Shot in January in the city of Aarhus. The name of the street (slash river) is Åboulevarden, in case anyone ever visits Denmark and happens to be in Aarhus ; ) And yes, it’s made from two exposure – I wasn’t THAT lucky with the sky!
Webb Bridge is down-to-earth, a project Melbourne can be proud of, built among the superannuated towers of Docklands. It suggests, romantically, the fishing nets, cages, middens and naughty hosiery of the old wharfs. It is biological and ethereal, a stab in the dark and sculptural.
Taken by a professional stunt driver under controlled conditions (maybe or possibly) The TAC (Traffic Accident Commission) warns that driving with your knees while taking photographs is dangerous and should not be tried at home or anywhere.
25/9/08 / Just for Tania, added Don’t to the text ;-) / / /
London 2006 ! / . Click to view
The entering of a new era… the Old district of St. John’s is overtaken by the new architecture of this era. The pigeon in the foreground seems to emphasize the character and timlessness of Old St. John’s. / / / / Visit my website On The Rock Photography / Canon Rebel / / 3 shots merged in Photomatix and cs3 to touch it up
Located in the U.S. Supreme Court building, which was built in the early 1930s after the Court had met in many different places. This building was the first permanent place for them to meet since they had first convened. The oval staircase is an attraction in the building but unfortunately, tourists are not allowed to ascend it.
The sun setting on Thompson. /
Stormy Church 02 In sepia.. With a few adjustments, adjusted light, colour, contrast,.adaptive lighting & cropped slightly – taken in a small village in Cambridgeshire 2007
The Guggenheim museum NYC USA October 2007
The title of this image has been changed from Sunday Bloody Sunday courtesy of the comment made by Geoff Coleman
something was wrong with him. every time he looked in the / mirror he became more certain of it. every passing day / widened a chasm, a certain kind of emptiness within him. it / was something he could see in his eyes, a hollowness where / some fundamental building block of humanity was supposed to / be but was not. he could still talk and smile, and seemed to / function well around people, but he knew it must be because / they hadn’t sensed yet that he had a labyrinth of knowledge in / which he had somehow become lost. in his dreams he was / always wandering in the forlorn husks of things that had once / been magnificent but now only echoed his seething discontent / at his own imperfection. the way that he had entered was / sealed and these places in which he had once sought refuge / from the capriciousness of the world were now his prison. each / corridor he tried to exit by only led to more empty rooms, / more places where people had once been but no longer were. / even when he was externally surrounded by others the world / had become a wasteland; the very dimensions had shifted so / that all welcoming things before him were shadows and smoke. / the vaulted ceilings of his most precious hopes were slowly / crumbling and the machinery that drove his will to continue / had ground to a halt. though it was hard to define the outline of it, there was a / certain kind of emptiness about his features. he wondered why / no one else noticed. / —-—-—-——- / picture taken at portside power plant. all rights reserved. / more of my work is available at abandonedamerica.org
/ / East Side of Richmond Virginia / 5000+ views
Featured in the group Nirvana January 16, 2009. Image taken with the Nikon D40x, using the 18-200mm VR Nikkor lens and the cp filter on January 3, 2009. This shot was taken along 689, near Osterburg PA. I used PhotoMatix to create this HDR image. Sweet, Sweet Surrender “Lost and alone on some forgotten highway / Travelled by many remembered by few / Lookin’ for something that I can believe in / Lookin’ for something that I’d like to do with my life There’s nothin’ behind me and nothin’ that ties me / To somethin’ that might have been true yesterday / Tomorrow is open and right now it seems to be more / Than enough to just be there today And I don’t know what the future is holdin’ in store / I don’t know where I’m goin’, I’m not sure where i’ve been / There’s a spirit that guides me, a light that shines for me / My life is worth the livin’, don’t need to see the end Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air” John Denver Sweet Surrender Driving through the countryside Saturday, January 3rd, I deliberately took a wrong turn and passed by this beautiful farm. The words to John Denver’s song, one of my all-time favorites, filled my heart. Click on the link to listen … then come back and visit with me a bit!!!
Arequipa, Peru !
Pokrovsky cathedral in red colours in Moscow on Red Square.Russia / I was trying to capture architecture details on it and stunning colors. HOME PAGE FEATURE on 22nd December 2009 THE WINNER in a challenge Capital cities of the World /
Herringfleet Mill can be found where you might least expect to find it – about twenty yards on the Suffolk side of the Norfolk/Suffolk border. Given Norfolk’s monopoly on spectacular, well-preserved mills, it seems only fair that neighbouring Suffolk should have a few of its own…although it should be noted that even this mill is officially in the Norfolk Broads. This photograph was taken on an extremely February day. A 13 seconds’ exposure captured the movement of the clouds as they raced across the East Anglian sky. Canon EOS 5D and EF 16-35mm lens. Exposure of 13 seconds at f/22.
Extended perspective study… / In my estimation this “lighter” version is more suitable for purchase…(available upon request) Pair with…
This shot was taken of the window of the original Black Springs Bakery building in Beechworth, Victoria, Australia. It has a very french provincial feel to it, though. This was taken in autumn with a Canon DSLR EOS 350D camera and a 18-55mm lens. This was featured in the Canon DSLR Group, Rural Around the Globe group, Windows and Doors Group, Falling Leaves group and the Nature’s Reclamation Group.
Ancient Bridge Cottage in the delightful old world village of Buckland-in-the-Moor in Devon’s Dartmoor National Park after a recent complete no expense spared refurbishment, including a new thatched roof sits in a beautiful natural woodland garden. I am sure many the romantics amongst us have dreams of living in a character filled chocolate box cottage like this, I know I certainly would. VIEWING LARGER IS BEST Nikon D100 / 18 – 70 zoom @25mm / F5 for 1/90 sec / CP Filter
Another shot of the beautiful St Patrick’s Cathedral. This is my first attempt at doing a night-time HDR. Details / Camera: Canon EOS 5D Mk II / Lens: Canon EF 16-35mm f/2.8L II USM / Exposure: 13 exposures (2,-1.66.-1.33,-1,.66,-.33,0,.33,.66,+1,+1.33,+1.66+2 EV) / Aperture: f/3.5 / Focal Length: 16 mm / ISO Speed: 200 / Accessories: Canon RC1 Wireless Remote, Expodisc, / Date and Time: 17 July 2009 7.06pm Post Processing: / Imported into Lightroom / Exported 13 exposures to Photomatix / Tonemap generated HDR using detail enhancer option / Re-imported back into Lightroom / Exported HDR and 0 EV exposure to CS3 and layered HDR on top of 0 EV / Brush tool to even out the sky / Curves layer for contrast / Noise reduction layer / LucisArt 3 SE filter / Re-imported back into Lightroom / Slightly cropped in Lightroom / Vibrance adjustment in Lightroom / Sharpening in Lightroom / Added keyword metadata / Exported as JPEG
A long exposure of The Great Court in the British Museum, London.
Light shines through a high window in the sanctuary of the Mission San Diego de Alcala in San Diego California, The Mission San Diego de Alcala was the first mission established by Father Junipero Serra. The light highlights the thick adobe walls of the old missions.
The view of Paris, capital of France. Taken from the very top of Sacre Coeur. Earlier today I had a phone call from Dean, asking if I would edit one of my existing shots for him to give to his sister for Christmas. He chose Atop Sacre Coeur, original of which can be seen below. After completing I thought I would add it to my folio. It has been a piece I have always thought about editing, but never actually got around to. I have never added a treated version of an existing piece to my folio, so this is all new to me! Let me know what you think of the two versions :) I edited the piece with a texture from www.deviantart.com free use stock, adjusted the colour and saturation, layered twice. Edited and uploaded 10pm Canon SX100IS / f4, 1/400, ISO 80 Original: / MCN: C22JM-982SS-KPBEQ
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