Aquamarine
1 member found
224 creative works found
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latest painting for exhibition. oil. slick!
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When my daughter came to me with our kitty sleeping / on the dust pan, I ran for the tripod! We were at another / site then, (in a contest), and I told her that if we won, / I’d give her the camera. They took longer than expected / to ship it and ended up giving us the top camera there / to make up for it. Needless to say, her camera is better / than mine now. :-/ (And I have to “get permission” to use it! Ha.)
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Amidst the green light of sunset and seaspray, they caught the scent of cherries on their tongue, scarlet gloss and juice, filled with the flavour they imagined dirty pretty words like incarnadine to taste of.
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A blue thistle.. I think it’s called sea holly. Had some fun with that : )
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From my collection: / Perception is Reality Copyright © Sharon Mau 2009 / All Rights Reserved Featured Art 23 September 2009 / ImageWriting This is by far the most popular image in my portfolio currently with 6089 views, 215 favouritings, 408 comments (including my replies) and 2 sales. Thank you so much for your kindness and continuous support. Aloha ‘oe Featured Art 30 May 2009 Inspired Art Featured Art May 2009 Art by Bubble Hosts Featured Art December 2008 Sea All of the Hawaiian Islands are mountains. The entire island of Maui is an enormous mountain rising up from depths of the ocean floor and surrounded by the vast and beautiful Pacific Ocean. The West Maui mountains are older than the East Maui mountains, specifically the majestic summit of Haleakala, which is one of the highest mountains on earth, a massive shield volcano that forms more than 75% of the Hawaiian Island of Maui, the summit of which is 10,023 feet in elevation from sea level. Mauna Kahalawai of West Maui is the mountain visible in many of my beach images from the south coast of the island and my sunset images from Ku’au and Ho’okipa on the North Shore. This is a composite of my photographs of a beautiful sunset on the golden sands of Po’olenalena Beach, Maui Hawai’i. Visible on the horizon is the sacred island of Kanaloa (Kaho’olawe Island) and Molokini. Text and research by Sharon Mau This image is dedicated with deepest spiritual love, respect and Aloha Na’au to my beloved husband Jacob Mau and kindest respect for his friend Kahu Daniel Kikawa~ Hawai’i ‘78 Revisited “No mind, no form, I only exist; / Now ceased all will and thought; / The final end of Nature’s dance, / I am it whom I have sought. A realm of Bliss bare, ultimate; / Beyond both knower and known; / A rest immense I enjoy at last; / I face the One alone. I have crossed the secret ways of life, / I have become the Goal. / The Truth immutable is revealed; I am the way, the God Soul. / My spirit aware of all the heights, / I am mute in the core of the Sun. / I barter nothing with time and deeds; / My cosmic play is done” ~ By: Sri Chinmoy 1931-2007 Aloha e Malama pono. Mahalo a nui loa for your many wonderful messages. Thank you so much! Featured in Natural Colour and Light group 09 January 2009 / This work is also featured in so many groups I lost count.... Mahalo to all the group hosts, thank you so much! © 2009 Sharon Anne Mau / Sales* 2 Greeting Cards / I use a Canon EOS Digital Rebel XTi “The more eroded, highest peak of the West Maui mountains is Pu’u Kukui at 5,788 feet. The sacred O ‘Iao Valley is the most famous valley of this mountain range. The West Maui Mountains or West Maui Volcano, known to Hawaiians as Mauna Kahalawai and Hale Mahina, form a much eroded shield volcano that constitutes the western one-quarter of the Hawaiian Island of Maui.” This archipelago represents the exposed peaks of a great undersea mountain range known as the Hawaiian-Emperor seamount chain, formed by volcanic activity over a hotspot in the earth’s mantle. At about 1,860 miles (3,000 km) from the nearest continent, the Hawaiian Island archipelago is the most isolated grouping of islands on Earth. The Hawaiian-Emperor seamount chain is composed of the Hawaiian Ridge, consisting of the islands of the Hawaiian chain northwest to Kure Atoll, and the Emperor Seamounts, a vast underwater mountain region of islands and intervening seamounts, atolls, shallows, banks and reefs along a line trending southeast to northwest beneath the northern Pacific Ocean. The seamount chain, containing over 80 identified undersea volcanoes, stretches over 5,800 kilometres (3,600 mi) from the Aleutian Trench in the far northwest Pacific to the Loʻihi seamount, the youngest volcano in the chain, which lies about 35 kilometres (22 mi) southeast of the Island of Hawaiʻi. The Hawaiian Islands are that portion of the Hawaiian-Emperor seamount chain that projects above sea level.” Information Source: Wikipedia. Ke Ahi La’a ~ Sacred Fire / World Christian Gathering on Indigenous People / Hilo, Hawai’i – 2002 “Na Kahu’s first release, Aloha Ke Akua, is a Na Hoku Hanohano Award finalist (Hawaii Music Award) and winner of the Indian Summer Music Award 2005. Produced by Daniel Kikawa as a musical version of his highly regarded book,”Perpetuated in Righteousness… Daniel Kikawa, PhD (Intercultural Studies) is the President of Aloha Ke Akua. You can find more information about him at: DanielKikawa.com Other items produced by Aloha Ke Akua: / CD: A Call to the Nations (Na Kahu) / A Call to the Nations: Na Kahu – Aloha Ke Akua II Lonoikamakahiki – Helu 1 My husband, Jacob Mau, and Daniel Kikawa are friends. Jacob is featured in one of Daniel’s books ~ God of Light, God of Darkness In preparation for the ‘Io Project, (‘Io is the Hawaiian name for God or the Supreme Creator) when Jacob was asked by Daniel to join the team, Daniel had received information about Jacob as he was working with DLNR in land conservation and drug enforcement, and considering that Jacob is Kanaka Kupuna and has a wealth of knowledge about his people and culture, the Heiau’s, the temples and other sacred, historic and archeological sites on Maui, Moloka’i and the other Hawaiian Islands. It was critically important that the spiritual cleansing of the heiau’s on all the islands take place at the same time. Date of the project 14 March 1998. Excerpt from God of Light ~ God of Darkness – Chapter 20 The Mountain Ridge / “Thursday morning, 12 March, dawned; and Daniel was still without a solution to their dilemma. The phone rang; it was Jacob Mau on Maui. Jacob was known as the best search and rescue man on Maui. He had hunted the mountains and back country of Maui since he was a boy and knew the land like his own back yard. He was a major factor in helping the Maui team find several heiau(s). Jacob told Daniel he was helping Pastor Alan Cravallo get permits to go into several remote valleys in Hamakua on the Big Island. So Daniel told him of their unsolvable problem on Moloka’i. Jacob said he would see what he could do and call him back. Daniel didn’t have high hopes. He had already checked out every possible option. But an hour later, Jacob called back. “I got you a helicopter that will land you at the very top of the mountain – FREE!!”. Daniel was stunned! It turned out Jacob had a pilot friend, Mike (last name withheld by request), who owed him a favour. He and Jacob had worked together many times doing search-and-rescue- missions. Getting permits was not a problem for these search-and-rescue pilots. Jacob said Mike was the best pilot in the islands and that he had landed in the Moloka’i high country many times. God only provides the very best!” Ke Akua o ke Ao, Ke Akua o ka Po / The Chronicles of the Spiritual Battle for Hawai’i This photograph cannot be modified for commercial or advertising use, nor can it be copied or reproduced in any form without the photographer’s permission. I own full and exclusive copyrights on all my photographs and they are protected under International Copyright laws. My images do not belong to the public domain and may not be posted in another webpage on the internet or intranet, published in any book, magazine, newsletter or newspaper, duplicated, used in a dirivative work of art, used as illustration for musical, dramatic, and/or literary works, or used for commercial use of any kind whatsoever without my express written authorization, including but not limited to resale of my images without a license for use. © 2009 Fine Art Photography, Research and Photojournalism by Sharon Mau
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Alalake’ike Channel Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi
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Original Artwork Information / Oil on Canvas / 244×122 cm / 2008 About The Artist / Lisa V Robinson is a professional UK contemporary artist, who specialises in abstract, figurative paintings that explore the physicality of paint and the possibilities of what can be achieved with space and colour. / To view more of her unique artwork please visit / her website: www.lisavrobinson.co.uk Print Example / Greeting Card /
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Nauweuwe Ka Honua / Hawaiian Translation: Now Comes the Heaven Born This is a composite of two images taken at the same location at the same time on Ho’okipa, Maui Hawai’i. Copyright © Sharon Mau 2009 / All Rights Reserved / My images do not belong to the public domain Featured in All That is Nature 30 December 2008 The Hula Kolani “For the purpose of this book the rating of any variety of hula must depend not so much on the grace and rhythm of its action on the stage as on the imaginative power and dignity of its poetry. Judged in this way, the kolani is one of the most interesting and important of the hulas. Its performance seems to have made no attempt at sensationalism, yet it was marked by a peculiar elegance. This must have been due in a measure to the fact that only adepts-olóhe-those of the most finished skill in the art. of hula, took part in its presentation. It was a hula of gentle, gracious action, acted and sung while the performers kept a sitting position, and was without instrumental accompaniment. The fact that this hula was among the number chosen for presentation before the king (Kamehameha III) while on a tour of Oahu in the year 1846 or 1847 is emphatic testimony as to the esteem in which it was held by the Hawaiians themselves. The mele that accompanied this hula when performed for the king’s entertainment at Waimanalo was the following: He ua la, he ua, / He ua pi’i mai; / Noe-noe halau, / Halau lea o Lono. / 5 O lono oe; / Pa-á-a na pali / I ka hana a Ikuwá- / Pohá ko-ele-ele. / A Welehu ka maláma, / 10 Noho i Makali’i; / Li’i-li’i ka hana. / Aia a e’é-u, / He eu ia no ka la hiki. / Hiki mai ka Lani, / 15 Nauweuwe ka honua, / Ka hana a ke ola’i nui: / Moe pono ole ko’u po- / Na niho ai kalakala, / Ka hana a ka Niuhi / 20 A mau i ke kai loa. / He loa o ka hiki’na. / A ua noa, a ua noa. p. 217 [Translation] Lo, the rain, the rain! / The rain is approaching; / The dance-hall is murky, / The great hall of Lono. / 5 Listen! its mountain walls / Are stunned with the clatter, / As when in October, / Heaven’s thunderbolts shatter. / Then follows Welehu, / 10 The month of the Pleiads. / Scanty the work then done, / Save as one’s driven. / Spur comes with the sun, / When day has arisen. / 15 Now comes the Heaven-born: / The whole land doth shake, / As with an earthquake; / Sleep quits then my bed: / How shall this maw be fed! / 20 Great maw of the shark— / Eyes that gleam in the dark / Of the boundless sea! / Rare the king’s visits to me. / All is free, all is free! If the author of this Hawaiian idyl sought to adapt its descriptive imagery to the features of any particular landscape, it would almost seem as if he had in view the very region in which Kauikeaouli found himself in the year 1847 as he listened to the mele of this unknown Hawaiian Theocritus. Under the spell of this poem, one is transported to the amphitheater of Mauna-wili, a valley separated from Waimanalo only by a rampart of hills. At one’s back are the abrupt walls of Konahuanni; at the right, and encroaching so as almost to shut in the front, stands the knife-edge of Olomana; to the left range the furzy hills of Ulamawao; while directly to the front, looking north, winds the green valley, whose waters, before reaching the ocean, spread out into the fish-ponds and duck swamps of Kailua. It would seem as if this must have been the very picture the idyllic poet had in mind. This smiling, yet rock-walled, amphitheater was the vast dance-hall of Lono-Halau loa o Lono (verse 4)-whose walls were deafened, stunned (pa-á-a, verse 6), by the tumult and uproar of the multitude that always followed in the wake of a king, a multitude whose night-long revels banished sleep: Moe pono ole ko’u po (verse 17). The poet seems to be thinking of this same hungry multitude in verse 18, niho ai kalakala, literally the teeth that tear the food; also when he speaks of the Niuhi (verse 19), a mythical shark, the glow of whose eyes was said to be visible for a great distance in the ocean, A mau i ke kai loa (verse 20). Ikuwá, Welehu, Makali’i (verses 7, 9, and 10). These were months in the Hawaiian year corresponding to a part of September, October and November, and a part of December. The Hawaiian year began when the Pleiades (Makali’i) rose at sunset (about November 20), and was divided into twelve lunar months of twenty-nine or thirty days each. The names of the months differed somewhat in the different parts of the group. The month Ikuwá is said to have been so named from its being the season of thunderstorms. This does not of itself settle the time of its occurrence, for the reason that in Hawaii the procession of the seasons and the phenomena of weather follow no definite order; that is, though electrical storms occur, there is no definite season of thunderstorms. Maka-li’i (verse 10) was not only the name of a month and the name applied to the Pleiades, but was also a name given the cool, the rainy, season. The name more commonly given this season was Hooilo. The Makahiki period, continuing four months, occurred at this time of the year. This was a season when the people rested from unnecessary labor and devoted themselves to festivals, games, and special religious observances. Allusion is made to this avoidance of toil in the words Li’ili’i ka hana (verse 11).” Excerpt from The Unwritten Literature of Hawai’i ~ Sacred Texts Canon EOS Digital Rebel XTi
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Aerial image of the famous heart-shaped Coral Reef in the Whitsundays, Australia
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This is done based on a photograph by vishstudio. I can’t thank Andrei enough for this the use of his beautiful photo…………...
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Reprieve from the beating sun, / if only for an afternoon.. / #3 in my “Going Home” series. / Somewhere in Indiana, USA / 4.11.09 / / The journey continues.. / / Others in this series: / Traveling Man / Crossroads / Laminated Print / / / / / / Framed Print / /
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MALDIVES – Simply Paradise Series Maldives “Colours of Paradise” was featured in the groups SEA and Colors of Water
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Ke’anae Peninsula / Maui Hawai’i Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here “Be still, and you shall hear the distant thunder of yet a storm unknown. / Quietly watch, and you shall see the shadows fall from footprints across the sky. / And rejoice within your heart as the Gardener of the Earth, Planter of your soul returns, / for long were the days of rootless weeds starving the Life from His planted garden. And bitter was the darkness that befell the bloomless rose. Only after this earth has been bathed in its holy baptism / shall it become the glorious garden it was truly meant to be.” excerpts from The Prophet’s Candle by Daniel Canon EOS Digital Rebel XTi / This is a composite of two images taken at the same coastal location on Ke’anae Peninsula at the same time stitched together with Smoky City Design – The Panorama Factory software. / Shooting Date/Time 16 April 2007 20:32:35 / Flash Off Shutter Speed 1/250 Aperture10.0 ISO 400 / Lens EF28-135mm f/3.5-5.6 IS USM
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I just KNOW my cat has always wanted to do this….
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splash from drop, using reflected flash on a light blue background… Canon 50D, Canon 70-200 f/2.8L with closeup lens, tripod, flash featured in Out of the Blue / featured in Canon Vs. Nikon
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From the same shoot but different set up, lighting and background . Love them both as they are so different! Check out Gemstone Charms if you like this one! /
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Sometimes I wish I could bring paintings to life.
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Lovely Aquamarine is a teenage mermaid with beautiful curly blue hair. She loves to swim across the turquoise waves along with her best friend, a little sea horse.
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Compilation of hand painted background (acrylics and ink on heavy card) and digitally painted foreground using pen tool, eraser and smudge tool. To see original acrylic and ink image before digital paining see ‘Under the glass’
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