Abstract spirit
377 creative works found
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Click Here Upper Antelope Canyon Is a spectacular petrified sand dune, created by wind, water and sand, presenting a sculptured masterpiece. / My Navajo Indian guide was lovely and explained many of the legends associated with this area. Was so lucky at one point to have the canyon to myself, peaceful, serene and incredibly beautiful. / . / WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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Charcoal drawing and Apophysis image, layered in PaintNet.
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A drawing using coloured pencil on smooth surface cartridge paper see more of my images at www.deborahholman.co.uk
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Charcoal drawing and 2 Apophysis images
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im a big beatle fan this reminded me of that tune the inner light Without going out of my door, / I can know all things on earth / without looking out of my window, / I can know the ways of heaven. The farther one travels / the less one knows / the less one really knows. Without going out of your door, / You can know all things on earth / without looking out of your window, / you can know the ways of heaven. The farther one travels / the less one knows / the less one really knows. Arrive without travelling, / See all without looking, / Do all without doing. / copyright george harrison
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Charcoal drawing and Apophysis overlays
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 For a details see it in large view* ======================== / For best viewing, have some chill out music on and Enjoy. Original size 150×125 cm Details /
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Charcoal drawing with apophysis layers Birdwings / Your grief for what you’ve lost lifts a mirror / up to where you’re bravely working / Expecting the worst, you look, and instead, / here’s the joyful face you’ve been wanting to see. / Your hand opens and closes and opens and closes. / If it were always a fist or always stretched open, / you would be paralyzed. / Your deepest presence is in every small contracting / and expanding / the two as beautifully balanced and coordinated / as birdwings Rumi
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Charcoal drawing and apophysis layers
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It was just a moment, / but we could not foresee / that our time together here / would be so brief. It was not long enough. / How were we to see? / We could not have even known it / that you were stepping into eternity. It was just a moment. / We had no way of knowing, / you were not going / to stay here with me. Now, sometimes just before the dawn, / I think I actually can see / you turning in my direction / saying, “Come on! Catch up with me!” But I know I must be content / with the time you shared with me. / For I’ll always know that / our romance will always be. / / If even for a moment / we were in love and shared it. / It will last forever in my mind / and I’ll see you again some day. This work was inspired by the poem Just before the dawn of two lives shared for just a moment and the memories that are left behind by separation. When we have lost someone, sometimes we can almost see them in the brief hours just before the dawn. Our thoughts of them and memories seem the strongest when we are alone. In our longings to hold them one more time, we reach out in the depths of dreams touching them at least in the hidden recesses of our mind. Images Do Not Belong To The Public Domain.All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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something that represents or stands for something else, usually an object used to represent something abstract / Peace is the most important one though
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Charcoal drawing and one of my first Apophysis images. Thanks again to Larry Davis for some pointers on Apophysis!
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Charcoal drawing and Apophysis image
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Charcoal drawing and Apophysis overlays No room for form On the night when you cross the street / from your shop and your house / to the cemetary, you’ll hear me hailing you from inside / the open grave, and you’ll realize / how we’ve always been together. I am the clear consciousness-core / of your being, the same in / ecstasy as in self hating fatigue. That night, when you escape the fear of snakebite / and all irritation with the ants, you’ll hear / my familiar voice, see the candle being lit, smell the incense, the surprise meal fixed / by the lover inside all your other lovers. This heart tumult is my signal / to you igniting in the tomb. So don’t fuss with the shroud / and the graveyard road dust. Those get ripped open and washed away / in the music of our finally meeting. And don’t look for me in a human shape. / I am inside your looking. No / room for form with love this strong. Rumi
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Charcoal drawing and Apophysis layers
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A fanciful depiction of the psyche of a Replicant, which has the form of a human, yet the soul of blasphemous creation, a Golem, a Frankenstein, a tormented being, anxious and deranged, knowing its time is short and its end inevitable. The spider patterning exudes the replicant’s un-empathic nature, the thing that separates them from humans. If you haven’t, check out Philip K. Dick’s Novel, Do Androids Dream of Electric Sheep. It is brilliant. See also:
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I saw this flower in my garden and the shadow of the cross lay across it. It was like a sign to me and I got the picture before the sun changed positions and the shadow disappeared. I did not put the shadow there, I just took the picture. I used Photoshop Fractilius and Micrografx to accomplish the finished work. I did not put the shadow there, I just took the picture. 1Co 1:18: For the preaching of the cross is to them that perish foolishness; but unto us which are saved it is the power of God. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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Charcoal drawing and 2 Apophysis layers
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/ / It would be such a pity to leave without a comment. Like it? Say so. Don’t like it? Say so too! With a bang, if that fits your style. I’d rather leave a negative impression (on someone) than nothing at all. DullandBoring is NOT my middle name. Neither my last (I knew you’d probably say that!) As for the first name, it’s on the front page. So, please go ahead and make my day! Thank you so very much. / / . / Please view also my other work.. / / Thank you for visiting.
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 For a details see it in large view* ======================== / Original size 112×85 cm. Details /
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Abstract of spirits ascending. phil
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 For a details see it in large view* ======================== / For best viewing, have some chill out music on and Enjoy. Original size 140×110 cm Details /
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This work is dedicated to the greatest race horse who ever lived (in my opinion). I would have loved to have had the pleasure of knowing Phar Lap. After I learned of this magnificent horse with his indomitable spirit, I fell in love with him. His story has intrigued me ever since I learned about him. He overcame all the odds against him and became the greatest racehorse in modern history. He was so unconquerable that the slugs who controlled the tracks insisted on adding lead weights to him to level the playing field. He could not be beat. They continued to weigh him down and still he won. When his owner brought him to America to race at Aqua Calienti in Mexico, he won as usual. But, as the legend goes and later evidence leads to strong conclusions that the syndicate wanted him out of the races because they could not win any money on him due to the track odds, poisoned him after his last race. I like to think that the power of his spirit still energizes the tracks where he stood out as a star whenever he ran a race. Phar Lap, a giant chestnut thoroughbred gelding, is considered by many to be Australia’s and New Zealand’s greatest racehorse, and is a much loved national icon in both countries. At the time of his death in 1932, Phar Lap was the third highest stake-winner in the world. At the height of his powers, bookmakers offered very short odds on him, even refusing to accept any bets on some races. From Wikipedia, the free encyclopedia Pharlap, regarded by many as the best racehorse of all time, was bred in New Zealand and raced primarily in Australia. Decades after his death, Phar Lap remains Australia’s most famous racehorse: an ungainly chestnut gelding whose great stamina helped him win 37 of his 51 races between 1929 and 1932. Phar Lap was born in New Zealand and purchased for the bargain price of 160 pounds by trainer Harry Telford and American owner Dale Davis in 1927. The horse repaid them by winning over 66,000 pounds in purse money during his career. Phar Lap was the favorite in the prestigious Melbourne Cup race three times, winning in 1930 and becoming a national hero in the process. After the 1931 Cup he was shipped to America to face new competition for bigger stakes. He won his first race, at Agua Calienti in Mexico, but never raced again: in April of 1932 he died suddenly at a ranch in California. Phar Lap MELBOURNE, Australia (AP)—Forensic scientists say champion Australian gelding Phar Lap died of arsenic poisoning, solving a mystery that has intrigued the horse racing world for more than 75 years. Phar Lap won 37 of his 51 starts before his death in mysterious circumstances at Menlo Park in California in April 1932. Days before his death, he won Mexico’s Agua Caliente Handicap, which was then the richest horse race in North America. Arsenic poisoning has long been suspected as the cause of Phar Lap’s death, but confirmation had been lacking until Thursday when researchers Dr. Ivan Kempson of the University of South Australia and Dermot Henry, manager of Natural Science Collections at Museum Victoria, released the findings of their forensic investigation. Complete Report Overlays of horse and rider with Apophysis, edited in Micrografx and Photoshop, enhanced with Photomatrix HDR. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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