakistan and India-administered Jammu & Kashmir. Habitat protection, captive breeding, stiff penalties for poachers and international buyers of illegal furs, and public education must all be a part of such an undertaking to save the Snow Leopard. But such an effort would require major involvement of international organizations. The rarest and most beautiful of the great cats, the snow leopard…is wary and elusive to a magical degree, and so well camouflaged in the places it chooses to lie that one can stare straight at it from yards away and fail to see it. Yet the snow leopard’s talent for invisibility has not kept it safely out of the sights of hunters, who continue to kill the cat for its “coat of pale misty gray, with black rosettes that are clouded by the depth of the rich fur”. Elusiveness also has done little to help the snow leopard cope successfully with an ever-increasing influx of tourists, sheep herders, dam-builders, and other humans eager to make use of the spectacular landscape. The result is that the snow leopard, despite its remote home high in the Himalayas, has become one of the most endangered of the large cats.
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Okay, I was mesmerized by the reflection of the street and buildings that abstracted the paintings in the art gallery window. This is one of 8 paintings for a commission I landed with a corporate client. Original ptg: 32” x 32” / acrylic on canvas private collection
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Empty gallery, only waiting chair
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I think this image is something of an optical illusion. to me, it appears to bulge out, even though it’s concave. you decide.
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This was done at an art gallery called Art Garden in Okayama, Japan. An installation that was technically never installed. Performance art that was witnessed by no one so was it even performed? One could argue that neither ever took place. Good thing I was able to capture the evidence of its non-existence with my camera…. I had an opportunity to use the gallery space for some photos. Given the setting I wanted to create something that looked like a physical installation. This “structure” was drawn by me and my cohort and recorded by my camera. It is completely made of light and nothing else. It was gone the instant it was created. This image is straight from the camera. No photoshop was used nor any post editing of any kind was done. It was created using the light painting method. Numerous hand held flashes were strategically fired around the room to illuminate the space. A picture of the space during the day is visible here Camera: Canon EOS 40D / Exposure: 123 / Aperture: f/7.1 / Focal Length: 17 mm / ISO Speed: 100 This has to be one of my favorites art projects I have ever done… I had an A4 size printed of this and it looks incredible.
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Wild horses in Utah’s west desert.
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