Architecture brown Wall Art
440 creative works found
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Digital collage from photographs
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Digital photo composite
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Reflection of a building provides a distorted view of the world. The shape of the windows and the features on the facade of the reflected building help to exaggerate the distortion. / / Camera – Canon 350D / Lens – 24-85mm USM / Focal length – 60mm / Exposure – Apeture Priority / Aperture – f/8 / Shutter – 1/200 seconds / ISO – 400 / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro /
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MIX MEDIUMS….....
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Webb Bridge. Docklands, Melbourne. / / Created from 3 images using PS CS3 HDR / Camera – Canon 350D / Lens – 10-22mm USM / Focal length – 10mm / Exposure – Aperture Priority / Aperture – f/6.3 / Shutter – (0) 1.3 seconds, (-1) 2.5 seconds, (+1) 4.5 seconds / ISO – 100 / Tripod and cable release / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / /
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Webb Bridge – Docklands Melbourne Created from 3 images using PS CS3 HDR Camera – Canon 350D / Lens – 24-85mm USM / Focal length – 28mm / Exposure – Aperture Priority / Aperture – f/5 / Shutter – (0) 1.6 seconds, (-1) 0.8 seconds, (+1) 3.2 seconds / ISO – 100 / Tripod and cable release Photoshop – HDR merge, levels and curves adjustment + two additional curve layers to darken edges of image / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / /
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“Praying for Rain” Photography & Artwork / by Holly Kempe © “As the farmer knelt down on the salty sand, / He needed rain to save his land. / The crops were wilting, the cattle all dead, / He looked around, not a word was said. / The ground was dry, where is the rain? / What could stop this worthless pain? / The farmer cursed in sheer despair, / He did not have a drop to spare. / A thundercloud covers the western sky, / A bolt of lightning explodes near by. / The farmer looks up and begins to pray, / Hoping that the rain will come his way. / Then drip-by-drip it starts to fall, / The crystal water like a clear glass wall. / The trees and flowers all in bloom, / Then once again, gone is the gloom. / The water fills the old parched creek, / The rivers bulge as the waters peak. / The mud squelches through the farmer’s dry old / hands, / As he thanks the Lord for saving his land.” / ~ Meg Hayes Year Seven / St Mary’s Primary School Praying for Rain was featured in the: Redbubble Homepage – November 08
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Fire escapes and fresh falling snow. Copyright
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Canon 1Ds MKIII / 70-200mm L HDR image from 3 different exposures. Sold as Matted Print to an unknown RB buyer, thank you!
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Old window, Budapest, Hungary. Iceland / Belgium / Italy / France / Hungary / Spain / Sri Lanka / USA / London / Portraits / Other
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Beautiful colour and texture on a building in Essaouira, Morocco.
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Beautiful colour and texture on a building in Essaouira, Morocco. This image was featured in Abstract Macro Urban Art September 28, 2008.
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LITHUANIA
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An unoccupied house that’s falling to pieces in Speers Point, New South Wales. A few filters, effects and custom textures were applied in Paint Shop Pro to alter the colours and look of the original photograph.
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Saint James Church at Morpeth in New South Wales which was consecrated on 31st December 1840. The Original Photograph: The Edited Version, Available For Sale:
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Lithuania (My city) From Wikipedia, the free encyclopedia / Vilnius Castle Complex / Lithuania Vilnius Castle Complex around 1530 / Built Parts of castle in 10th century / Construction / materials Stone, bricks, wood / In use For defense from 10-17th centuries / Controlled by Lithuania, Russia Vilnius Castle in 1740: / Upper Castle: 1. Western tower; 2. Southern tower (foundations remain); 3. Castle Keep (ruins remain) / Lower Castle: 4. Gates and bridge to the city (Pilies Street); 5. Road and bridge to Tiltas Street; 6. Vilnius Cathedral; 7. Palace of Supreme Tribunal; 8. Palace of bishops; 9. Royal Palace; 10. Palace garden; 11. The New Arsenal, currently a museum; 12. Northeastern tower and gates of the Old Arsenal; 13. Yard of Old Arsenal / The Vilnius Castle Complex (Lithuanian: Vilniaus pilių kompleksas or Vilniaus pilys) is a group of defensive, cultural, and religious buildings on the left bank of the Neris River, near its confluence with the Vilnia River, in Vilnius, Lithuania. The complex evolved between the 10th and 18th centuries, and was one of Lithuania’s major defensive structures.[1] / The complex consisted of three castles: the Upper, the Lower, and the Crooked (Lithuanian: Kreivoji pilis). The Crooked Castle was burnt by the Teutonic Knights in 1390 and was never rebuilt.[2] The Vilnius Castles were attacked several times by the Teutonic Order after 1390, but they never succeeded in capturing the entire complex. The first time any foreign power managed to capture the Vilnius Castle Complex was in 1655.[3] Soon afterwards, the severely damaged castles lost their importance, and many buildings were abandoned. During the Tsarist annexation,4 several historic buildings were demolished; many more were damaged during the fortress construction in the 19th century. / Today, the remaining Gediminas Tower is the symbol of the city of Vilnius.[6] Annually, on the 1st of January, the Lithuanian tricolor is hosted on Gediminas Tower to commemorate Flag Day. The complex is part of the National Museum of Lithuania, one of the largest museums in the country. / Contents [hide] / 1 History of the Upper Castle / 2 History of the Lower Castle / 2.1 Royal Palace / 2.2 Vilnius Cathedral / 2.3 Castle Arsenals / 3 Modern developments / 4 See also / 5 References / 6 External links / [edit]History of the Upper Castle Plan of Vilnius Castle Complex in the 18th century / One part of the castle complex, which was built on a hilltop, is known as the Upper Castle. The hill on which it is built is known as Gediminas Hill, about 40 meters (43.7 yards) in height and around 160 meters (175 yards) in length.[7] / Archaeological data shows that the site has been occupied since Neolithic times. The hill was strengthened with defensive wooden walls that were fortified with stone in the 9th century. Around the 10th century a wooden castle was built, and since about the 13th century the hilltop has been surrounded by stone walls with towers. During the rule of Gediminas Vilnius was designated the capital city; in 1323, the castle was improved and expanded.[8] Remains of Upper Castle`s Keep / Pagan Lithuania waged war with the Christian Orders for more than two centuries.[9] The Orders were seeking to conquer Lithuania, stating that their motivation was the conversion of pagan Lithuanians to Catholicism. As Vilnius evolved into one of the most important cities in the state, it became a primary war target. The Vilnius Castles were attacked by the Teutonic Order in 1365, 1375, 1377, 1383, 1390, 1392, 1394 and 1402, but the castles were never taken completely.[2] The most damaging assaults were led by the Teutonic Order marshals Engelhard Rabe von Wildstein and Konrad von Wallenrode in 1390 as part of Lithuanian Civil War (1389–1392). Many noblemen from Western Europe participated in this military campaign, including Henry, Duke of Derby, the future king Henry IV of England, with 300 knights, and the Livonian Knights, who were commanded by the Grand Master.[10] The attackers were also supported by Vytautas the Great, who fought against his cousin Jogaila for the title of the Grand Duke of Lithuania. Remaining tower of the Upper Castle / At the time of the attack in 1390, the Complex already consisted of three parts – the Upper, Lower and Crooked. The Teutonic Knights managed to take and destroy the Crooked Castle, situated on Bleak Hill (Lithuanian: Plikasis kalnas), but failed to capture the others. During the 1394 attack, the Vilnius Castles were besieged for more than three weeks, and one of its defense towers was damaged and fell into the Neris River. / After a struggle for power between Vytautas and his cousin Jogaila, Vytautas became a ruler of Lithuania in 1392 subject to the terms of the Astrava Agreement. During his reign the Upper Castle underwent its most notable redevelopment. After a major castle fire in 1419, Vytautas initiated a reconstruction of the Upper Castle, as well as fortification of other buildings in the complex. The present-day remains of the Upper Castle are from the era of Vytautas.[2] Before reconstruction took place, Vytautas spent about four years with the Teutonic Order during internal fights with Jogaila. He had the opportunity to study the architecture of the castles of the Teutonic Order, and to adopt some of their elements in his residence in Vilnius. Upper Castle reconstruction / The Upper Castle was reconstructed in Gothic style with glazed green tiling on its roof. The Upper Castle keep hall, on the second floor, was the largest hall (10×30 m) within the complex; it was a little smaller than the hall of the Grand Master’s Palace (15×30 m) in Marienburg, and much larger than the hall at the Duke’s Palace in Trakai Island Castle (10×21 m). Reconstruction of the castle ended in 1422. The state had made plans to host the coronation of the proclaimed king Vytautas the Great in the castle, which were disrupted by his untimely death. / After the 16th century, the Upper Castle was not maintained, and it suffered from neglect. Until the early 17th century, a prison for noblemen was located in the Upper Castle. It was used as a fortress for the last time during the invasion of the Russians in 1655, when for the first time in Lithuanian history, a foreign army captured the entire complex.[3] Six years later, the Polish-Lithuanian army managed to recapture Vilnius and the castles. Afterwards the Upper Castle stood abandoned and was not reconstructed. / The complex suffered major damage during the World Wars. At this time, only the western tower, known as Gediminas Tower, remains standing. It is a symbol of Vilnius and of Lithuania. Only a few remnants of the castle’s keep and other towers survived. / [edit]History of the Lower Castle The Castle Complex has been inhabited since Neolithic times. Prior to the 13th century, its structures were built from wood. In the 13–14th centuries defensive walls, towers and gateways were built from stone; these were reorganized and expanded several times. The only freestanding structures that remain intact are those at the Lower Castle. / The two principal buildings of the Lower Castle are the Royal Palace and Vilnius Cathedral. / [edit]Royal Palace / Main article: Royal Palace of Lithuania Model of Royal Palace Royal Palace / The Royal Palace in the Lower Castle evolved over the years and prospered during the 16th and mid-17th centuries. For four centuries the Palace was the political, administrative and cultural center of the Grand Duchy of Lithuania.[4] / In the 13th and 14th centuries there were stone structures within the palace site; some archeologists believe that a wooden palace stood there as well. The stone Royal Palace was built in the 15th century, apparently after the major fire in 1419.[7] The existing stone buildings and defensive structures of the Lower Castle, which blocked the construction, were demolished. The Royal Palace was built in Gothic style. The Keep of the Upper Castle, as well as the Royal Palace, were meant to host the coronation of Vytautas the Great. The Gothic palace had three wings; research suggests that it was a two-story building with a basement.[11] / The Grand Duke of Lithuania Alexander, who later became King of Poland, moved his residence to the Royal Palace, where he met with ambassadors. He ordered the renovation of the palace. After his marriage to a daughter of Moscow’s Grand Duke Ivan III, the royal couple lived and died in the palace. / Sigismund I the Old, after his ascension to the Grand Duchy of Lithuania, conducted his affairs in the Royal Palace as well as in Vilnius Cathedral. During the rule of Sigismund I the palace was greatly expanded, to meet new needs of the Grand Duke – another wing was added, as well as a third floor; the gardens were also extended. By contemporary accounts the palace was worth 100,000 ducats.[12] The palace reconstruction plan was probably prepared by Italian architect Bartolomeo Berrecci da Pontassieve, who also designed several other projects in the Kingdom of Poland. In this palace Sigismund the Old welcomed an emissary from the Holy Roman Empire, who introduced Sigismund to Bona Sforza, his second wife, in 1517. / Sigismund’s son Sigismund II Augustus was crowned Grand Duke of Lithuania in the Royal Palace. Augustus carried on with palace development and lived there with his first wife Elisabeth of Austria, daughter of the Emperor of the Holy Roman Empire. She was buried in Vilnius Cathedral.[13] Sigismund II’s second wife, Barbara Radziwill, also lived in the palace. According to contemporary accounts of the Holy See’s emissary, the Royal Palace at that time contained more treasures than the Vatican.[14] Sigismund II also assembled one of the largest collection of books in Europe.[14] / The palace was remodeled in the Renaissance style in the 16th century. The plan was prepared by several Italian architects, including Giovanni Cini da Siena, Bernardino de Gianotis Zanobi, and others. The palace was visited by Ippolito Aldobrandini, who later became Pope Clement VIII. Another major development took place during the reign of the Vasa family. The Royal Palace was refurbished in early Baroque style during the rule of Sigismund III Vasa. Matteo Castello, Giacopo Tencalla, and other artists participated in the 17th century renovation. Devastated Royal Palace. Drawn in the late 18th century / During the rule of Vasas, several notable ceremonies took place in the palace, including the wedding of Duke John, who later became King John III of Sweden, and Sigismund Augustus’ sister Catherine. The first opera in Lithuania was staged in the palace in 1634.[15] Marco Scacchi and Virgilio Puccitelli were the opera’s impresarios. / After the Russian invasion in 1655, the state began weakening, and that negatively affected the Royal Palace. The palace was greatly damaged by war, and its treasures were plundered. After the recapture of the city of Vilnius in 1660-1661, the palace was no longer a suitable state residence, and stood abandoned for about 150 years. In the late 18th century, after the fall of the Polish-Lithuanian Commonwealth, several families lived in parts of the ruined palace. Soon after the Grand Duchy of Lithuania was incorporated into Tsarist Russia, Tsarist officials ordered the demolition of the remaining sections of the Royal Palace.[15] The Palace was almost completely demolished in 1801, and the site was bowered. Only a small portion of the walls survived: the remains were sold to a Jewish merchant who incorporated them into his residential house / The Seimas, Lithuanian Parliament, passed a law resolving that the Royal Palace be rebuilt for ceremonies commemorating the millennium since the first mention of the name of Lithuania in 2009. / [edit]Vilnius Cathedral / Main article: Vilnius Cathedral Present day view of Vilnius Cathedral / The Royal Palace and Vilnius Cathedral formed a complex and stood side by side during the centuries, but the two buildings have different histories.[16] / There is evidence that in pre-Christian times, the pagan god Perkūnas was worshipped at this location. It has been proposed that King of Lithuania, Mindaugas, built the original cathedral in 1251 for his baptism into the Christian rite. After Mindaugas’ death in 1263, the cathedral reverted to the worship of pagan gods.[17] / In 1387, the year that Lithuania converted to Christianity, a second Gothic cathedral with five chapels was built. In 1419 the cathedral burned down. In its place Vytautas built a larger Gothic cathedral. In 1522, the cathedral was renovated, and written sources mentioned a bell tower for the first time.[13] The bell tower was built on the site of a defensive tower of the Lower Castle around the 15th century. After a fire in 1530, the cathedral was rebuilt again, and from 1534 to 1557 more chapels and crypts were added. During this period the cathedral acquired architectural features associated with the Renaissance. After a fire in 1610, it was rebuilt once again, and the two front towers were added. It was renovated and decorated several more times. Chapel of Saint Casimir. / In 1783, the cathedral was reconstructed according to a design by Laurynas Gucevičius in the neoclassical style, and the church acquired its strict quadrangular shape. This design has survived to the present day. Between 1786 and 1792 three sculptures were placed on the roof – Saint Casimir on the south side, Saint Stanislaus on the north, and Saint Helena in the center. These sculptures were removed in 1950 and restored in 1997. / Many famous people are buried in the crypts of the cathedral, among them Vytautas the Great (1430), his brother Sigismund (1440) and his cousin Švitrigaila (1452), Saint Casimir (1484), Alexander (1506), two wives of Sigismund August: Elisabeth of Habsburg (1545) and Barbara Radziwill (1551), and others.[17] / Vilnius Cathedral remains one of the most important Catholic sanctuaries in Lithuania to this day. / [edit]Castle Arsenals Old Arsenal / The Vilnius Castle Complex had two arsenals – the so-called New and Old – during its history. Old Arsenal was established in the 15th century, during the rule of Vytautas the Great.[18] The Old Arsenal was expanded during the reign of Sigismund the Old, and this work was continued by his son Sigismund II Augustus. During the 16th century reconstruction a new wing was built; in the mid-16th century and at the beginning of the 17th century, two more wings were built. According to contemporary accounts, the Old Arsenal at that time housed about 180 heavy cannons.[18] / The New Arsenal was established in one of the oldest castle buildings in the 18th century, by order of the Grand Hetman of Lithuania, Casimir Oginski. The building was used to house soldiers and is well-preserved. Its outer wall was part of the defensive wall system,[19] and during the 16th century its tower guided ships in the Neris river. The arsenal also at times housed castle administration. New Arsenal / During Tzarist rule, the arsenals housed soldiers and military materiel. The buildings suffered major damage during World War II; some sections were restored after World War II and in 1987 and 1997. The arsenals now house the Museum of Applied Art and the National Museum of Lithuania. / [edit]Modern developments A funicular to Gediminas’ Hill, opened in 2003 / Gediminas Tower is probably the best-known structure in the complex today, attracting tourists from around the world. At the top of the tower there is an observation platform, affording a panoramic view of Vilnius. In 2003, as part of the celebrations surrounding the 750th anniversary of the coronation of Mindaugas, the tower was made more accessible by the construction of a lift. It ascends about 70 meters during the 30-second ride, and holds sixteen passengers.[20] Atop the tower, on January 1, 1919, the Lithuanian tricolor was hoisted for the first time.[1] To commemorate this event, January 1 is now Flag Day, and the Lithuanian flag is ceremonially raised in the tower, as well as elsewhere in Lithuania. The tower and the hill, with the flag raised at its summit, are symbols of Lithuania’s statehood and its struggle for independence.[1] / After preservation works were completed at the Gediminas Tower in 1968, it became a branch of the National Museum of Lithuania. The first floor of the tower displays models of ancient Vilnius and the Castle Complex, and an exhibition of photographs taken in Vilnius during the 19th and 20th centuries. The second floor exhibits flags that were used by Vytautas the Great’s army during the Battle of Grunwald, along with authentic weaponry used from the 13th through the 18th centuries. / Other surviving buildings at the Castle Complex house offices of the National Museum of Lithuania and its archeology and numismatics departments, as well as the Museum of Applied Art. The museum contains about one million artifacts, covering a wide historic spectrum.[21] Its collection includes pieces from Lithuania’s prehistoric era, coins used throughout Lithuania’s history, and a wide variety of artifacts dating from the Middle Ages and later. About 250,000 tourists visit the museum…
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Pokrovsky cathedral in red colours in Moscow on Red Square.Russia / I was trying to capture architecture details on it and stunning colors. HOME PAGE FEATURE on 22nd December 2009 THE WINNER in a challenge Capital cities of the World /
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The flowing overhead of Southern Cross Train Station, Melbourne Featured in Live Love Dream / Featured in Architecture & Cityscapes / Featured in Just Lines / Featured in Natural Colour & Light Top 10 in Charity Calendar Challenge No. 4 of 4 Canon SX100IS This photo has not been enhanced edited or changed in any way. MCN: C86FE-B55CF-6752D
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A digital montage of rusty things from the city of Newcastle and Lake Macquarie in New South Wales. All three photographs were captured using a Sony Cyber-Shot DSC-S500, and then processed in Paint Shop Pro where a number of filters were used to create the effects.
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Collaboration with dinghysailor1 / A collaboration with my great RB friend, the talented Photographic Artist dinghysailor1. I had discussed the possibility of working together to make a few images and Maggie was very keen. She went out and took a handful of superb shots of very historic landmarks in Scotland, based on a list of subject matter I was interested in using for a photo-manipulation – things that sparked my imagination. Then I lost my editing program, and as a consequence, a lot of my motivation to create anything. But I got a replacement program recently, and just finished this artwork today. I’m very pleased to have her as an RB friend and it’s great to work together ! :)) Here is Maggie’s Original Photograph / To view Maggie’s excellent Portfolio visit dinghysailor1 Here’s a photograph I took of the moon recently and used in this Artwork / Featured in the AW Welcome Center on Sunday 23/8/2009 / Thank you to all the Moderators for the feature !
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A collaboration with dinghysailor1. I gave Maggie a shortlist of interesting buildings and scenes that I thought would make some nice and atmospheric artworks. Maggie went out and very keenly scoured around her area in Scotland and took some excellent photographs of fantastic Architecture and scenery that you just can’t find in Australia ! Then I used two of the photos Maggie took to create this image in Photoshop Elements 7. A number of filter effects were applied to the numerous layers, some layers were tinted to make the colour scheme cohesive, and I imported the sky from one of my own photos and cropped out the foreground of that shot. Maggies Original Photographs used in the creation of this image My Original Photograph used
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