Abstract painting tree
631 creative works found
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Three seperate canvases combine to create Scribbly Gum Tryptch / Oil on scretched Canvas. / 3 x (34cm x 120cm) Original available $AU3,000 – Postage extra Exhibited at Campelltown Regional Art Gallery Centre Layers of subtle glazes were used trying to create a flowing natural backgroud to this magnificent variety of gum trees. The texture of the knots were equally important. Leaving the looseness of the larval tracks to the last. This work was created to support an upcoming exhibition by the Southern Printmakers Association entitled ‘Earthwritings’.
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/ My ‘First Tree’ is officially published in the coffee table book Artists of the West / For information on purchasing a signed copy of the book, go to Carrie Glenn Studios Thanks! First Tree was Featured in Lifestyles Magazine as part of an article about the Artists of the West coffee table book I am also honored to announce my painting First Tree was a part of the Rialto Towers two week art exhibit in Melbourne, Australia in of July 2007 Acrylic and pastel on illustration paper. (1995) This is truly the first tree I ever painted, the need to paint and create was something brewing so strongly inside I had to do something about it. Yet my resources were very limited, I grabbed the only paint I had any access to, a can of my father’s black spray paint, I sprayed it into the lid of the can and used the only paintbrush I owned a cheep nylon brush from a water color kit and created. I then finished my work with the only two pastels I owned brown and black. / Necessity is the mother of invention, or maybe it’s that there is more than one way to skin a cat. (Sorry cat lovers) At any rate I grew up in a home with very few luxuries but I did have a passion to create, always, I had to feed the creativity. So this is a very special piece to me and I hope to you as well. Down through the dark trees, you came and saved me... For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios / CarrieGlennStudios.Com
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views: 3424 / favs: 51 Completed 2004 age 18 I was inspired by the Japanese artist Hiroshi Senju, who tends to limit his colors in his paintings. Sometimes he paints an image where the background is the complimentary colors of the subject. His style is simple but at the same time intense, where the foreground stands out from the complimentary background. Medium: Watercolors This is a painting done in my sketchbook. The paper isn’t watercolor paper, but at least more durable than regular printing paper. This work has been featured in: / Bubbler’s Weekly Challenge Thank you Janis Zroback for being my first buyer! / / Also available at Zazzle / / / / Works by Category Featured/Popular Early Works [pre-university] / Origami / Drawings,Paintings and Graphics / Abstract Photography / Guessing Games Flowers, Trees and Plants / Water and Waterscapes / Scenery/Skyscapes / Light, Shadow, and Reflections / Still Life Living Creatures / Human Portrait Japanfluence / Canada / Europe / / / / / More Paintings: / / / / / / / More Trees: / / / For more images please visit the category links at the top.
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Painted en Plein Air / at Lane Cove national Park, N.S.W Acrylic on canvas / 2007 / Beautifully framed / For Sale $500 (not including postage/packaging) By Lane Cove River… / (As a kid I spent many hours roaming through this park, our house backed onto it and I’ve always had good times there! / This site – where I am standing – is where my wedding reception was – in a marquee on a gorgeous very HOT January day a while ago now)
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Painting inspired by cherry blossom.
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..enter the heart of the woodland ..where all sorts of real and imaginary creatures live.. come with me on a voyage of discovery….with this enchanting poem sweet Sally Omar .. wrote for this painting…................................................. / “In the heart of the forest / much to my delight / when i tiptoed there / late one night / i saw them dancing / the faeries one by one / laughing and hugging / having so much fun / a yellow unicorn / came by my side / and a beautiful faerie / told me to go for a ride / we rode through the forest / and a leprechaun was there / all dressed in green / with locks of red hair / the trees were swaying / as everyone gathered / love to this community / was all that mattered / it was magic to see / the forest this way / lit up with magic / and faeries’ play / in the heart of the forest / ...by Sally Omar…..................I painted this of the Langley woods Norfolk UK & used a sponge for the undercoat then touched up the trees with a brush then added pastels…my first watercolour/pastel painting experiment on Ingres paper was inspired by the poem ” Woodstock have a passion for all things ‘Tree’ ..Save the TREES ...featured in ‘Creative poetry challenges’& Lifeline’ ....
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Acrylic on canvas.
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Go large if you possibly can for best effect! Just something about this makes me wish I could pick up a paintbrush… Straight from the camera uncropped taken on the water of Leith – a river walk walk through hidden Edinburgh. (Olympus SP560UZ: f/3.9 : 1/60sec :15mm focal length:ISO-125)
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Trees
by Ruth PalmerAcrylic on canvas.
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collaboration with my friend saad he gave me a sexy 3d render, then I worked over it with my original colours. he touched up with his colour tones which I liked a lot, and here it is. Very experimental and something new from me. www.archann.net
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Rusty piece of scrap metal in Wakayama, Japan. Makes me think of an alien abduction for some reason.. Protected by Creative Commons license.
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Acrylic abstract landscape. /
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All photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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Un deux trois / nous irons au bois / quatre cinq six / cueillir des cerises / sept huit neuf / dans un panier neuf / dix onze douze / elles seront toutes rouges.
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SHE
by coppertreesArt work on a rock face. Done in Apophysis and Photoshop / Brushes, soft # 45,22,7 smudge stick #35,burn tools # 45,15, She who guides the Summer in / She who guides the Wind / She who cries the Rain / She who suffers with pain MUSIC
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I surrender to green glow. I fall into the grace of foliage that grows with sweating hands and naked limbs that bend with storms and fears and regrets and pull themselves back to the sun and continue to seek solutions from light and the drizzle of summer rains and the sound of whispering time brushing against green leaves. Always waiting for nothing and everything without expectation. Living in Trees is acrylic on canvas 36”x48”
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These 4 were commissioned for someone’s office
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Autumn colour, Tasmania. Effect achieved in camera.
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camera: hp photosmart 735 / Abstract macro photography paint on a dumpster. / A windy day… featured in The 100 – 499 VIEWINGS GROUP / (255 Viewings) / A windy day in October was featured on the RB Home Page November 9/09 A windy day in October – Greeting Card A windy day in October – Matted Print A windy day in October – Laminated Print A windy day in October – Mounted Print A windy day in October – Canvas Print A windy day in October – Framed Print you might also like: Bewitched Greeting Card Bewitched Matted Print Bewitched Laminated Print Bewitched Mounted Print Bewitched Canvas Print Bewitched Framed Print Features: A windy day in October was featured on the RB Home Page November 9/09 RedBubble A windy day in October was featured in Abstract Macro Urban Art / A windy day… featured in The 100 – 499 VIEWINGS GROUP
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Watercolour painting on Arches watercolour paper. I dropped paint onto wet paper then shaped the painting, adding trees and lines to create the desired effect. Winter Begins Autumn recedes and winter steps in / The leaves have all fallen the snow begins. / Falling softly settling on dried leaves / Gimpses of light sparkle through the trees. Linda
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collage,china ink,acrylic / old cardboard / 103
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