Abstract paper 

1106 creative works found

  • Resign! Now!

  • If this prooves popular, I’ll make it a a series with several images. / I have over a 100 of these photos, true some are awful, but there are quite a few I feel are good… so yer, if u like it, keep an eye out for more Enjoy! _

  • Lines. / Pen on Paper.

  • In this abstract, I have attempted to capture the essence of an Arabic street market scene. / I worked quickly and used instinct and subconscious, rather than technical composition skill. I have used glued painted paper shapes, then painted an impressionist watercolour scene around the collage. 16th Sept 2008 update. / I’m currently working on a larger, watercolour-only, version of this 14”x10”. / less abstract and more real, but with impressionistic aspects.

  • NQ#1
    by kafka

    acrylic/chalk/gold leaf/graphite on paper 12” x 16”

  • In my most recent series: ‘Face Navigation’ , I have used the fluidity of watercolour painting to express a personal perception of self and others. There is an awareness of the universal human condition through facial expression, and in some cases I create a progression of images, exploring the changing perception of a person by deconstructing facial recognition. As there is a shift over time in attitude or mood, there is a corresponding shift in visual interpretation. Sizes variable, average sizes 250×102 mm. Watercolour on rag paper. / / Web: www.littlemalopgallery.com.au For availability of original work please contact Robert Avitabile at: METROPOLIS GALLERY / 64 Ryrie Street / Geelong, Victoria, AUSTRALIA 3220 Telephone: +61 3 5221 6505 www.metropolisgallery.com.au

  • In my most recent series: ‘Face Navigation’ , I have used the fluidity of watercolour painting to express a personal perception of self and others. There is an awareness of the universal human condition through facial expression, and in some cases I create a progression of images, exploring the changing perception of a person by deconstructing facial recognition. As there is a shift over time in attitude or mood, there is a corresponding shift in visual interpretation. Sizes variable, average sizes 250×102 mm. Watercolour on rag paper. / / Web: www.littlemalopgallery.com.au For availability of original work, please contact Robert Avitabile at: METROPOLIS GALLERY / 64 Ryrie Street / Geelong, Victoria, AUSTRALIA 3220 Telephone: +61 3 5221 6505 www.metropolisgallery.com.au

  • I do not paint women, I paint the concept of a woman’s emotions. Many thanks for stopping by !

  • Sheets of paper straight out of the copy machine. RAW file tweaked for saturation. Winning image of the Orange Lines challenge in the Just Lines group on 30 Apr 2009. Featured in the Just Lines group on 17 Mar 2009 Featured in the Just Lines group on 02 Sep 2008 Browse Dorit’s gallery by print format: / ~ Landscape Format / ~ Square Format / ~ Portrait Format / ~ Panorama Format / / Image Collections: Featured work Layered with Texture Monochrome Camera Paintings Floral Triptychs This & That / /

  • Blossom’s_Photo_Gallery Seaside Abstract Nature’s Abstract – Macro of a Paperbark Tree.

  • Experiment with metallic blue paper and using my flash…

  • I painted this abstract landscape several years ago, experimenting with color and light using watercolor and pastels on cold press watercolor paper. Really just having fun. Size is 8×10”.

  • An experiment with water droplets, glitter, a CD, wrapping paper and light. I had some metallic paper reflecting in the CD and the flash from my camera made it very interesting with all the glitter. This is the kind of thing I do when it’s too cold to go outside…. haha. Enjoy!

  • Flourish is about to let your talents and all things strong and positive inside you to come out and make of you a reference and inspiration for everybody else. Simply as that. So many people are so talented but hide their potential afraid of intimidating the ones that are supposed to be not that “special”... They do not suspect that they would give the others the”permission” to flourish also! It’s also a message for the people that believe they have nothing to offer: try to leave accommodation, self-pity, self-denial or whatever negative emotion or opinion you have about yourself outside your door. Believe in me, nobody is here for nothing. You are a co-creator and a very important part of the Universe. So, assume this position and start seeking for your light inside. Flourish! watercolor and pencil on paper / 12×8.5

  • Totem #1 is the first of a series of pieces that represent an animal attached to a human figure, like if they are part of the same body. They can also be animal totems, if you prefer. The Totems carry also a very simple concept: our deep attachment to Nature as one single thing. In those pieces, I intend to make the human head always black and white and naturalist, while the animal is colorful and filled with abstract shapes. watercolor and pencil on cold press watercolor paper / 12×8.5

  • Detail of the trunk of the Paper Bark Maple tree

  • Acrylic on paper / 34×45cm / / / / / / / / / / / / Featured in Water Media – 15 July 2009

  • Detail from my original mixed aquamedia painting on paper.

  • A watercolor-on-paper series depicting the signs of the Zodiac. 9×12 / 2009

  • Detail of my altered art weaving, using cut strips of collage pieces and twigs as weft, and various fibers as warp, with embellishments.

  • Abstract painting from my gemstones series, mixed aquamedia on full sheet Arches 140 lb cold press paper, original size 30×22.

  • Abstract mixed media painting from my gemstones series. Original size 40×32.

  • Detail of a collage consisting of torn paper rectangles, with white gouache paint lines added for detail. Images include digitally altered aerial photos.

  • collage,china ink,acrylic / old cardboard / 103

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