Art crossed
736 creative works found
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Captured digitally using a Sony Alpha 100 at the Southern Cross Station in Melbourne.. This image was the winner of the “best alternative medium” at the ” Artbeat 2006 – Hung Art Competition and Exhibition ” August 2006. Also the winner of “Peoples Choice Award” at The Digital/Hardcopy exhibition at The Gasworks Gallery in Albert Park October 2006. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / . / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Captured using a Minolta 7000 with a 28 – 75mm using Fuji 35mm film. Southern Cross Station in Melbourne. This image was selected for exhibition at this years (May 2007) Churchie National Emerging Art Exhibition, affectionately known as the “Churchie”. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Sold a large framed print to unknown buyer – through RB – August 2007 Another version, less bright Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Innocent Casualties are the price of war. And its always over politics, assets or religion. Each to their own i say. Respect! Treat others how you want to be treated! / Peace Out. / . / version two on black / Detail: /
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NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES / REAL ESTATE SERIES
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Version uploaded and accepted at OE They didn’t like the colour in this one / NEW ZEALAND
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My gorgeous model – Thanks, TOTS! Tots series Canon 5D w 20mm at f/3.2, 1/6 sec, ISO 200, tripod, cable release, 5000000watt industrial bulb that came with the building…..One day I’ll get proper lights Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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He shall see the labor of His soul, and be satisfied. / By His knowledge My righteous Servant shall justify many, / For He shall bear their iniquities. / ~Isaiah 53:11 Photomanipulation created in Photoshop CS2. Stock Credits: / Woman by Faestock / Light beam brush by Obsidian Dawn / Forest by BlueMoon
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Female hands crossed over chest with royal pattern.
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speaking of porkies / The series
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No hell below us, / Above us only sky. MJRANUM stock.deviantart.com/
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When my film came back from the lab and I pulled this photo out of the bag I nearly dropped my hat. A triple twist of champion arcitecture, HolgaMadness and (accidently) Magritte. I don’t think I can top this. So I am going to stop. You can relax now Danny. Battersea Powerstation, London Untouched Medium Format scan. Cross processed. Part 1 in a series
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... This beautiful poem written for this work by sweet Sally Omar by Sally Omar / i heard of a man named Jesus / who walked in the Jerusalem streets / He was a simple man / no shoes upon His feet / He spoke of love / and forgiveness of sin / and people listened carefully / so many followed him / a man of humanity / knowing how to live / filled with benevolence / teaching others to give / he never carried a weapon / or spoke mean uncaring words / only love came from him / words of a beautiful heart were heard / but there were those who worried / that his love would be contagious / captured him…scourged him / acts so outrageous / he was scorned by men / with hateful souls / hung upon a cross .. will never be forgotten / his story many times retold / JESUS…...And it was the third hour, and they crucified him…Mark 15.. InChristalone ... first Spiritual experiment using my redfield fractalius plug in…love the atmosphere this gives…100% proceeds to charity wateraid.org .featured in ‘Of Noble Birth’ .. ....
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TOP TEN in the challenge Your Favourite Tee T-Shirt
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Took a trip to Adelaide to celebrate Shazza’s birthday, and knowing me as she does, she organised to get me down to the beach at least once! Thank you so much precious :) Henley pier, Canon 5D Mk II, 24-105mm at 24mm, f/5.6, 25”, ISO 100, Hoya ND 400, Singh Ray warming polariser, Shazza’s tripod, just after sundown. Cross processed and faded back a little with a black and white adjustment layer, and a very fine texture layer.
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was going through some old photos and came across this one, feeling a little braver so figured i would post it, took this shot (by mistake) when I was doing this ‘self portrait’ for the Fred Hollows Foundation / A group of redbubblers have gotten behind this great cause and made a Calendar. /
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celtic cross from the pen and ink series by morgan fitzsimons / pen and ink on heavy paper 8×11
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Yesterday was, quite simply, a rotten day in many ways, however I did have a very short time with the lovely Arnavaz, who came to my studio to be photographed by a couple of friends. They were still at it by the time I arrived home from work, so I grabbed the first camera that I could find quickly, and started shooting. Turns out it was the Canon 5D, and the lens on it was the Lensbaby composer at f/4. This was my first go with the lens, apart from a couple of shots in class, and I’m VERY impressed!!! Seascapes / New Zealand / Infrared / Landscapes / People
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I had a very short time with the lovely Arnavaz, who came to my studio to be photographed by a couple of friends. They were still at it by the time I arrived home from work, so I managed to grab a few shots with my Canon 5D and lensbaby composer. Seascapes / New Zealand / Infrared / Landscapes / People
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This photo has not been cross-processed properly, apparently. However, I’d never heard of cross-processing until recently. I’ve read that the term started by developing color print or slide film in the wrong chemicals – for example, color negative film in slide chemicals or slide film by the color negative process. This causes wild color and contrast shifts and requires lots of trial and error. for more, see Dana DiPasquale’s forum page. Apparently a group exists for cross-processing experts, as well. / / However, playing with the RGB channels certainly stretched my tendency for more realistic, staid photos! I played with this photo last night using Sue Wickham’s method and the tutorial that Mary Campbell posted. I used curves and RGB channels in Photoshop and Nikon’s Capture NX2.1 software. / / This is the Capture NX2 version, with a bit of a vignette blur from efex. Original: Nikon D200, Nikkor 70-300mm, 145mm, f/5.6, 1/1000sec, -0.3ev., ISO 200, manual exposure, / Converted from 12-bit RAW to jpeg. Manfrotto tripod. / 2025×3037px
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Cross processed dicky – ver 2….. Just trying to prepare some images for competitions….what does everyone think of this colouring, too much? Canon 5D, 16-35mm at 21mm, f/16, 1.3” Another from the SS Dicky Series / And here’s the image in black and white! I used this to add the contrast by adding it as a layer and changing the blending mode to luminosity, then dropping the opacity to 50something% Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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featured in A Fractal Energy Passion 10-02-2009 / featured in A Fractal Energy Passion 09-25-2009 / featured in Digital Artists United 09-24-2009 / MUSIC No one would have believed, in the last years of the nineteenth century, that human affairs were being watched from the timeless worlds of space. No one could have dreamed we were being scrutinized, as someone with a microscope studies creatures that swarm and multiply in a drop of water. Few men even considered the possibility of life on other planets and yet, across the gulf of space, minds immeasurably superior to ours regarded this Earth with envious eyes, and slowly and surely, they drew their plans against us. At midnight on the twelfth of August, a huge mass of luminous gas erupted from Mars and sped towards Earth. Across two hundred million miles of void, invisibly hurtling towards us, came the first of the missiles that were to bring so much calamity to Earth. As I watched, there was another jet of gas. It was another missile, starting on its way. And that’s how it was for the next ten nights. A flare, spurting out from Mars – bright green, drawing a green mist behind it – a beautiful, but somehow disturbing sight. Ogilvy, the astronomer, assured me we were in no danger. He was convinced there could be no living thing on that remote, forbidding planet. ‘The chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but still they come!’ Then came the night the first missile approached Earth. It was thought to be an ordinary falling star, but next day there was a huge crater in the middle of the Common, and Ogilvy came to examine what lay there: a cylinder, thirty yards across, glowing hot… and with faint sounds of movement coming from within. Suddenly the top began moving, rotating, unscrewing, and Ogilvy feared there was a man inside, trying to escape. he rushed to the cylinder, but the intense heat stopped him before he could burn himself on the metal. ‘The chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but they still come!’ ‘Yes, the chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but they still come!’ It seems totally incredible to me now that everyone spent that evening as though it were just like any other. From the railway station came the sound of shunting trains, ringing and rumbling, softened almost into melody by the distance. It all seemed so safe and tranquil. / / created with Apophysis & Incendia
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