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492 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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The lyrically fluid movement of the ocean against the sand on a calm quiet day. . . Oil on Stretched Canvas – No Airbrushing, etc 36 X 55 inches / 92 X 140 cm Original : / Sold / contact my Agents at Gallery 112 / ...............................................................................................
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Meet Mo. He is a little squirrel who loves the quiet of the darkness. He loves making wishes and shooting them into the sky towards the twinkling stars! Will his wishes all come true? This is a print of an original illustration that I did with ink and digitally colored. Mo and Teeny are two little squirrels that live in my head….they had to come out eventually! Mo is available for limited prints and cards. Thanks for looking! ~Shelli xoxo / More of my work is available here: www.dazeychic.etsy.com
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cute baby sheep
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/ Ladies Laceup Keds Sneaker at Zazzle / Moo Cow Sunrise Kids Keds Sneakers at Zazzle / Bag @ Zazzle / Mug @ Zazzle / Moo Cow Sunrise Family / by Karin Taylor digital design created in / wall art would be ideal for kids, babies, nurseries, / children’s hospitals, maternity wards, schools, day care centres TShirts, Prints, Greeting Cards available in this design
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I did this painting a few years after Inconsolable was done. I was feeling better about life and had my own two kids to remind me life goes on. It’s my Zen child portrait. / Oil on wood panel: 36×36 / Painting available for sale /
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Black Throated Sparrows nest. Photo based mixed medium image.
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Well fed and tired or just a beautysleep? Life isn’t that bad. Is it?
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Speckled pony foal – I believed it was a Shetland pony, as it was with its mother at the time and she looked like a Shetland pony. However, the Shetland Pony experts in the UK have emailed me to tell me there is no such thing as spotted Shetlands so there we are! ;o) All I know is I just wanted to pick up the cute critter and take him home with me. New Forest, Hampshire, England.
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I have tried to keep the butterfly and its shadow to scale to give the impression of a real butterfly about to land on someone’s T-shirt
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Im quite new to watercolour. Just ‘testing my wings’ so to speak :) / Hope you like my baby water bird! Suggestions for improvement would be valued.
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Can’t beat a good icon
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The doe took a little time off from busy eating for the photo opportunity, although she didn’t want to give up the tasty colorful leaf. By now everyone who has ever seen my work knows that I’m absolutely “addicted” to develop a deep relationship and establish an intimate communication with mule deer (we don’t have a lot of white-tailed deer around here). Everyday I go out there in the early mornings, hoping to have a close encounter! :) Donation to charity / 50% of the proceeds of the sale of this image will be donated to Nature Canada
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I was not going to leave the zoo without this image. The beautiful bird, I first saw the outlines of through the man planted flora, gracefully glided across the artificial pond. Its motion cut a gentle trail in the small, evening breeze caused ripples. I set an ambush at the narrow part of the pond and waited patiently. No good. The introverted animal was too edgy when passing by, and emerged in and out of the dark shadows at unpredictable intervals. This was going to be a long haul. Luckily, with the ambient light we both needed running out quickly, my desire to capture the elegant curves of this creature and its routine craving to nibble a bit before the day expired reached an uneasy, but welcomed equilibrium. I held my breath and pushed the button with my cold stiffened finger. Timeless beauty. This is not a great story, just a blurb, with a moral that outweighs its size. The ever relevant message to those who take away your freedom is to realize they will never be able to deprive you of your Dignity, your Grace.
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woodlands valley of Toronto I was taking photos of a pathway and I looked to my right and saw this little guy .. hes a baby and he wanted to follow me as I walked . I told him I would take photos of him but he couldnt come with me .. he thought that was ok … but only if I had some bread for him .. I gave him some bread and as promised he posed ... isnt he cute ? ! I dont know if he’s used to a lot of people talking to him or what …he didnt seem to scared of me .. I just hope that he doesnt get to used to people ..he is in the wild and I wouldnt want him to get hurt by someone .. I didnt go to close to him and also backed away from him as he wanted to walk with me ..thats all I need now .. to get bit by a raccoon !! lol woodlands valley of Toronto
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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Double motif white horse photo based mixed medium collage.
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Two Shetland Pony foals frolic in the spring sunshine – New Forest, Hampshire, England.
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Drawn 2008. Age 21. Pencil only – 2H,HB,3B This is my first horse portrait. It was a commissioned drawing and the original belongs to a gentleman called. Mr. J. Eagles.
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Part of my NEW SIGNATURE SERIES that combines the emotive scenes of the natural world with specific framing compositions to create a visual feast for all discriminating art lovers! / TIP JAR: IF YOU LIKE MY WORK SUPPORT ME WITH ANY AMOUNT YOU WISH / / RAFFLE ITEMS HERE MORE SIGNATURE SERIES EDITIONS
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