Abstract 

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  • An explosion of soft centred chocolate, foil wrappers and romance.

  • Unfortunately, you can’t eat it! / Best viewed LARGE

  • Taken from my blog: I was going through some paintings in my studio and stumbled upon this one that I had done some time ago. I had initially put it aside calling it a “WIP” and had fully intended to go back and do more work on it but never did. I’d shown it as a WIP to some arteeeest friends who had liked it very much “as is” and then just rolled it up and forgot about it. It’s huge…not exactly sure off hand how large but it’s on unstretched canvas….I’d say about 4ft X 5ft. What this piece represents is (and I remember painting it during one of those dry spiritual periods when I was trying desperately to pray but just couldn’t find the words) our prayers, which are sometimes nothing more than moans and groans….but are interpreted for us by the Holy Spirit giving us a direct and uninterrupted line to our Father. This happens often during our times of spiritual emptiness when we are reaching out to God and the words just don’t come. For those of you who are Christians, you will know this scripture from the Bible: Romans 8:26 (New International Version) “In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us with groans that words cannot express.” Anyway, when I pulled the painting out this morning, I decided that just as Jesus said on the cross, “it is finished”.....and would like to share it with you all. Never stop talking to God, He always hears….even the moans and groans! Be Blessed. /

  • An untouched photo .I took that shot at sunrise,every little stars you see were made of ice and refklected the sun.My favorite untouched so far. / Same morning as Criss Cross and Glittering without the blue tone. / / / / /

  • Monapali is a bengali indian name. beautiful and divine. hope you like it. depicts very indian and african inspired fashion and art.

  • I was inspired by the contrast and affect of soft, quieting snow to busy city life and its bold structures. This was mainly painted using a palette knife and heavily textured with impasto. Oil on Canvas 24”x20” Original Sold http://www.theoceanseries.com/1stARPEx.html Featured in: Abstract Realism, New England, The Fringe, Impressionist Art, and Redbubble’s home page

  • I’m a bit of a goose, I had the title spelled wrong the whole time. thank you for all the wonderful comments. :)

  • A tendency, especially in thought or feeling, contrary to what seems the strongest Drifting on the cool blue feelings of emotion, relaxed, open, not anticipating the subtle pull of the undertow that sucks you in. A warm wave of passion envelopes you and you are lost forever in the power of love. A big thankyou to mystic moon for the words

  • This photograph was taken using the TtV technique and is part of my TtV: Through the Viewfinder Series. Photographed using a 60 year old vintage Argoflex Seventy-five and a Canon. Best viewed LARGE Also available as a print, click on image below /

  • In the future we won’t need real trees. / Artificial trees will bring us all the excitment that nature provided. / And, they won’t shed pesky leaves. / Just be careful around all the pointy bits. / And don’t climb them. / Or try and carve your initials in them. / The voltage can kinda sting.

  • for all my new friends, and friends to be, at RedBubble… / of 900 or so pieces up, this is the most viewed and faved on my dA site; at RB also (by far!!!)...that’s Hope-full! ”...I don’t wanna, hear nothin’ else, about killin’ / And that it’s God’s will…” (Dixie Chicks) what part of “thou shall NOT kill” don’t we understand??? may we all find the Hope we need, and share it…...... please have a look and a listen (EXELLENT sound & video)... ‘I Hope”, by the Dixie Chicks… / Sunday morning, I heard the preacher say / Thou shall not kill / I don’t wanna, hear nothin’ else, about killin’ / And that it’s God’s will / Cuz our children are watching us / They put their trust in us / They’re gonna be like us / So let’s learn from our history / And do it differently CHORUS: / I hope / For love, joy and laughter / I hope / We’ll have more than we’ll ever need / I hope / We’ll have more happy ever afters / I hope / We can all live more fearlessly / And we can lose all the pain and misery / I hope, I hope Oh Rosie, her man he gets too rough / And all she can say, is he’s a good man / He don’t mean no harm / He was just brought up that way / But our children are watching us / They put their trust in us / They’re gonna be like us / It’s okay for us to disagree / We can work it out lovingly For I hope / For love, joy and laughter / I hope / You’ll have more than you’ll ever need / I hope / You’ll have more happy ever afters / I hope / And you can all live more fearlessly / And you can lose all your pain and misery / I hope, I hope There must be a way to change what’s going on / No, I don’t have all the answers, but / I hope / For more love, more joy and laughter / I hope / you’ll have more than you’ll ever need / I hope / There’ll be more happy ever afters / I hope the Dixie Chicks / ..................................................................... ’...there must be a way to change what’s going on…” / ..................................................................... This image is now available as cards, both greeting and note size, blank inside, or with a holiday greeting at my Zazzle site USE THIS LINK TO BUY THIS CARD… / ..................................................................... Apophysis 3Dhack ~ 9000×9000px / (re-rendered @ qual=30,000; 7hrs) ~ use large view, please ~ / Thanks for the look! Peace… Serious Fun Studios ~ fractal art images and products Fractal Art Prints & Products by SBricker @ Zazzle fractal art by SBricker @ devientART Scott Bricker at Fine Art America Scott Bricker’s art at Art Wanted.com /

  • TWO PICS….one taken at the same place as Headland on a foggy morning and a pic of some painting peeling off from metal piece…. for fun… :))) / /

  • The Scream is basically a piece about violence against women, a subject that really sensitizes me not only for being a woman, but also for being human and for dreaming and working for a better world based on respect and equality. I didn’t want a piece that was oppressing or showed only the pain of the violence or abuse. I wanted something dynamic, that could have a “voice”, that could help people to reflect about how to change things. The symbolism of the piece is quite simple and direct. There’s a dual figure in the center. She might be the same woman in two different attitudes, if you like. The red-haired one is scared and in pain. She holds her bleeding heart and wears a mask to keep herself hidden from judgment or other losses. She might be the one who was raped in a party after drinking too much, the one who was abused for a family member but preferred to hide in order to do not cause disturbances in the family, the one who was beaten for her husband but kept silent for fear of losing her children. She might be one of the Congo women. She might be me, or you. The black-haired woman doesn’t wear a mask. She is screaming – although sometimes I think that she is in fact singing. What she releases from within herself is a bird, red as life. Is the desire for freedom from a world conquered by force, not love. She screams her right to be treated as a human being instead of a second-class citizen, as a partner instead of a subordinate. Her right to express her own ideas and have their own attitudes without being demonized for them. There are also masks at the bottom, a pile of masks without faces behind them. They once belonged to women who decided to scream instead of keep silent and anonymous. That decided to stop pretending that that’s how the world is and there’s nothing that can be done to change it. But there’s so much one can do just by having a voice… And use it to demand respect for being human is urgent.

  • Symbol of ANZAC Day Suggested Framing: /

  • Apophysis/fractal explorer composite From beyond time, / beyond the oak trees and bright clear water flow / she was given the work of weaving the strands / of her body, her pain, her vision / into creations, and the gift of having created, / to disappear. Paula Gunn Allen Featured in Gateways / Sold as a medium sized poster to a redbubble buyer August 09

  • Winner of Guinness Book of Records for the world’s hardest Lego construction. The Penrose Triangle. / / Created for the A T-Shirt Revolution Speed Tee Challenge in less than two hours and twenty minutes. / / Phew! / / DETAIL / /

  • Watercolor and pencil on illustration board, / 15×20 / 2009 Related work: / The Waterman: Unio Mystica This is the second panel of The Waterman triptych. While the central panel represents the Christ as the macrocosm, the side panels are the microcosm, represented by the Four Elements and their manifestation in the physical world. Ignis Aeris is the yang pillar, the elements Fire and Air. Volatile and oriented upward, these elements are connected to the realms of the abstract thinking and intuition. Fire is the energy, passion and primeval instincts, that need to be balanced by the intellect (Air) in order to manifest in a most constructive way. The certainty of the Divine, that comes from the heart and from a primal knowledge, needs to be shaped by the intellect in order to become less aggressive and to expand (the butterflies rising from the fire and flying upward). Only through a perfect combination of faith and reason we can access the Divine and understand Its Laws. At the basis of the picture, handling the creative power of Fire, we see the Magician of the Tarot, which I represented wearing the skin of Nemean Lion, just like Greek hero Herakles. He represents the first step in the Hero’s Journey, or that path that each one of us need to find out and go through in order to become Whole with the Universe. The Magician is the one who uses his power of will (Fire) and mental skills (Air) in order to find his own path.

  • Watercolor and pencil on illustration board, / 10×8 / 2009 Model: Adhara Batul One of the Greek myths I adore the most, for its incredible strength, poetry and significance, is the myth of Persephone. In Greek mythology, Persephone was the goddess of the underworld and of the Spring growth. Daughter of Demeter, goddess of the harvest, she was abducted by Hades and taken to the land of the dead. By a determination of the Fates, she was forced to stay for two seasons each year after eating pomegranates seeds, thus becoming consort of Hades and queen of the underworld. This time I opted by depicting her sorrow and solitude after having the seeds, although there’s quite an air of resignation with her destiny.

  • Tree
    by jxle

    Brushes by anaRasha

  • Taken at dusk in the Namib desert. Nature at it’s best and most simple. This image just won a silver award at the International Aperture Awards. / 14 December 2009

  • Featured in A Class of It’s Own oil on canvas / 40×30

abstract – information provided by wikipedia:

Abstract art is now generally understood to mean art that does not depict objects in the natural world, but instead uses colour and form in a non-representational way. In the very early 20th century, the term was more often used to describe art, such as Cubist and Futurist art, that depicts real forms in a simplified or rather reduced way—keeping only an allusion of the original natural subject. Such paintings were often claimed to capture something of the depicted objects' immutable intrinsic qualities rather than its external appearance.

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