Abstraction sea 

1809 creative works found

  • Mixed medium painting of an abstract with desert earth tones.

  • Playing around in Apophysis and came up with this, reckon it looks like a wave breaking.

  • The original art is painted acrylic on stretched canvas and is 30” x 24” The original has now sold but other work can be found / on my own website Arts-Fine.co.uk

  • Suitable for your motivational cards/posters. Are you ready to face the vast ocean?

  • This is the print version of my artwork Original 24”x36” Acrylic and Mixed Media on Canvas. Sea anemones, boney fish, dancing seaweed and strange spongy things, are all some of the mysteries from the deep sea that I playfully and brightly portrayed on canvas in this cliché “Deep Green Sea”. It’s not your ordinary Deep Blue Sea; it is dimensional with unique mixed mediums, such as methods of tissue paper layering portraying seaweed. As you study this abstract work the animated color combinations will remind you of the salt-water life that lives deep down below us. Original AVAILABLE, if interested please inquire / Here is a picture of it framed currently: / You can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios /

  • A very close view of the delicate fibers of a sea sponge glowing with golden light and a beautiful natural abstract quality. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent. sc

  • Slightly more abstract look at the inner portion of the nautilus chambers after processing with the fractalius filter. /

  • www.danadipasquale.com / © Dana DiPasquale 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Dana DiPasquale. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.

  • Seascape abstract in acrylics on bristol paper 24”x36”

  • It keeps eternal whisperings around / Desolate shores, and with its mighty swell / Gluts twice ten thousand caverns, till the spell / Of Hecate leaves them their old shadowy sound. / Often ‘tis in such gentle temper found, / That scarcely will the very smallest shell / Be moved for days from whence it sometime fell, / When last the winds of heaven were unbound. / Oh ye! who have your eye-balls vexed and tired, / Feast them upon the wideness of the Sea; / Oh ye! whose ears are dinned with uproar rude, / Or fed too much with cloying melody, / Sit ye near some old cavern’s mouth, and brood / Until ye start, as if the sea-nymphs choired! Sonnet on the Sea / by John Keats (1795 – 1821) Painting in mixed media – 102cm x 42 cm 17th December 2008

  • Untouched photograph, effect achieved ‘in-camera’. Best viewed LARGE

  • Abstract Macro Photography This image is a little part of someones garden fence. i think that this picture looks like the sea – sand – horizon – sky i have cropped this picture slightly. i have adjusted the brightness/ contrast/ hue and saturation a little bit also, just to bring out the brilliance of what i photographed.

  • Blossom’s_Photo_Gallery Under the Sea Tree Bark – Enhanced in PS to create an Abstract from Nature.

  • I smell the salt and redwood trees / Mixed gently by the coastal breeze / A natural scent that guarantees / To always place my mind at ease / / On coastal meadows flowers bloom / And sway in breeze like nature’s broom / While all about the bees do zoom / So much for my eyes to consume / / The vast Pacific adds more still / As backdrop to this flowered hill / Across this landscape colors spill / To give my heart and soul a thrill / / The redwoods stand behind me tall / To touch the sky with mighty sprawl / Not even violent ocean squall / Can make these giants bend or fall / / All this in place named Santa Cruz / Where nature paints with all known hues / To leave behind such scenic views / To treat our eyes, and soul infuse / / This fractal artwork was inspired by the Santa Cruz area of California. Santa Cruz lies at the northernmost point of the famous Monterey Bay. I lived in this area for awhile about thirty years ago, and the beauty of this place remains vibrant in my mind. There is a wonderful biodiversity of animal and plant life on both the land and within the sea along this coast, that is unique to any other place I have been. / / I lived in an old Airstream trailer on some beautiful land here, right where the meadow met the forest. Just to the east of the trailer a thick, redwood rain forest began, and to the west were the gently sloping meadows that ran to the sea. This artwork shows the view across that coastal meadow, with all the wildflowers in bloom. I think one of the reasons it has remained so strong in my mind is you don’t usually encounter a flowered meadow with the Pacific ocean as the backdrop, with both the smell of the forest and the salty air of the sea mingled together. / / This was artwork created in Incendia. This was my first artwork with the new version (1.2) of Incendia that was just released this week. The fractal is exactly as it was rendered. The only post-processing was to crop it just a hair to bring it to a more common printing size. The original artwork is 3000×3000 pixels at 300 pixels per inch. The details are difficult to see over the internet, so I have included a few detail cutaways to give you a better idea of the overall detail of the artwork. The cutaways are at 50% of the original size. / / / / / / / /

  • An early morning shot of some seed heads at the Mount Maunganui beach.

  • Canon 40D

  • One step into time and I realize I am running. Or am I falling. The condition was paralysis. I had accepted it. Then I opened a window in a room with no walls and let in the breeze of one small voice that sang a tune from a day long ago when I was in love, felt love, was unafraid of love, was engulfed in love, was uninformed as to the condition of loss that would fall upon my giving myself to love. Was it just youth? / One step away from the condition and it no longer existed. Instead there were only floral winds dancing on days of light and color and high cheek bones sliding across glass that was slippery with my own reflection and the voice of the song plaintive and melodic calling the name of the sea. And the sea had no name. It was a wave. The Condition is acrylic on paper 15”x20”

  • A watercolour painting on Arches watercolour paper, dimensions 8×11” of a moonlit night. Moondance See the moon shining bright / Shadows dancing in the light. / It’s face glowing lighting the way / To the old castle across the bay. / Haunting sounds fill the air / Come, rest a while, if you dare! Linda Callaghan FEATURED IN THE FOLLOWING GROUPS: FIRST THINGS / CREATIVE CARDS / LAKES AND INLAND WATERS

  • Acrylic on stretched canvas 40 X 50 Original for sale – www.naomioconnor.com

  • View more work from this series Untouched photograph. Best viewed LARGE

  • Made with Ultra Fractal. These fish are found in By the Seaside. Thank you very much for the support, faves and new persons who put me on their watchlist. :) PART OF THE UNDERSEA CALENDAR / AVAILABLE OCTOBER 2009

  • Fractal design created with Apophysis 2.08 and the script spiral skyfirehead from the Doug’s collection. Designer: Thea Walstra / /

  • Rainbow Beach, Bonnie Hills, New South Wales, Australia. / Best viewed LARGE

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