Is it a… ?
3d rendered image resembling a seascape with a red moon rising
3d rendered image of spheres descending into the sea at night
This started off life as an Acrylic painting which I photographed & played around with. As I painted the original I think I’m allowed to do that. Its meant to represent life at the stage where the earth is still a molten mass of well cosmic dust. Its also how I feel about the internal struggle in my head. /
Digital painting (please view large) / Copyright © LiorG 2008 Add Lior Goldenberg to your watchlist
Created in Apo 2.07. Thank you for taking the time to view and comment. :)
Apophysis 3D hack
Riding the Wind Apophysis and PhotoImpact 12.
Made in Ultra Fractal 5.
stock photos courtesy of: Natalie Paquette http://fetishfaerie-stock.deviantart.com/ / cgtextures / other stock photos are my own.
A flame fractal composite. Apophysis, Chaoscope, Bryce and photography overlays (15 layers).
Keeper of time, his task to slice / Through time and space with no device / Move men and ships with cosmic splice / Using melange, the precious spice / / Melange born of the worms in sand / Their home, Arrakis desert land / Where Fremen tribes do make their stand / Protect this spice from evil band / / This fractal artwork was inspired by the 1965 classic science-fiction novel, ‘Dune’ by Frank Herbert. This is the first instance that I can think of where the concept of ‘folding’ time and space for space travel is imagined. In the novel, creatures called ‘Navigators’ are able to use a spice called ‘Melange’ to enable space travel by folding space. / / This is my abstract portrayal of what a Navigator would be. The Navigator has infinite portals within him that connect all points of time and space. His container of the spice Melange lays at his feet. / / The large sand dunes near the coastal town of Florence, Oregon ( close to where I live ) served as the original inspiration to Frank Herbert for the Dune saga novels. I always thought it was really cool that his inspiration came from my neck of the woods. I have always loved this book since the first time I read it as a young boy, so here is a little tribute to Frank for the wondrous adventure he sent me on during that time. / / The original is 4800×6400 pixels at 300 pixels per inch. It was created in Sterling2, a freeware fractal application. Because the original is so large and difficult to see over the internet, I have included a couple of detail cutaways below. / / / / / /
16” X 14” Oil on Canvas 10/08
All they knew was that the object in front of them was not, could not, be man-made. The intricate design and alien symbols all over it pulsed slowly, with a sound like the beating of a strange creature’s heart while in hibernation. When touched, the beating grew faster, the lights shone brighter. A massive roar of sound bellowed out of the device, echoing on the far walls of the enormous cavern. The object’s symbols flared, the brilliant light washing over everything. The light subsided. The research team was gone. The device grew silent again, its slow, rhythmic pulse the only light or sound in the vast darkness. Apophysis 2.08
Of the tunnel, of life, of the day??? ;o) Created in Apophysis.
Here’s the Marble that will roll into the Center of Time and try to knock us all out. It’ll tumble toward Infinity and then stop. Just like that. Maybe we’ll be in its path and maybe we won’t. Place your bets now! / / Image rendered in Oxidizer and edited in Corel Painter Essentials 2 and Photoshop Elements 3. / /
Looks good in either light or dark t-shirt
inks and watercolours
I created this fractal design with Incendia and did some post work with Photoshop. Designer: Thea Walstra / /
This is a signed digital painting of “Transformation of Planet X.” Thank you for looking! Frances Perea Copyright. Watermark does not appear on original or products.
Foam in bath
Way down in that algorithm… Deep in my mind I see…. well…. lots of things… and then there’s a breakthrough! This is what it’s like! Used Redfield’s UMatrix to really bring out the fun!
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