Art flowing
553 creative works found
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Hidden Woman
by CareAcrylic on canvas 1m x 1m / 2005 (original Sold) This painting is about women…being one myself…I found the inspiration to paint that feeling of hiding in plain sight. Where it can feel easier to sink into the background…keeping the inner self hidden…..from harm…from risks….from the world. / But ..really…wanting to bring that hidden woman out to the surface..not be afraid.. but just be.
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11th installment of the pingpong colab. / Aaaahhh…. finally finished it. Its ridiculous how much time I’ve spent doing this, probably the longest of all Lookout series. Feel like something fishy (been eating a lot of fish and chips lately) Check out all previous versions here or shortcuts here: 1. Lookout!: Search 2. Lookout!: Mystery 3. Lookout!: Reach 4. Lookout!: Evil Emerges 5. Lookout!: Battlefield 6. Lookout!: Not Over Yet 7. Lookout!: Beyond the Gate 8. Lookout!: Is the battle over? 9. Lookout!: Greetings! Friend or foe 10. Lookout!: Currently peaceful, will it last? 11. Lookout!: Fallen Flight 12. Lookout!: Taken
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more fish, a diff version from my previous F!sh Tee. b+w version
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Shot using a Canon Digital Rebel XTI 400D / Brandywine Falls Ohio / Details Here / ................................................................................................. / Click to View By Category: / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Christmas Cards / - Halloween Cards / ............................................................................................................... /
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The nude model draped in light flowing material blowing in the wind at sunset at the beach. Captured with a Canon 40D with a f4 70-200 USM IS L lens. / 1/250th,ISO200,centreweighted,focal length 70mm,
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Sales of this Design? – 4 sales so far :) / ‘Beach Series’ card by Karin Taylor ‘I saw the angel in the marble and I carved until I set him free.” – Michelangelo Ocean Angel is a mixed media production (ink, charcoal, pastel, acrylics) on canvas textured paper. Ocean Angel is a beautiful mer-angel, a mythical creature from my own imagination….unlike the mermaids who are generally mischievous in folklore, Ocean Angel tends to care :D
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Canon 350D lens 17-40 mm / River stream in the forest.
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catching the every day rush. / over the shadows. along the line. _ _ _ _ _ _ _ _ _ _ _ _ __ Beautiful words by Nicole Ryan / “I was tangled up in the words / of the world / she said / he said / everything was so much better / then / and i’ve found / nothing that reminds me of you / when you were around…” / . / Read more / . / . / . / . / .
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Striking artistic representation of how the flow of technology advances is viewed by the artistic mind. The view is horrible and huge.
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in The Love of Eerie and Enchanting Artwork An experiment with perspective. Began as several layers of blue and purple leaves in Photoshop.
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chen gave me some illustration, and i blasted off from there
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Sheets of paper straight out of the copy machine. RAW file tweaked for saturation. Winning image of the Orange Lines challenge in the Just Lines group on 30 Apr 2009. Featured in the Just Lines group on 17 Mar 2009 Featured in the Just Lines group on 02 Sep 2008 / / Image Collections: Featured work Layered with Texture Monochrome Camera Paintings Floral Triptychs This & That / /
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Abstract design. To see greeting cards, go to Sunny Sites Greeting Cards / Large size art at Anne Vis Imagekind Gallery / For other designs, see Sunny Sites / Purchase in a calendar
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One of my favorite. / 160×120 cm Canvas. / For details see in a large view. Details /
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Follow your instincts
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A spur of the moment kind of thing captured whilst travelling in Sant Agata in Sicily, Italy. / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Shot with Canon 40D, Edited in Photoshop
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Watercolour on 120 gsm Watercolour Paper FEATURED in ‘Water Media’ June 2009 / FEATURED In ‘Creative Spirits of Queensland’ June 2009 / FEATURED in ‘First Things’ June 2009 / FEATURED in ‘Globes, Spheres and Curves’ July 2009 / FEATURED in ‘Inside Solo’ July 2009 / FEATURED in ‘Daisy and Company’ July 2009 / FEATURED in ‘Art in Math’ October 2009
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featured in A Fractal Energy Passion 10-02-2009 / featured in A Fractal Energy Passion 09-25-2009 / featured in Digital Artists United 09-24-2009 / MUSIC No one would have believed, in the last years of the nineteenth century, that human affairs were being watched from the timeless worlds of space. No one could have dreamed we were being scrutinized, as someone with a microscope studies creatures that swarm and multiply in a drop of water. Few men even considered the possibility of life on other planets and yet, across the gulf of space, minds immeasurably superior to ours regarded this Earth with envious eyes, and slowly and surely, they drew their plans against us. At midnight on the twelfth of August, a huge mass of luminous gas erupted from Mars and sped towards Earth. Across two hundred million miles of void, invisibly hurtling towards us, came the first of the missiles that were to bring so much calamity to Earth. As I watched, there was another jet of gas. It was another missile, starting on its way. And that’s how it was for the next ten nights. A flare, spurting out from Mars – bright green, drawing a green mist behind it – a beautiful, but somehow disturbing sight. Ogilvy, the astronomer, assured me we were in no danger. He was convinced there could be no living thing on that remote, forbidding planet. ‘The chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but still they come!’ Then came the night the first missile approached Earth. It was thought to be an ordinary falling star, but next day there was a huge crater in the middle of the Common, and Ogilvy came to examine what lay there: a cylinder, thirty yards across, glowing hot… and with faint sounds of movement coming from within. Suddenly the top began moving, rotating, unscrewing, and Ogilvy feared there was a man inside, trying to escape. he rushed to the cylinder, but the intense heat stopped him before he could burn himself on the metal. ‘The chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but they still come!’ ‘Yes, the chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but they still come!’ It seems totally incredible to me now that everyone spent that evening as though it were just like any other. From the railway station came the sound of shunting trains, ringing and rumbling, softened almost into melody by the distance. It all seemed so safe and tranquil. / / created with Apophysis & Incendia
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This is my first attempt playing with food dye, water and my computer monitor as a brightly lit backdrop. See here for how I created this shot. (The stack of dvds were implemented after this shot was taken) / / This was pretty damn difficult without a tripod or assistant.. One hand holding the camera , one hand holding the dropper, full of dye. Having to get focus on the camera, hold it straight, shoot and drop the dye at once.. I need a tripod haha! / / I had heaps of fun trying to make this work though. Soon learning that dropping the dye closer to the front of the glass allowed for more clarity in the shot. / / The next step will be multiple colours, but not till a tripod is involved lol. Featured in Color & Light / Featured in Out Of The Blue / Featured in The Beginners Corner / / Slight crop of original, adjustment of brightness and contrast for colour control. / / Canon 50D / 58mm, 18 – 55 / f5, 1/320, ISO 1600 / / MCN:CRR2W-5HDN9-7U4H3
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Round two of the Rainbow Drowning project. See here for how I created this shot. (The stack of dvds were implemented after this shot was taken) / / Was holding the camera portrait for these ones, to get a bit more depth and length in the shots. The dye squirted harder than expected, causing a fast and long rippling effect in the water. / / Loved the contrast between light and dark in these ones and the background blur too. / / Crop of original shot, with adjustment of brightness and contrast. No other enhancements to this series. Featured in The Male Photographer / / Canon 50D / 58mm, 18 – 55 / F5.6, 1/80, ISO 400 / / / / / / MCN:CW9F2-AMK6S-WPAKR
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Canon EOS 400D / Bedford Ohio / f/22 / 1.3 Seconds / ISO – 100 / 96 MM / Minor adjustments in Adobe Elements / ................................................................................................. / Click to View By Category: / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Christmas Cards / - Halloween Cards / ............................................................................................................... /
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