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758 creative works found

• 

  Ad Infinitum
  by Mario Sánchez Nevado

  Just a teaser of how my new direction is looking like. I finished this one a couple of days ago. As you can see I’m always moving in different directions :) Model reference is from Sophie

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  Monkey Magic ***Now with added text
  by littlegirllost

  this was a special request from a redbubble user efcjimbo

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  Yum Yum Coffee Time
  by chenchorico

  Soul sucking corporations! Hooray! With a little advertising thrown in!

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  TRANSPORTATION
  by Archan Nair

  The title explains my concept very well. / PRINT AVAILABLE!!!

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  SOMEBODY.TO.LOVE
  by Archan Nair

  Collab with J3concepts. yummeh!

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  Don't Let Go
  by Archan Nair

  Collab with Ms.Chen Now this one seriously took me a very long time to make. Finally! and Salty was after my life to complete it. PRINT AVAILABLE!!!

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  Beautiful Rising
  by Archan Nair

  Artwork made for a Music Band. They are into Electronic Trance, so yeah. completely illustrated

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  Welcome to the Rainbow
  by Archan Nair

  I wanted to make a new wallpaper for myself, and i experimented this time again with a more concentrated focus. I like the results and cristina said it would look great on a tee shirt, so here it is! enjoy!

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  Sweet Sensations
  by Archan Nair

  Prints are available for all my artworks!

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  Alice through the PSP filters with added knife
  by Danny

  Alice found her wants and needs change rapidly when she was ripped from her printed childrens book, then scanned onto a computer and put through all these weird filters. / All of sudden, she didn’t want to play with the small furry animals anymore… she wanted to stab the small furry animals. / Well… that’s progress. Something different for me… public domain images with filters…weird shit. I changed the original wording & spelling to stop confusion, it was a bad play on words. / After a hundred attempts i think I got the black version looking half ok / Super sexy model: Ange

• ADDING THUMBNAIL IMAGES TO YOUR PROFILE PAGE TUTORIAL
  by Angi Baker

  This tutorial will show you how to add the title thumbnail images to your profile page and to link them to the image comment page. 1. ...

  This tutorial will show you how to add the title thumbnail images to your profile page and to link them to the image comment page. 1. Login To Redbubble / 2. Click on your art the one in between account and clothing / 3. This will bring you up to your page called My Art / 4. You will see all of your art that you have uploaded to Redbubble / 5. On the left side you will see all of the small thumbnails of your images / 5. Now we want to add these to our profile page / 6. Go to the top of this page and minimize this page and open up another one so that / you will sign into Redbubble again.(It helps with editing when you have two pages / of Redbubble pulled up). / 7. Now on this page you will go to account and then edit my profile / 8. Now we will go back to the other page that we minimized which is My Art page / 9. You will follow these directions for as many of the thumbnails you wish to add to / your profile page. / 10. Take your mouse and right click on top of the tumbnail / 11. Click properties / 12. Left click and hold down mouse and highlight the address url starting with the / http, be sure to go all the way to the right and down capturing all of this url. / 13. Right click blue highlighted area and then left click copy and ok / 14. Now we will go back to the Edit my Profile Page and go down to the About Me Box / 15. Type an exclamation mark and then right click directly behind the ! and then click / paste, then we will want to add another exclamation mark directly behind this url / please remember no spaces at all… / 16. Now we want to add a link so that members can view this image larger and / comment on this work / 17. So we will simply add a : directly behind the ! / 18. Now lets go back and open up our other page / 19. We now want to click on Show public View, this will open up the comment page / and a larger view of your image. / 20. Once this page is open / 21. Now we will want to go to the top of the page where we see the address bar / 22. We will put our mouse into the address bar and right click and then left click copy / 23. Now we want to open up our other page on our edit profile page / 24. Directly behind the : you will right click and then left click paste / 25. And then we will save changes at the bottom of this page / 26. Follow these steps and add as many thumbnails to your profile page

• TUTORIAL: Add Buttons To Your Profile Page
  by Patricia Montgomery

  *I recently had several requests for instructions on how to add buttons like the ones in my profile...

  I recently had several requests for instructions on how to add buttons like the ones in my profile. Rather than send individual bubblemail messages, I’m posting it in my journal in case someone else would like to add buttons to their RB profile. BUTTON INSTRUCTIONS Tip: print out this page and put it beside the computer before you start. You can make your own buttons or you can use a site called ButtonGenerator. If you decide to use this site and not to pay for a membership, you will need to add a link back to the site. I made all of mine 125X26 to give you some idea of the size of the ones on my page. This size allowed 3 buttons side-by-side. Make all your buttons and then save them in a folder on your computer. Then you will need to upload each button to your RB image gallery and use the “Hide” feature so that no one sees them but you. Once you have them uploaded you will need to right-click on each one to get the url address html code in the properties box. Example: http://images-0.redbubble.net/img/art/size:ularge/view:main/1407403-1-autumn-button.jpg Then go to “Edit Your Profile” to copy the image html code AND the tag html code – it will look like this (without the spaces): ! http://images-0.redbubble.net/img/art/size:ularge/view:main/1407403-1-autumn-button.jpg ! : http://www.redbubble.com/people/patmonty/art/everything/tags/autumn [REMEMBER NO SPACES. I had to add spaces so you could see the html code. If I had not added spaces, the button would have appeared in the journal instead of the code.] The last word in the html code is the “tag” word. In the example above it is autumn. You will need to put one space between each set of button html code. If you have a lot of buttons the language is long and wraps around forever. But with one space between each button html code, the buttons will sit next to other and then wrap to the next line. Now you will need to add the tag word to each of your images that will correspond to the buttons. Happy Button Making! UPDATE: Cool Text Graphics Generator is another good site for buttons. This tutorial was featured by the group, Tutorials on January 28, 2009. CLICK HERE FOR ALL TUTORIALS BY PATRICIA / Add Buttons To Your Profile Page / How to make a calendar / Downsizing those example images on your profile page / Adding Examples (Card, Laminated, Matted, etc) To Your Profile / Add photos to your profile description / Adding emphasis to your text / Plus more tutorials!

• 

  Perfume
  by Archan Nair

  one note dark / one note red / one piece of water flow away / one chill u get after sweat / u hear summer minor C collab with Shadow / I just love collabing with her www.archann.net

• TUTORIAL: Adding Examples (Card, Laminated, Matted, etc) To Your Profile
  by Patricia Montgomery

  _I recommend printing these instructions so that you have them handy for reference. It is easier than switching back and forth to this s…

  I recommend printing these instructions so that you have them handy for reference. It is easier than switching back and forth to this screen. Click on “my bubble”. Click on “art” (on the 2nd row of links – not the top one). You should see “My Art” page – this is the page where you can edit your pics. Choose your photo and click on “Show Public View”. Click “Buy/Preview”. (Note: You won’t actually be buying, only previewing) Choose the card or frame of your choice. Make your mat or color selections, etc. When the image of your framed photo appears on the screen, right click on the photo. A pop-up box will appear. Right click on the photo. In the pop-up box, click on “properties” (at the bottom). The “Properties” box will pop up – highlight the address (URL) . {Click & drag will highlight the entire address} IMPORTANT: Be sure to highlight the entire address – only two lines will be visible, but if a third line of the address hidden, be sure you drag down to highlight all lines of the address. Next copy the URL address. Press Ctrl-C (press the control key and the “C” key at the same time). You won’t see anything happen on the screen, but that is fine. Click OK to close the “Properties” box. Go to “Edit Your Profile” and scroll down to the “About You” box. Click in the box where you want this example to be shown. Now press Ctrl-V (press control key and the “V” key at the same time). You should see the URL address. Put an exclamation point ( ! ) in front of the URL address and another one at the end of the URL address. It should be similar to this example, but without the spaces: ! http://images-0.redbubble.com/img/art/cropped/size:xsmall/view:main/993259-1-yellowstone-in-winter.jpg ! Remember, NO SPACES before or after the exclamation point (!) – the beginning of the URL should look like this: !http:// The end of the URL address should look like this: winter.jpg! NOTE: These will be full-size copies of the images. If you would like to have smaller images (see my profile for examples) that don’t take up so much room, see my other tutorial on how to resize the images. Have a blessed day! / Patricia CLICK HERE FOR ALL TUTORIALS BY PATRICIA

• TUTORIAL: How to make a calendar
  by Patricia Montgomery

  This tutorial is mainly for the bubblers that are new to navigating the RB site. The calendars are quite easy to create. The most i…

  This tutorial is mainly for the bubblers that are new to navigating the RB site. The calendars are quite easy to create. The most important thing to remember is that all images must meet the following requirements. Even one pixel below these numbers and it won’t work. 2182 by 1906 pixels for the main pages / 3271 by 2874 pixels for the cover page Click on “my bubble” Click on “calendars” (in the 2nd row of menu items) Click on “Add a new calendar” (right-hand side of screen) Add a title and description (optional, but recommended) Add your cover image (When you click on the little down arrow, it will bring up a list of titles of all the images in your gallery, even the ones that may be “hidden” or “not for sale”.) Then just start adding images, one for each of the twelve months. If you aren’t quite finished but want to save it, use the “Hide” feature at the bottom of the page. Then you can make changes without anyone seeing it. When you are ready to publish, then change to “Allow Anyone to View This Work”. I hope this is helpful. If you run into problems or still have questions, please don’t hesitate to let me know. Have a blessed day! / Patricia CLICK HERE FOR ALL TUTORIALS BY PATRICIA / Add Buttons To Your Profile Page / How to make a calendar / Downsizing those example images on your profile page / Adding Examples (Card, Laminated, Matted, etc) To Your Profile / Add photos to your profile description / Adding emphasis to your text / Plus more tutorials!

• 

  Sea Monkeys
  by mobii

  Just a blast from the past. I think that as a kid, out of the back of comic books, I ordered the sea-monkeys, the Venus fly traps, the blow gun, and the whizzer whistle ring. Never did get around to the x-ray specs. So little time.

• 

  Tinkerbell
  by Archan Nair

  www.archann.net Produced for the Just Jam Collective

• 

  Fashion Victim
  by Aisha Diandra

  conceptual piece. / dress handmade with pages and pages of magazine ads, double sided tape and black electric tape. The very good, patient model is Yasmin Schonian from Perth, Australia. It was my first time working with a real professional model, so I was very nervous, but all went well and she loved the prints when she received them.

• 

  Evening Sun
  by Archan Nair

  The evening sun gives me hope for a new day tomorrow..

• 

  L'air du Temps
  by Archan Nair

  “Collaboration with Katie / Inspired by the fragrance / 11×14 cold press watercolour paper / Mixed Media Watercolour, acrylics, water-soluble crayons, ink mixed with digital painting It was just amazing experimenting and going crazy with the mood. She is the Goddess of Time archanN.net

• 

  Moon at Noon
  by Archan Nair

  Experimenting. Personal Illustration archanN.net

• 

  Saxon doorway - 800 AD
  by Justine Stevens

  The founding of St Mary’’s is given as 800 AD, it is probable that the church was begun as early as the late 6th century. Deerhurst occupied a position of importance in the territory of the Saxon Hwicce, a subkingdom of Mercia, and the church was the most important in the region. In the year 804 Aethelric, son of King Edmund of the Hwicce, granted land at Deerhurst to the priory, he and his father were probably buried at Deerhurst. In 1016 Edmund Ironside and Canute chose Deerhurst to sign a treaty dividing England between them. In the 11th century Deerhurst was the home of Earl Odda, one of the most powerful of Edward the Confessor’s nobles. Odda was responsible for the chapel which bears his name, which was completed shortly before his death in 1056. After Odda’s death the priory lands were given to the monastery of St Denis, in France, and the chapel passed into the hands of Westminster Abbey. The monastery was later the property of Tewkesbury Abbey, but at the Dissolution of the Monasteries the priory was disbanded and the church became the parish church.

• The Easy Guide to Adding Clouds to an Image using Photoshop
  by Peter Hill

  The aim of this Guide is to provide easy-to-follow step-by-step instructions on how to add clouds to an image which has an otherwise blan…

  The aim of this Guide is to provide easy-to-follow step-by-step instructions on how to add clouds to an image which has an otherwise blank sky, without the necessity of being a Photoshop guru to achieve it. Many stunning images on RB are in fact composites, with clouds being brought in from another image to add impact. (Sometimes you can’t easily tell!) It works very well and can transform an image. I have only uploaded to RB one artwork which is a composite of two shots, one being clouds: The original image of the building was clear sky – not a cloud in sight – and was thus a bit bland and boring and a perfect candidate for some cosmetic surgery. This tutorial was prompted by a request to explain how I did it. I still call myself “new to Photoshop” and I have found a lot of on-line Photoshop tutorials, including some others on RB, assume a much higher level of knowledge than I have and are not very intuitive. So, I try to explain the steps in easy to understand terms (hopefully!) and, importantly, describe what each step should look like after it’s done. So if you are not seeing the result of each step replicated on your screen, you know you have to stop and try again. If this happens, go to the top toolbar, select Edit then Undo [whatever it is you’ve just done] from the drop-down menu and try again. (Many many tutorials lose me when they fail to include this vital “check back”.) This tutorial is my longest one yet, given the patience I apply, but once you get the hang of the actions, you will find the process rather quick to do. If you have already read and followed my Orton Effect tutorial, you’ll know what I mean, hopefully, so don’t be put off by this one. I explain the steps based on using Photoshop Elements 7, but users of more advanced Photoshop programs will be able to follow the same steps. I also have Photoshop CS2 (v9.0), for example, and there’s only one slight difference from the PE 7 interface from what I can tell, which I will point out where it’s relevant. If you want to refer back to this tutorial at leisure, feel free to favourite it as I never delete them. And for this tutorial I really am going to make the effort to update it to include screen shots of EACH step. In writing this tutorial I just want to point out I have not read a single tutorial by someone else on this particular process, and the words are all mine. I wish to also acknowledge that Tatiana originally showed me this process. She’s so patient dealing with my impatience! Step One Clouds. You need some cloud photos. Beg, borrow or steal some, or better still, shoot some. I have a folder of nothing but cloud photos. Any day the sky puts on a show I will try and shoot the clouds, just to save them for later use. If you shoot some clouds in JPEG, make sure you shoot them in colour – you can always desaturate to B&W if the image you want to use them in is also in B&W, but if you shoot them in B&W in JPEG you won’t be able to convert to colour to match a colour image. Just another reason to shoot in RAW, really. For this tutorial, however, I am going to use a colour image needing a sky and a B&W sky shot. In theory, this will look weird, and it does, but I will also show you how you can then gradually desaturate the colour image after inserting the B&W sky and achieve quite a startling effect when you leave just a touch of colour. For best results, try to have nothing else in the frame of your cloud shot but sky. No trees or power lines! (If that’s not possible then crop the crap out. But note that creates a potential problem because now your cloud shot will be a different size than the image you want to drop the sky into. That can be fixed, but let’s just worry about equally-sized images for now.) Another advantage of having a “clean” cloud shot is that you can rotate it to horizontal or vertical, depending on the aspect of the image you want to use the sky in. Here’s a little cloud photo I prepared earlier: Step Two Your main image. The one without any clouds. The one you want to insert some action into, some drama. Try to select an image with a completely blank sky. It makes it so much easier for the Magic Wand (I’ll explain later) to figure out the portion of the sky you want to replace, ie all of it. Try to also select an image with straight lines, like a building or, even better, a straight uninterrupted horizon of a landscape or seascape. If you’ve got stuff popping up into the sky, like trees, the method I describe is just made soooo much harder and you may as well stop reading now and go watch TV or a movie. (At this point, the Photoshop gurus are shaking their heads and groaning, because THEY know another method to get around this when doing composites, but we’ll leave THEM on their lofty perches, ok?) Here’s a little image I prepared earlier. You may recognise the building: Cool. Now, let’s get starting on cooking our composite. I will refer to my two images in this tutorial as Clouds and Building, just for ease of reference. Step Three You’ve got Photoshop Elements (“PE”) open. Now select File from the top toolbar and select Open from the drop-down menu. Choose your Building shot and open it. Ok, now look across to the right of the screen. See the Layers palette? It should be showing a thumbnail of the Building image, together with the label Background. Now, once again, select File from the top toolbar and select Open from the drop-down menu. Choose your Cloud shot and open it. Look across to the Layers palette. You should now see a thumbnail of the Cloud image, together with the label Background. Now, left click and hold down the mouse on the Cloud image, and drag it to the side, just enough to show some of the sky of your Building shot. Release the mouse button. Move the mouse over to the Layers palette. Left click and hold over the thumbnail of the Cloud, and drag it over to the sky – anywhere in the sky. Release the mouse button. A copy of the Cloud image should now be “superimposed” over the Building image. Don’t worry if it doesn’t fit. Look over to the Layers palette. You should be seeing now two thumbnails – the top one called Layer 1 which is the “front” image, and the bottom thumbnail called Background, which is your Building image. Now, ignoring the Layers palette, left click on the Cloud image sitting behind the “superimposed” image. Close it. Step Four Look over to the Layers palette again. See that group of little icons just above the top thumbnail? Hover your mouse slowly over them and their functions should come up, eg the 3rd icon from the left looks like a trash can and when you hover the mouse over it a little word bar comes up saying Delete layer. Well we don’t want to do that. Instead, hover the mouse over the icon on the far left. It should say Create new layer. Just remember where that icon is for now. (If you are using Photoshop CS2 or CS3 or CS4, the group of icons is at the bottom of the Layers palette. Hover the mouse over the icons until you find the one that says Create new layer. Remember it.) Now, left click and hold down the mouse over the bottom thumbnail in the Layers palette – it’s the thumbnail of the Building that’s labelled Background – and drag it over to the Create new layer icon. Release the mouse. You should now see three thumbnails in the Layers palette, labelled, from top to bottom: Layer 1, Background copy, and Background. Step Five This is a slightly tricky step. Another click and drag, but best done smoothly and slowly. Left click and hold down the mouse over the Background copy thumbnail in the Layers palette and drag it to just over the top of the Layer 1 thumbnail. Release the mouse. All we are doing here is reversing the order of the top and middle thumbnails, so now your Layers palette should still show three thumbnails, but now in order from top to bottom: Background copy, Layer 1, and Background. Step Six Ok, now the meaty stuff starts. Look over to the left toolbar now (or palette, whatever you want to call it). Hover your mouse until you find the icon labelled Magic Wand. It looks like, um, a magic wand, but don’t confuse it with the Quick selection tool immediately below it. Click on the Magic Wand icon. Your mouse pointer should now have the distinct look of a, um, magic wand. Look up at the little toolbar immediately above the image (which, incidentally, should be of the Building). Make sure the box marked Contiguous is ticked. Now left click once on the sky in the Building image. You should now see marching ants completely around the sky and along the exterior part of the building which protrudes into the sky. (Believe it or not, the technical term for marching ants is …. marching ants.) Step Seven Look closely at the marching ants where they meet the edge of the building. Are there any gaps where you can see the sky? This is important, because if you don’t shift the path of the ants so that they align to the edge of the building, your new sky won’t cover that gap. Enlarge the image if you are not sure. If you see a gap, it is easily fixed. First, press and hold Shift on your keyboard. Second, left click once on the mouse on a gap. Let go the Shift key. You should immediately see those obedient mice form up against the building across the image. Cool, eh? Now, go to the top horizontal toolbar and select Edit. From the drop-down menu select Delete. This will delete your bland boring sky and replace it with your new dramatic sky !!! How cool is that?! Epic. Step Eight Now we have to send the mice home. Go again to the top toolbar and select Select. From the drop-down menu now select Deselect (ha! ha! I love a good alliteration!). Your marching ants should be no more, gone in fact. Does your image look something like this? How cool is that? Step Nine Nearly done! At this juncture, you have two options. You can finish now with the image you’ve got or you can adjust the look of the Building alone and/or the Clouds alone and then finalise the image. To finish now, right click and hold the mouse over the top thumbnail in the Layers palette. Select Flatten image from the drop-down menu. The thumbnails should have collapsed into one thumbnail, called Background. You can now save your image, you’re all done! To work further on the Building alone and/or the Clouds alone, simply left click once on either the Background copy thumbnail and/or the Layer 1 thumbnail and make your adjustments as you would normally do with an image, and then flatten your image and save it. Which is what I did with this image. I simply increased the contrast on the building and desaturated it to the level where there is just a hint of colour. To alter contrast, select Enhance from the top horizontal toolbar, then select Adjust Lighting from the drop-down menu, then select Brightness/Contrast from the second drop-down menu. A separate window will open and there is your contrast slider. To desaturate, select Enhance again from the top horizontal toolbar, then select Adjust Colour from the drop-down menu, then select Adjust Hue/Saturation from the second drop-down menu. A separate window will open and there is your saturation slider. So, how does it look? Epic or what?! Cheers and happy clouding !!!

• 

  iZombie
  by RevolutionGFX

  His favorite song is Brain stew by Green day, followed closely by Bodies by Papa roach, and also is a fan of People = SHIT by Slipknot... but please don’t ask him why he likes that one…