Abstract metalic
1944 creative works found
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Close- up of metal bench, contemporary complex in centre of town. / Bristol, UK. / 2007
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Rusty piece of scrap metal in Wakayama, Japan. Makes me think of an alien abduction for some reason.. Protected by Creative Commons license.
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Recycling Series recycled wire & metal in varying forms cubist stylie.. / taken March 09 by Alixzandra
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featured in I Got the Music in Me 05-18-2009 / featured in Globes, Sphere’s and Curves 04-25-2009 / featured in Digital Abstracts & Patterns 04-15-2009 / featured in the group CORE 03-27-2009 MUSIC Now the king told the boogie men / You have to let that raga drop / The oil down the desert way / Has been shakin to the top / The sheik he drove his Cadillac / He went a cruisnin down the ville / The muezzin was a standing / On the radiator grille / Shareef don’t like it / Rock the casbah / Rock the casbah / Shareef don’t like it / Rock the casbah / Rock the casbah / By order of the prophet / We ban that boogie sound / Degenerate the faithful / With that crazy casbah sound / The bedouin they brought out / The electric camel drum / The local guitar picker / Got his guitar picking thumb / As soon as the shareef / Cleared the square / They began to wail / Shareef don’t like it / Rock the casbah / Rock the casbah / Shareef don’t like it / Rock the casbah / Rock the casbah / Now over at the temple / Oh they really pack em in / The in crowd say its cool / To dig this chanting thing / But as the wind changed direction / The temple band took five / The crowd caught a wiff / Of that crazy casbah jive / Shareef don’t like it / Rock the casbah / Rock the casbah / Shareef don’t like it / Rock the casbah / Rock the casbah / The king called up his jet fighters / He said you better earn your pay / Drop your bombs between the minarets / Down the casbah way / As soon as the shareef was / Chauffeured outta there / The jet pilots tuned to / The cockpit radio blare / As soon as the shareef was / Outta their hair / The jet pilots wailed / Shareef don’t like it / Rock the casbah / Rock the casbah / Shareef don’t like it / Rock the casbah / Rock the casbah / Shareef don’t like it / He thinks it’s not kosher / Rock the casbah / Rock the casbah / Shareef don’t like it / Fundamentally can’t take it. / Rock the casbah / Rock the casbah / Shareef don’t like it / You know he really hates it. created with Incendia
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Made in Ultra Fractal 5. Every once in a while, I get this uncontrollable urge to do something really abstract. I make fractal landscapes because they are popular, but, in return, I need to make these abstracts because something inside me is trying to get out and express itself. 4/02/09 – Featured in ESCHER AND PERSPECTIVE ART. 10/28/09 – Featured in THE ULTIMATE UF5 AND BEYOND Group.
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BEST VIEWED LARGE Abstract Macro Photography – Spacescape close up photograph / old, decaying, metal, steel fence. / It looks like it has been painted a few times, and all the older paint is starting to fade through. / Armley Road / Leeds RE:activ8 /
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“A Dryad’s Daydream, Essence of Oak”. / by Helga Ross. Fall, a walk / in the woods, alone, / birds heard in the tall timber, / seen winging, a good feeling. / A drift of foliage / leaves limbs bare- / the wind blows a kiss / as if it knows I’m there. / Warmed by the cold breath / the sun sighs, / a tramp of the damp earth. / Squirrels scurry the furrows, / the crush of curled leaves. / Steps these same feet, hide n’ seek, / once scampered beneath / these same trees— / a frolicking kid’s fun runs / when we were fearless and young. / Among ground colours become / quilt covers my grandmother / might’ve patterned-a patch in which / I see me in sepia, / on umber my match, / her ochred old picture. / She existed, proof stored in a drawer; / still exists, because I recall. / Did I exist for these trees before? / Forthwith, familiar? / Do oaks growing old / hold trunks of memories? / Or, hardwood as hardware—tree-rings / careless, (unless I care) / except for life?—the only living things, / these, shared the same slice. / What does it mean that no one sees, / remembers this, but me? / What will it mean when I’m not here to see? / And because I care, spared, / when I won’t know these trees aren’t there? / . / © Helga Ross 2008
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Medium: Acrylic, linen & cotton threads, banana fibre on canvas. / Size: 470×762 x 18 mm / Work exhibited in Elevating the Spirit at Cairns Regional Gallery and Sugarama Gallery, Mourilyan, Far North Queensland, Australia. SYMBOLISM / Meditative mantra for strength, balance, stillness, aligning positive energies, reflections; blessings ‘I’ – representing spirit’s presence, rhythm, strength, continuity. Acknowledgement of earthly and spiritual dual realm/existence (colours: red/passion/vibrant external; blue/inner nurturance, higher source; gold/life force). FEATURED in ALTERED ART / (3 Aug.09) / and ABSTRACT ART PLUS in / THE ART OF INTRIGUE (6.08.09) _
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Metal Art Series Metal Door abstract ~ hue & Contrast edited. Photograph taken August 09. /
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Tower in a new area located in the touristic harbour, that includes a maritime station for cruise ships, housing and office complex. / Savona, Liguria, Italia Sony Alpha 100 / iso 100, f 8.0, 1/160 sec., 200 (300) mm. Thank you for your attention. Featured in the group European Everyday Life Top ten in the challenge Window & Door Shapes / Top ten in the challenge Show us your Stuff! The same building:
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Abstract of rust on metal. Nikon D200, Nikkor 24-120mm
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Abstract of rust on metal. Nikon D200, Nikkor 24-120mm
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Abstract of peeling paint and rust on metal. Nikon D200, Nikkor 24-120mm
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Abstract Macro Photography – Urban Art Close up photograph / Metal/ Steel crash barrier / kirkstall Road / leeds
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Abstract art of rust on metal. Nikon D200, Tamron 17-50mm
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The bottom of a glass bowl
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Metal Rust Paint / Abstract Art
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A lock box corroding artfully, forming bold orange stripes and an organic design. FEATURED in Abstract Macro Urban Art
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Driving home for Christmas / Oh, I can’t wait to see those faces / I’m driving home for Christmas, yea / Well I’m moving down that line / And it’s been so long / But I will be there / I sing this song / To pass the time away / Driving in my car / Driving home for Christmas / / It’s gonna take some time / But I’ll get there / Top to toe in tail-lights / Oh, I got red lights on the run / But soon there’ll be a freeway / Get my feet on holy ground / / So I sing for you / Though you can’t hear me / When I get through / And feel you near me / I am driving home for Christmas / Driving home for Christmas / With a thousand memories I take look at the driver next to me / He’s just the same / Just the same Top to toe in tail-lights / Oh, I got red lights on the run / I’m driving home for Christmas, yea / Get my feet on holy ground / So I sing for you / Though you can’t hear me / When I get trough / And feel you near me / Driving in my car / Driving home for Christmas / Driving home for Christmas / With a thousand memories / created with Incendia&PSP
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Abstract of rust on metal in a waterfall feature in downtown Toronto. Nikon D200, Nikkor 24-120mm / /
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Macro of burnt corrogated Iron structure. The landscape of this photograph again is muted and subtle. I see a tree on the bank of a river reflected in the dusk light (or maybe not!!) If you have a moment please view larger. Thank you Photograph taken by Alixzandra Dec 09 / All rights reserved © Alixzandra 09
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Burnt Metal / Abstract Macro
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