Architecture painted
585 creative works found
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I’m sure this building has a story to tell! Landscapes Trees Cards EOD Rusty Flowers Architecture Macro CatchAll DM
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The city depicted is Lynchburg, Virginia. It has the distinction of being the largest city in the continental United States not situated on an interstate. Because of this quirk perhaps, there is an insular quality about it. It hugs the Blue Ridge. The Rapidan and the Wilderness Battlefields are to its east. A place built on tobacco; and the great wealth that it once gendered is reflected in its fabulous buildings and architecture that are slowly sliding into ruin. One is looking at a part of the old city that was once tied to that tobacco trade. It is the eastern end of Main Street across from the nation’s oldest continuous farmer’s market. Up the rise to the right is cobbled Church Street where the huge and ornate buildings of the various denomination vie for prominence. To the left the streets drop sharply downward to the James River where a dead Jackson was once placed on a bateau for the finale voyage back to his home in Lexington. On a Sunday the bypass takes the residents to the eateries and shopping malls leaving the old town to the ghosts that heralded its birth. The wan morning sun cast stretched shadows across the empty street. The few cars are like flotsam left by the ebbing tide of a 21st. Century and the 19th. gazes out once more from upper grimed windows while a mackerel sky promises coming rain. 24×48 inches Acrylic on wood
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During the seasonal changes, cold air sweeps down from the northwest and the mountains force it into collision with warmer moist air from the south. The wreck creates gusty winds and day long pelting rains. It is the kind of weather that flips hems, plasters slacks wetly to your thighs, and somehow manages to sprinkle that warm spot behind your neck making one hunch in like a tortoise and snort in exasperation. It polishes the worn black top and in the reflecting sheen one can see the outline of the old pedestrian stones at cross streets. These huge stones and the cobbles of the 18th. Century were left as a base for successive layers of bitumen. The rain discloses their graves and lifts the oil from the asphalt making foot travel more risky and unpleasant, The savvy pedestrian knows full well how unreliable weather forecast are in a region like this, and they keep a wary eye to the north looking during the day for signs of change or trouble. The older resident acknowledge that more in change than merely the weather has come from that direction too. Everyone is aware of what’s been wroth in more northern counties of the state and fret about the consequences of its spread, But like the weather they tacitly agree, everybody talks about it but there’s nothing that can be done to stop it. Acrylic on gessoed panel
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I watched this fellow for a couple days while staying in Orizaba, Mexico. The haphazard painting on the abandoned building seemed to mean something, but I couldn’t put my finger on it. I asked the man if I could take his photo and he seemed very proud to be asked as he gleefully agreed. And, then I stood back… across the street and watched him add more daubs of paint here and there. He’d then pose himself… almost as an element in his own painting… along the sidewalk. Passersby paid him no heed. Very strange. Eventully some ol’ woman came up to me and asked why I was watching that crazy man. She said he does this everyday. He paints a little blob on that old building… then stands in front of it as if he’s “somebody”. Crazy man! You should stay away from him. “Crazy”? I don’t think so… I say, Brilliant!!! Orizaba, Mexico
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I really like the way this old fire escpape hung down into this alley. / / / / Visit my website On The Rock Photography
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Hetton Colliery, from a Thomas Hair (1838) watercolour. / Prussian blue and burnt sienna hues Watercolour 14” x 10”, on rough, Bockingford 140lb paper.
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Brooklyn Diner – New York City, painting by RD Riccoboni
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A corner which is escaped from a Monet painting. / I don’t knoe if exists or I found it only in my eyes – it hasn’t a time, too. / Now it’s yours. Visit it soflty. It’s fragile.
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Copyright © Helen Chierego / This image is protected by copyright law and is not to be used without express written permission from the copyright holder. / Images may not be copied, reproduced, altered or used for any advertising, displays, any other web sites or for any business or promotional purpose or any other way (whole or in part) without prior written approval of the copyright holder. / All Rights Reserved Flinders Street Station, Melbourne, Victoria, Australia I used a reference photograph that I took many years ago from one of the upper floor studio spaces in the C.A.E building in Degraves street, Melbourne. Photoshop and Corel Painter X. / /
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Limited Edition of 5 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
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Limited Edition of 5 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
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Invitation To The Forest Across The Pond / ...possibly too many Hitchcock movies or sci-fi… either way, the forest seem to have a magical and magnetic pull, and a great escape to unwind and renew – night or day… A rich, multi-layered watercolour painting with a captivating sense of surprise and drama. Limited Edition of 5 / Greeting Card / Framed / Mounted / Laminated Own the original 65cm x 86cm Digital Image, ships directly from the artist. Price: $2,200 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
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Cityscape background, urban art
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lomo photo overlayed (in PS) onto an oil painting of blended warm colors. Creates ( i think ) a nice vanila sky effect.
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A lone oarsman is looking back towards Vatican City as he rows on the Tiber River in the heart of Rome. This very beautiful and emotionally evocative watercolor by Paul Jackson was painted in 1998, is 36” X 22” and is currently housed in a private collection.
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A very controversial as well as beautiful painting, as this watercolor is actually of Pont Alexandre lll, generally considered Paris’s most opulent and striking bridge, connecting the Grand and Petit Palais on the right bank with the Hotel des Invalides on the left bank. “Pont Nuef Paris” is one of three in a series the artist refers to as Pont Oops! Once mistakenly titled, Jackson now leaves the error for effect. The centerpiece of the three was featured on the cover of the Artist’s Magazine in 2000 and received so many letters to the editor for the “mistake” that they ran it again in the next issue. This is one of a series of architectural paintings by the artist of museums and monuments in Paris.
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Trying To Walk Away, But Stumbled, / was inspired by a song…I was listening to a Macey Gray song, and this piece came about…its about love of course, and all its many avenues… Limited Edition of 5 Own the original 182cm x 113.5cm Digital Image, ships directly from the artist. Price: $1,800 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
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Original Artwork Information / Oil on Canvas / 93×63 cm / 2007 About The Artist / Lisa V Robinson is a professional UK contemporary artist, who specialises in abstract, figurative paintings that explore the physicality of paint and the possibilities of what can be achieved with space and colour. / To view more of her unique art work please visit / her website: www.lisavrobinson.co.uk Print Examples / Laminated Print /
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Gazing above the main entrance of the Santa Maria del Fiore, the cathedral of Florence, in a watercolor of breathtaking beauty and detail by Paul Jackson. This very impressive gothic complex includes the famous Duomo, that towers above the church and the Italian city known for the arts. This painting is 36” X 22”, was completed in 2002 and is one of a series of architectural works by the artist of churches, monuments and museums across Europe and the United States.
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An old warehouse with one end boarded up, in my town. I like the abstract art effect very much, and Im a sucker for lines anyhow! / /
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acrylic on canvas, 24” x 30”
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An illustrative style original painting created using mixed media techniques. / The original measures 30×30 cms.
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