Art celtic
461 creative works found
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Computers and other carp
by fullcirclemandalasI have just upgraded my computer and after four harrowing days of working with Vista incompatability I am finally able to be online for m…
I have just upgraded my computer and after four harrowing days of working with Vista incompatability I am finally able to be online for more than ten minutes and so can upload some more work. I have just had the fun of spending the day at a friends farm with her 70 plus alpacas – they are amazing animals! I have finally seen the camera I would love to own, but it is a little out of reach right now. Unless by some miracle $3 grand drops out of the sky into my hands LOL! Its a Canon 40D with accompanying lenses. Yum yum! I have a new mandala on the easel – a huge 100cm x 100cm acrylic based on the four treasures of Ireland. It’s a huge celtic mandala and it is becoming very exciting working on it. Am using multiple techniques including impressionist combined with anime – will post when complete. Due to its size, it’s about 4 weeks off completion. They usually take a week or two for the smaller ones but the big ones take a month or two, depending on how much time life leaves me to actually paint! Bright Blessings:)
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The Graphic Room-Graphic and Digital Art
by Agnes McGuinnessMany thanks to the folks at The Graphic Room-Graphic and Digital Art for featuring my work Celtic Mandala, Green. I’m once again delighte…
Many thanks to the folks at The Graphic Room-Graphic and Digital Art for featuring my work Celtic Mandala, Green. I’m once again delighted and honour. Love this group. Cheers, Agnes:)
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They were mowing the lawn at Stone Henge. / Stone Henge II
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Uísce
by Orla CahillUísce (pronounced: ISH-KA) is the Irish word for ‘Water’. This is simply a photo image of a water hole cover (about 6” in diameter) on the streets of Galway. We walk on top of and by these everyday but no-one seems to notice how lovely they are with their interesting Celtic patterns. I got some funny looks from passers-by when I was photographing this one. / Artwork from Ireland. Featured in: 1 In The Beginning – Ancient Practices – 6th May 2009. Featured in: European Everyday Life – 11th September 2009. Greeting card: blank inside / / Example of framed print: /
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The Four Treasures Of Ireland FEATURED in Witches,Wizards and Warlocks
by fullcirclemandalasThank you thank you thank you – blessed be! Witches, Wizards and Warlocks...
Thank you thank you thank you – blessed be! Witches, Wizards and Warlocks
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The Four Treasures Of Ireland FEATURED in Witches,Wizards and Warlocks
by fullcirclemandalasThank you thank you thank you – blessed be! Witches, Wizards and Warlocks...
Thank you thank you thank you – blessed be! Witches, Wizards and Warlocks
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Other T-Shirts . . . . . . . . . . . . . . .
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Behind-the-Scenes
by Lynnette ShelleySometimes I’m asked how I create an artwork so I thought I’d post some pictures of the various steps involved in making a particular piec…
Sometimes I’m asked how I create an artwork so I thought I’d post some pictures of the various steps involved in making a particular piece. In this case, I have some chronological photos taken of my artwork The Puma. Here is a picture of the final artwork for reference: The Puma Materials used: oil pastels, colored pencils, art pens, paint pens, watercolor paper, exacto knife STEP ONE: / Sketch is pencilled in, then inked. Gold background is painted in. http://lynnetteshelley.com/img/puma-wip-1.jpg STEP TWO: / Face is colored in with various layers. I use a somewhat cubist approach on this puma’s face, and an exacto knife is used to add crosshatching texture to the oil pastels. http://lynnetteshelley.com/img/puma-wip-2.jpg STEP THREE: / Next I add in some of the patterns using an art pen. Personally I like to think of jewelry when modeling some of the patterns. Also to keep the design from looking too busy, I like to break up certain tighter areas of patterns with larger, open spaces. http://lynnetteshelley.com/img/puma-wip-3.jpg STEP FOUR: / Adding color to the designs and patterns. You can also see some of my materials in this photo. http://lynnetteshelley.com/img/puma-wip-4.jpg Another look: / http://lynnetteshelley.com/img/puma-wip-5.jpg —-—-—-—-—-—-—-—-— FENRIR / Some additional photos of a work in progress for reference. This piece was quite large and the design was fairly complex – probably one of my works that took the longest to make. Final Artwork: Fenrir (Wolf Dragon No. 3) / In Progress: / THE SEA GOAT (in progress) / / / Final Artwork (need a better photo of it but you get the idea) / Thanks and hope you all found this of interest… / Lynnette
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Beautiful woman, big sword…what’s not to love…?
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Water Horse Featured
by Lynnette ShelleyThank you to the group Animal Composites and Fine Art for featuring my “Water…
Thank you to the group Animal Composites and Fine Art for featuring my Water Horse
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Probably still not safe for work but no naughty bits in this calendar. Enjoy Terry
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Celtic Cup of Life. This is one of my favorite designs in Celtic Art.
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The mystical mandrill speaks with the honeyed tongue of flowers….. Mixed Media on Canson Paper. 19×12.5 inches. Also view my Mystical Mandrill Tshirt here View more of my artwork at http://www.lynnetteshelley.com
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Two Celtic / Cubist Reindeers prance past each other on this stylish tee that can be worn for the upcoming holidays or solstice celebration View more of my artwork at www.lynnetteshelley.com Or check out my single Celtic Reindeer Tee
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A Celtic-styled reindeer prances across this stylish tee perfect for the holidays or winter solstice. See also my Double Celtic Reindeer Tee
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Mixed media reindeer on Canson paper with cut paper collage. Original measures 8.5×11 inches.
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An old ink sketch which is currently inspiration for a canvas painting I am working on.
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Beautiful pictures of Ireland
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View variations of this design: Eye of Chaos Eye of Ataraxia
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Also see: Sunchild
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Also see: Moonchild
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William Butler Yeats (pronounced /ˈjeɪts/; 13 June 1865 – 28 January 1939) was an Irish poet, dramatist, and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years Yeats served as an Irish Senator for two terms. He was a driving force behind the Irish Literary Revival, and along with Lady Gregory and Edward Martyn founded the Abbey Theatre, serving as its chief during its early years. In 1923, he was awarded a Nobel Prize in Literature for what the Nobel Committee described as “inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.” He was the first Irishman so honored.[1] Yeats is generally considered one of the few writers whose greatest works were completed after being awarded the Nobel Prize;[2] such works include The Tower (1928) and The Winding Stair and Other Poems (1929) Yeats was born and educated in Dublin, but spent his childhood in County Sligo. He studied poetry in his youth, and from an early age was fascinated by both Irish legends and the occult. Those topics feature in the first phase of his work, which lasted roughly until the turn of the century. His earliest volume of verse was published in 1889, and those slowly paced and lyrical poems display debts to Edmund Spenser and Percy Bysshe Shelley, as well as to the lyricism of the Pre-Raphaelite poets. From 1900, Yeats’s poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. Over the years, Yeats adopted many different ideological positions, including, in the words of the critic Michael Valdez Moses, “those of radical nationalist, classical liberal, reactionary conservative and millenarian nihilist”. / (Taken from Wikipedia)
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Sneak Peak! Inside Solo vol. 22 - Live!
by F.A. MooreSneak Peek – Inside Solo magazine, vol. 22 – Live! | !http://bigeuniverse.com/images/RB/Solo/Inside-Solo/2009/12/v22/INSIDE-SOLO-v22_…
Sneak Peek – Inside Solo magazine, vol. 22 – Live! / / / << Windows: RIGHT-CLICK, / “Save target as…” / Mac: CONTROL-CLICK, / “Save link as”... or / “Download linked file as…” / or something similar :) / TO DOWNLOAD PDF (5.6MB, 42 pages) Stephen McLaren’s reception (Open house all day, Monday, Dec. 14) These are reduced, compressed images of the original PDF’s. They are also first drafts — a true sneak peek behind the scenes. (I really want to spell that sneek peak, you know?) :D Didn’t Lynnette do a fantastic job with her Inside Cover Story? Thank you, Lynnette! There will more on Stephen’s art inside the issue, covered by Richard Sunderland. This week we bid farewell to Bernard Lacoque. The link to the magazine is now live. Follow instructions to download the file by Right-Clicking or Control-Clicking (mac) on the Cover Image, top. Then read the file with the free Adobe Acrobat Reader, available for all systems. Mac users may use Preview, instead. If you simply click rather than right-click or control-click, it will probably load in your browser. In that case you will be staring at a blank page for about 1 minute while the helper app prepares to load it in your browser window. You can save from there, once it’s loaded. This takes a long time and is slower, once loaded, because everything is happening over the web, rather than on your desktop. Mac users who have Preview as their helper app: you won’t be able to navigate past page 1 with Preview on the web. If you save to your desktop, then Preview WILL navigate to other pages just fine. Writers for this issue are, in order of appearance: Lynnette Shelley / Richard Sunderland / Elizabeth Bravo / F.A. Moore / Joanne Bradley
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Faber-Castell Watercolour-Pencils “Albrecht Dürer” / A 5 watercolour paper 300g/m² Reference picture from magikstock.deviantart.com
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