Abstract vibrant
800 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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This is an abstract image taken at the edge of a thermal spring in the West Thumb geyser basin in Yellowstone National Park, Wyoming. While the image appears to not contain any living thing, the colors themselves are in fact a product of the microscopic organisms called Thermophiles which thrive at extremely high temperatures. When visiting Yellowstone, you will see different veins of colors surrounding the fumaroles, geysers and thermal pools. The various colors in these mats are different types of Thermophiles which thrive at specific temperatures or have preferences for alkaline, acidic, or sulphiric enviroments. The enviroment determines the type of Thermophile that lives there and this diversity creates the colors you see. The color in this image is exactly as it was taken by my camera. It is not a macro image. At the top right, the turquoise color is the very edge of the thermal pool, the white border is mineral deposits and the brown and yellow and orange colors are the Thermophile living in a mat surrounding the pool. / /
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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This was taken near Clare, two hours north of Adelaide, South Australia, on New Year’s Eve. The colours depicted a hot summer and a perfect end to that year. The power lines drew my eye to the distance and in a sense to the future, and all that it held. This was taken using a Canon DSLR EOS 350D.
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SOLD 4 large limited edition prints 70×44 cm all private sales. One framed, One with matt and board, and two unframed. All signed. / Mixed media on paper. I have used a multitude of stuff on this. Acyrilic paint, Gold Leaf, Gesso, paper, lots of water, pieces from magazines just to name a few. Its been a while since I created this so I can’t remember everything I used. I have decided to do only a set of 50 limited edition prints of this. They are 70×44 cm and are available by contacting me at ctowns60@hotmail.com
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This work is a combination of a sunset capture of the City of New York skyline and a fractal image created by Apophysis. Then it has been enhanced with HDR and Micrografx to produce the final results. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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Ge 1:14: ¶ And God said, Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days, and years: / Ge 1:15: And let them be for lights in the firmament of the heaven to give light upon the earth: and it was so. / Ge 1:16: And God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also. / Ge 1:17: And God set them in the firmament of the heaven to give light upon the earth, / Ge 1:18: And to rule over the day and over the night, and to divide the light from the darkness: and God saw that it was good. / Ge 1:19: And the evening and the morning were the fourth day. / _____ Job 26:7: He stretcheth out the north over the empty place, and hangeth the earth upon nothing. / _____ Ps 33:6: By the word of the LORD were the heavens made; and all the host of them by the breath of his mouth. / Ps 33:7: He gathereth the waters of the sea together as an heap: he layeth up the depth in storehouses. / Ps 33:8: Let all the earth fear the LORD: let all the inhabitants of the world stand in awe of him. / Ps 33:9: For He spake, and it was done; He commanded, and it stood fast. / ____ This work was created for the challenge For Living Christianity group competition, day four, Genesis. I used a drawing of the Earth and overlays of images created with Apophysis Fractal Art program. Edited with Photoshop CS3 and Micrografx. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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This photograph of bark creates a multi-dimensional abstract. The colors, textures and imagery within the materials are varied which leave us wondering what is behind each panel. /
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Mixed media painting….wasn’t too sure of the title….but what the heck! It looks like a sun beginning life. So….I’ve got a strange mind :-) / I also used PSPX to add to the painted image
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I could hear the rumbling and the roar / and the rain began to pour my love. / I could feel the sparks begin to fly / and I began to cry, my love. Take my breath away. / Take my heart and stay. / Wrap me in your arms / and never let me go, my love. Don’t in an angry moment / give up all we have / and throw it to the wind. / Don’t walk out that door, my love. We didn’t mean a word / of the things we said that hurt, / the things that broke each other’s hearts. / Let’s share a warm embrace, my love. Our hearts beat for one another / and our souls are deeply entwined. / Come look into my eyes, see into my heart / Leave the storm outside, come and share my love. amari This art was created as the third in the Hot Fractal art challenge for Fractal Frenzy. I used Apophysis Fractal art Program to create the initial images and then overlayed them and edited them with Photoshop CS3 and Micrografx. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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Time is like green meadows of the mind, / Every passing slowly changing / imperceptible to the eye. Time is how we gauge the way we occupy our lives, / Can I do it or must I pass it by, / do I really have the time? Nothing happens that we know of / Lest it happen in a time. / To go beyond it challenges the creative mind. It seems to take forever / Going from infancy to growing up. / Then it’s over in the twinkling of an eye. Looking back at what has been, / We call upon memories to share with friends. / Where did the time go that I spent with my life? This work is part of my entry into the Fractal Frenzy Challenge. I could not resist adding a poem inpspired by the image. Fractal digital art created with Apophysis fractal art program. Image created using multiple overlays edited with Photoshop CS3 and Micrografx. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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Ge 1:9: ¶ And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so. / Ge 1:10: And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good. / Ge 1:11: And God said, Let the earth bring forth grass, the herb yielding seed,and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. / Ge 1:12: And the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind: and God saw that it was good. / Ge 1:13: And the evening and the morning were the third day. This is my entry into the For Living Christianity group competition, day three, Genesis. this is a sunset taken a couple of weeks ago here in Irvine, California a few years ago combined with several sunset images I took here in Mohave Valley, Arizona a couple of weeks ago. I used Photoshop CS3 to overlay the images. Then I used Photomatix to enhance the final image into an HDR image. The intent was to create the awsomeness of the creation of the Earth, unlike any other event in history. The power and beauty of our Awsome Creator. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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As the majority of male leads left Hollywood to serve overseas, John Wayne saw his just-beginning stardom at risk. Despite enormous pressure from his inner circle of friends, he put off enlisting. Wayne was exempted from service due to his age (34 at the time of Pearl Harbor) and family status, classified as 3-A (family deferment). Wayne’s secretary recalled making inquiries of military officials on behalf of his interest in enlisting, “but he never really followed up on them.” He repeatedly wrote to John Ford, asking to be placed in Ford’s military unit, but continually postponed it until “after he finished one more film.” Republic Studios was emphatically resistant to losing Wayne, especially after the loss of Gene Autry to the army. Correspondence between Wayne and Herbert J. Yates (the head of Republic) indicates that Yates threatened Wayne with a lawsuit if he walked away from his contract, though the likelihood of a studio suing its biggest star for going to war was minute. The threat was real, but whether Wayne took it seriously or not, he did not test it. Selective Service Records indicate he did not attempt to prevent his reclassification as 1-A (draft eligible), but apparently Republic Pictures intervened directly, requesting his further deferment. In May, 1944, Wayne was reclassified as 1-A (draft eligible), but the studio obtained another 2-A deferment (for “support of national health, safety, or interest”). He remained 2-A until the war’s end. John Wayne did not “dodge” the draft, but he never took direct positive action toward enlistment. Wayne was in the South Pacific theatre of the war for three months in 1943–44, touring U.S. bases and hospitals as well as doing some “undercover” work for OSS commander William J. “Wild Bill” Donovan, who thought Wayne’s celebrity might be good cover for an assessment of the causes for poor relations between General Douglas MacArthur and Donovan’s OSS Pacific network. Wayne filed a report and Donovan gave him a plaque and commendation for serving with the OSS, but Wayne dismissed it as meaningless. The foregoing facts influenced the direction of Wayne’s later life. By all accounts, Wayne’s failure to serve in the military during World War II was the most painful experience of his life. There were some other stars who, for various reasons, did not enlist. But Wayne, by virtue of becoming a celluloid war hero in several patriotic war films, as well as an outspoken supporter of right-wing political causes and the Vietnam War, became the focus of particular disdain from both himself and certain portions of the public, particularly in later years. While some hold Wayne in contempt for the paradox between his early actions and his later attitudes, his widow suggests that / Wayne’s rampant patriotism in later decades sprang not from hypocrisy but from guilt. Pilar Wayne wrote, “He would become a ‘superpatriot’ for the rest of his life trying to atone for staying home.” Wayne’s strong anti-communist politics led to a particularly unnerving situation. Information from Soviet archives, reported in 2003, indicates that Joseph Stalin ordered Wayne’s assassination, but died before the killing could be accomplished. His successor, Nikita Khrushchev, reportedly told Wayne during a 1958 visit to the United States that he had personally rescinded the order. This work was create as an entry into the United States group for the Veteran’s contest. I created this image with overlays of my photographs, an image created with Apophysis Fractal art program, edited with Photoshop CS3, Paintshop Pro and Micrografx. Wayne was born Marion Robert Morrison in Winterset, Iowa, but his name was changed to Marion Michael Morrison when his parents decided to name their next son Robert. His family was Presbyterian. His father, Clyde Leonard Morrison (1884–1937), was of Irish and Scots-Irish and English descent, and the son of American Civil War veteran Marion Mitchell Morrison (20 January 1845–05 December 1915). Wayne’s family moved to Palmdale, California, and then to Glendale, California in 1911, where his father worked as a pharmacist in a drug store. A local fireman at the firehouse on his route to school in Glendale started calling him “Little Duke”, because he never went anywhere without his huge Airedale Terrier dog, Duke. He preferred “Duke” to “Marion”, and the name stuck for the rest of his life. So He became known as The Duke From Wikipedia, the free encyclopedia Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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A close-up of a flower in the sun. /
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This image was created for the competition water Abstract Realism group. The original image was taken south of Tustin, California in a community that had lush floral landscaped gardens. I edited the original using Photoshop CS3 and Micrografx. HDR enhance with Photomatix. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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This is an abstract painting with a history… if you’d really like to know more perhaps you would like to visit my blog and read “Blasting The Canvas… Tantrums and Tears Of An Artist…”
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This work is dedicated to the greatest race horse who ever lived (in my opinion). I would have loved to have had the pleasure of knowing Phar Lap. After I learned of this magnificent horse with his indomitable spirit, I fell in love with him. His story has intrigued me ever since I learned about him. He overcame all the odds against him and became the greatest racehorse in modern history. He was so unconquerable that the slugs who controlled the tracks insisted on adding lead weights to him to level the playing field. He could not be beat. They continued to weigh him down and still he won. When his owner brought him to America to race at Aqua Calienti in Mexico, he won as usual. But, as the legend goes and later evidence leads to strong conclusions that the syndicate wanted him out of the races because they could not win any money on him due to the track odds, poisoned him after his last race. I like to think that the power of his spirit still energizes the tracks where he stood out as a star whenever he ran a race. Phar Lap, a giant chestnut thoroughbred gelding, is considered by many to be Australia’s and New Zealand’s greatest racehorse, and is a much loved national icon in both countries. At the time of his death in 1932, Phar Lap was the third highest stake-winner in the world. At the height of his powers, bookmakers offered very short odds on him, even refusing to accept any bets on some races. From Wikipedia, the free encyclopedia Pharlap, regarded by many as the best racehorse of all time, was bred in New Zealand and raced primarily in Australia. Decades after his death, Phar Lap remains Australia’s most famous racehorse: an ungainly chestnut gelding whose great stamina helped him win 37 of his 51 races between 1929 and 1932. Phar Lap was born in New Zealand and purchased for the bargain price of 160 pounds by trainer Harry Telford and American owner Dale Davis in 1927. The horse repaid them by winning over 66,000 pounds in purse money during his career. Phar Lap was the favorite in the prestigious Melbourne Cup race three times, winning in 1930 and becoming a national hero in the process. After the 1931 Cup he was shipped to America to face new competition for bigger stakes. He won his first race, at Agua Calienti in Mexico, but never raced again: in April of 1932 he died suddenly at a ranch in California. Phar Lap MELBOURNE, Australia (AP)—Forensic scientists say champion Australian gelding Phar Lap died of arsenic poisoning, solving a mystery that has intrigued the horse racing world for more than 75 years. Phar Lap won 37 of his 51 starts before his death in mysterious circumstances at Menlo Park in California in April 1932. Days before his death, he won Mexico’s Agua Caliente Handicap, which was then the richest horse race in North America. Arsenic poisoning has long been suspected as the cause of Phar Lap’s death, but confirmation had been lacking until Thursday when researchers Dr. Ivan Kempson of the University of South Australia and Dermot Henry, manager of Natural Science Collections at Museum Victoria, released the findings of their forensic investigation. Complete Report Overlays of horse and rider with Apophysis, edited in Micrografx and Photoshop, enhanced with Photomatrix HDR. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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