Aquatint
59 creative works found
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Aquatint Etching Inspried by the movie ‘Brothers Grimm’ this series of aquatints explores the origin of fairytales and dismisses their sanitization! Here the Gingerbread man runs to envelop the child and become one! “Run, run as fast as he could / he couldn’t escape the / Gingerbread Hood” Yeah I know it’s a lame rhyme but then so am I! Original / Aquatint on BFK Rives using Sepia and Ultramarine Oil based Ink gradation. / 25×19.5cm / ~ / More of my Works /
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Aquatint Etching Inspried by the movie ‘Brothers Grimm’ this series of aquatints explores the origin of fairytales and dismisses their sanitization! Here the innocent child approaches the well! / ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ / “The Well was the source where / the mud came to life, / transforming itself into / Gingerbread strife! / ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ / Yeah I know it’s a lame rhyme but then so am I! Original / Aquatint on BFK Rives / 25×19.5cm / ~ / More of my Works /
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Third and last in the Gingerbread series of etchings. There isn’t always a happy ending, or is there? / / He lost his senses, / He lost his soul, / Becoming victim to / the Gingerbread Call! / / Continuing the Lame Rhyme tradition. Original / Aquatint on BFK Rives / 25×19.5cm / ~ / More of my Works /
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On we go with the trip to memory lane. The clock is set back 20 years. Etching with aqua tint.
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Aquatint of Melbourne night skyline. The sky, in the original photograph from which this aquatint is based, was actually green! The photo was taken from Point Cook Coastal Park in Melbourne’s west.
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Hard ground, aqua tint. This was my first try at an aqua tint.
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Etching made with sugar aquatint technique.
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This is the first edition. I made 20 yesterday. HOwever I feel this plate can be pushed to a whole new level. So I will be working on this plate and re-uploading it in a week or two. I love this new series of plates I am doing in the print room. I love exploring the image in a drawing, then a print and perhaps next year a painting. I love doing my girls in landscapes…..I hope you like this….it pairs up with the “Dreaming of LIfe” etching. I hope to have a show next year so I am working hard on these prints. UPDATED WITH EDITION 3 on 6/8/08 / VIEWS 493 TO DATE 21/11/09 This print is inked up with different coloured inks and then rubbed back carefully to get the different effects of colour. FOLLOW THIS LINK TO SEE HOW ETCHING IS DONE AND SEE OTHER ETCHES BY MYSELF AND OTHER FABULOUSE REDBUBBLE MEMBERS Belinda
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Featured in the Fine Arts Influenced by Literature Group I SIT AND GAZE A WHILE…..... Oh but to sit and gaze a while and think of you / and how………..... / and then……….... / and then……….... / to gaze a while and think of you / but this is now / and you’re not here / you are there / But I gaze a while and / think of you / of how it was, it is now not.. written by Annette Hagger ( my first poem and my first etching ) This etching/aquatint is a bench in the / Woodland Burial Ground in Norwich, Norfolk. People would sit on the bench before or after placing / flowers on their loved ones place of rest, the bench / seemed to be waiting for the next person to sit and / contemplate their thoughts and memories…............... Waiting’ is an etching/aquatint printed onto fine textured / thick Sommerset etching paper. actual size of printed area is 6 x .4.5 inches / BEST VIEWED LARGER
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Aquatint print on University Paper. Size A2 1439 Views on 21/11/09 This is piece has been featured in an article called Inspiration-Etching it out. Very educational on the etching process. Copper plate etching and aquatint. This is a completed print, so far I have 7 printed up in a edition of 20. This belongs to the series of woman in a landscape which I will exhibit next year.
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An exercise in Aquatint Somerset Soft White 300gsm / Mould-made, 100% cotton / Acid free, 4 deckle edges / Satin /
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Aquatint Print on Arches Paper. Size A1 1029 views on 21/11/09 This is a 30×30 Copper Plate Print. I have then etched and aquatinted it. I am still in the process of perfecting this print. It is still not finished. This is a hand coloured copy of it for now….I will change the picture over when it is complete. I love this print so much. It completes my series. I hope you love it as much as I do. Belinda THIS IS WHAT i HAVE WRITTEN FOR THE SHOW Annya is a victim of Chernobyl. Here she discovers a place within herself free from the pain and suffering her cancer has caused. In the backgroun lies the devestation of her past. her introspection allows her to focu away from her past and into the future.*
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Multiple plate hand-colored etching
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Aquatint hand-colored on the plate I have used this image in several mediums – next is an acrylic painting. I have always found it to be poignant, even more so now with our big white bears in danger. Also available from Zazzle.com as a mug, a tote bag, and a postage stamp
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I thought I would also make this available with the title – Far from home but happy just the same…
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Aquatint etching of Yosemite Park workers gathered after hours. From a photo taken by my husband when he worked in the park as a young man.If you want to know more about the technique used for my etchings,please read my posting in the works on paper forum.
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Aquatint etching from a photo of myself on my 21st birthday at my grandmother’s house. If you want to know more about my technique used for my etchings,please read my posting in the works on paper forum.
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3 plate etching, aquatint and drypoint on Stonehenge paper / 36×30cm
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4 steel plate etching and aquatint on Stonehenge paper and recycled survey plan. / 36×36 cm / 2009 A work inspired by a recent visit to the small ex-Hydro town of Waddamana in the central highlands of Tasmania. This was my first arrangement of the print. I decided it needed more strata to convey the sense of passing time and history. The final version can be seen here.
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Etching & aquatint on Stonehenge paper and recycled survey plan. / 72×36 cm. The final version of this print.
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2009 / 25×100 cm / etching, aquatint & linocut on Stonehenge, BFK Rives & Somerset papers with chine colle / variant edition of 3 This work is inspired by convict artist, William Gould’s Sketchbook of Fishes in Macquarie Harbour (c. 1832). Gould was transported to Van Dieman’s Land in 1827 for stealing. His original works were done in watercolours whilst serving a sentence at Macquarie Harbour on Tasmania’s rugged west coast. I decided to pay homage to Gould whilst reading Richard Flanagan’s fictional account of Gould’s life in his novel Gould’s Book of Fish, during my recent residency at the Frans Masereel Centre in Belgium. I feel there is a sense of conclusion in Gould being transported to the “New World” and creating his works, while I was “transported” back to the “Old World” where I made reproductions of his works. The observant viewer may notice hints of architectural reflections in the water segments of my prints, which are typical of the type of warehouses that line the canals of Holland and Belgium. These convey a sense of feeling like a “fish out of water”, something I experienced whilst undertaking my residency and which I imagine Gould must have felt in his strange new world.
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Etching, aquatint and linocut embossing on Stonehenge paper / 2008-09 / 18×72 cm
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