Aivazovsky 

9 creative works found

  • oil on canvas 190×120cm I’ve used “A Wave” by Ivan Aiwazovsky as a model. Even if it is a copy, it took 19 years (!) to paint this. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- PLEASE READ THIS BEAUTIFUL POEM OF C.C. ASHAGRA —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- / Author: C.C. Arshagra This poem is Based on at least (3) three events / 1.! See the painting A Wave by artist Jarko 2.! The Last months series of Events involving two other on-line communities and (Like the tile infers “The Plagiarism of Amanda Joy’s Poetry’ including may adventures here being inspired and spelling the inspiration out here on RedBubble. It’s really an amazing story of flowering creative courage. And three (3.!) while writing the poem the image of the painting “A Wave” just slid deeply into me deep and quiet as it just guided the poem’s writing the mysterious whole way. Thank you Jarko for your 19 years of work inspired by yet another work. / And so, as Jarko states in the images description: oil on canvas 190×120cm I’ve used “A Wave” by Ivan Aiwazovsky as a model. Even if it is a copy, it took 19 years (!) to paint this. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- The Plagiarism of Joy’s Poetry (An Ode to the Courage of Art) (An Ode to the Courage of Art) —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- The vulnerable risk is eternal for all / Lest the sleep walk of safe dilutions protect you. The artists are / With the blessed curse to be beyond what is safe Suffering nothing / And sharing hungry moments somehow satisfied But a ship at sea we are / And the storms will come and be Being Alive / As the rocks catch flesh falling To feed you to the bellies of life / They are all here waiting to choose upon the carnage Or else, the bacteria you are will come to get you / Nothing is clean Especially the most pristine holy truths’ polished / And shined daily with rags of fearful hopes in hiding Buying predators are known here as the civilized people / Holding no mirrors lest the glass reflects outward Save the art works created so fine here by the lone artists ignored / Whose bones and blood are now here scraped off the street The Wall Street express bus speeding did not see the artist crossing / The Brokers on board had only moment before the starting bell … A good thing / The masterpiece was unharmed and there is no will The auctioneers decide not to say / The price they paid Yet the creation of arts’ fall goes on and on / Long … As the breathing lasts © Copyright 1/11/2008 C.C. Arshagra

  • My calendar has an element of the sea in each month. / Some are tranquil, others are stormy, depending on the month. All are watercolour paintings, and two, May and October, are pen and wash.

  • Watercolour paintings In the style of the Masters: J.W. Turner, / John Singer-Sargent. / Ivan Aivazovsky. And the unknown masters, from the north east of England, currently in the vaults of Newcastle and Gateshead art galleries. Thomas Harrison Hair, / J.A. Dees, / T.S Hutton, / Henry Horton, / J. Edgar Mitchell. / Thomas Bush Hardy.

  • The barquentine, Waterwitch (built 1871) gets into trouble leaving the mouth of the river Tyne. Struggling against the angry power of nature, as a sudden storm rolls in from the moody, north sea..’’’ Behind is a top gallant schooner, also being beaten back. In the background, is the red painted ‘Groyne’ lighthouse (1882), of South Shields. I’ve used two Victorian ship photos, as reference for details of the two ships. Bockingford rough, 10” x 7” / 140lb blue-tinted watercolour paper. *I’ve entered this into the ‘Storm Challenge’ *

  • An Ivan Aivazovsky (1817-1900) / – of French and Russian frigates, 1858. My all-time favourite painter! My watercolour version. / 14” x 10” Bockingford rough paper.

  • After I demonstrated a few wave painting techniques, I later thought to join them up into a painting! A Spontaneous watercolour! Watercolour 14” x 10” on Bockingford rough 140lb. So far, nobody has spotted the little men in white shirts, clinging for life, to the torn-off mast (left side of painting). I’ve entered this into Impressionism Cafe,‘seascapes’

  • Watercolour, in the classic style of Ivan Aivazovsky (1810-1900). Russian seascape oil painting master. 14” x 10” on Bockingford 140lb paper. I used a new set of watercolour pans, from Russia “St Petersburg”. Wet in wet technique for the stormy sky, and parts of the sea and sand.

  • All watercolour paintings.

  • My first oil painting! Naturally it had to be my favourite subject…the sea. Oil on canvas paper. / 8×12 inches. For sale.

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