Carriageworks Sydney
Acrylic abstract painting 61cm x 45cm on canvas, inspired from one of my early macro rock photographs! OTHER PAINTINGS
24×36” acrylic painting on canvas figurative nude landscape / inspired by a song by Love and Rockets
The original is 30” x 24” acrylic on stretched canvas. Look into the center. Take a deep breath in. Hold it…. and then let it out.. Relax your vision and breath deeply. For some, you will see the flames move and burn.
Mixed Media on Canvas / H16” x W20” / SOLD
Natural Vista / beauty of landscape in the high country…so great for summer hiking… Limited Edition of 5 Soaring / soaring… I am soaring / like a bird / and with a birds eye / I’m privy to things from above / landscapes / rich with / the colors of dawn / afire with / sunsetting lights / and alone / I drift down / into the comfort / of the dark woody / earth that is again / my home (A lovely poem courtesy of Mary Brown – complement’s the feeling of this landscape series…) All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
i am lostish… and ish i am artish… / and sometimes artificialish i am creativeish… / and totally confusedish i am confidentish… / and quite coyish i am selfishish… / and unexpectedly selflessish i am fetishish… / and morning fishlipsish i am prettyish… / and subtly potentish i am poeticish… / and mostly passiveish i am lostish… / and lost i am-ish .
Mix media digital art For more other work about my illustrations, please visit: / Lily Pang Art
“Beyond the Red Gate lies the city of Valhala / -a place where brave young men go to die / -and the putrid smell of decaying flesh and dried bones permeate the air.” Image is a compilation of three photographs, (bird, landscape and fingueson the horizon), and a constructed image of the red gate with the stylised posts. Compiled elements are fused together using photoshop CS2 to creative image.
A curbside growth of moss with a touch of industrial paint in Hiroshima, Japan.
Acrylic on canvas. Abstract landscape. / /
11”x14” acrylic on paper
Its a piece inspired by classical music…delicacy of water falling over rocks throughout the garden, and also the whole of nature… / painted in slightly muted, delicate overlays of watercolour. Limited Edition prints of 5 / Greeting Card / Mounted Print / Canvas Print / Framed Print
No sense of smell / No sense of taste / No eyes to see / Or, ability to hear I have lost my Vision / I am locked in darkness / No light / No way out / No one to hear my pleas / I must find my own way out of this mental trap To see again / To hear / To smell / To taste / Restoring my vision is what sustains my life.
“Badges?... We don’t need no… stinkin’ badges!” is one of the most frequently quoted, misquoted, and parodied movie quotations in history. In 2005, it was chosen as #36 on the American Film Institute list, AFI’s 100 Years… 100 Movie The original quotation comes from the 1948 film The Treasure of the Sierra Madre with Humphrey Bogart. In one of the scenes in the movie a Mexican bandit leader (Gold Hat played by Alfonso Bedoya) is trying to convince Fred C Dobbs (played by Bogart) and company that they are the Federales. / Dobbs: ‘If you’re the police where are your badges?’ / Gold Hat: ‘Badges? We ain’t got no badges. We don’t need no badges! I don’t have to show you any stinkin’ badges!’[1] / This in turn was adapted from B Traven’s 1927 novel upon which the movie was based: “All right,” Curtain shouted back. “If you are the police, where are your badges? Let’s see them.” “Badges, to god-damned hell with badges! We have no badges. In fact, we don’t need badges. I don’t have to show you any stinking badges, you god-damned cabrĂ³n and ching’ tu madre! Come out from that shit-hole of yours. I have to speak to you.”
acrylic and oil on stretched wrap around canvas, 30×40 inches, the original is available for US $950 dollars. please visit my other online gallery here for more original paintings and fine art products: /
Abstract mixed aquamedia painting on paper suggesting a landscape. Aquamedia includes Winsor and Newton transparent watercolor, Pelikan ink, and Liquitex metallic silver acrylic. Paper is Arches 300 lb cold press.
I turn off the television and walk through heat waves to eat sweets from the freezer, light cigarettes, blow kisses to shadows, feel along the floor for lost treasure and end up, once again, slapping color on canvas. / I see in my head a shape and wonder where it comes from. Is this a dream, a memory, a longing, a sudden flash from subliminal visions, a past live, a sign of the future or just the mad rambling of my hands letting something flow flow flow. / I remember the first time I saw the California coastline and it was like a dream. A foggy cold day in November and figures appeared as if they were waiting for me. I wondered if that was what death was like. / I remember an image of DNA on television. I can’t quite grasp how they illustrate something like that. I remember singing once in church when I was about ten years old and I thought the organ music was energy from God. I remember seeing seasides and always knowing that I belonged in the water, was part of the water, would return to the ocean waves on time that has no time that has no shape that has everything. Washing up onto a shore. Washing away sins. Washing over naked flesh and sweeping away clothing and washing overboard the dreams as well as the struggles. Washing over sand that glistens and hills that shine in the sun that drifts lazily from mountain to valley bringing darkness. And then light. And then shadow. / Continuing. Even when it evaporates. From Above Water is acrylic on canvas 30 in. x 40 in. July 2009 /
An abstract acrylic painting on canvas of a grove of tall skinny trees in autumn. (6” x 8”)
Abstract Macro Photography its stuff like this shot that makes me really excited about my chosen style of photography. fookin love it! / i sometimes cannot believe the abstract macro shots that i come across on my travels, and this one it one of my new found favorites Image was approx 4inch X 2inch on a wall a good 50 foot tall by around 400 meters long and running the whole length of a old disused work site. / So it wasnt what you would call a small wall. Its HUGE / I have shot here before and studied the wall close up. / There is so much for my eyes to look at that my eyes couldnt focus on anything, probably too over excited with my find, but i came away with very little. / This time i took a few steps back from the wall and i could see and capture, so much more than when i was close up.
A fringe of rain fell like a curtain over the distant evergreen studded hillside. Or was it distant? I felt the closeness of wet foliage and soft flowing waves of the lake. It all connected in liquid light moving together as a soft cloud of time folded over still silence. Then broken by a cheery bark or a far off laugh. I feel as if this was once the way the planet was. Once the way humans lived. Connected to each other, water, plants, rocks, and time. Flowing on a single smooth circle. Never broken. Dusted by Blue is acrylic on paper 15”x20” abstract landscape inspired by the mountains near Bend Oregon
Deep in a hidden valley where the sun always shines / Bathed in warm Golden tones it has no time. / There is no noise, just the sound of your mind / No valley like it …just one of a kind. Linda One of my creative paintings using my brilliant watercolour wheel allowing the colours to drop onto wet Canson Watercolour paper and then shaping the painting around it. 29cm x 23cm watercolour painting with Gold pen for highlights. FEATURED IN FOLLOWING GROUPS: / FIRST THINGS / WORKS ON PAPER / LANDSCAPE PAINTINGS / THE GREAT OUTDOORS
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