Abstract digital landscape
881 creative works found
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From a little series called “Red Umbrella”.
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Nature is softer than silk.
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Don’t stop, dream on!
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Resign! Now!
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Another work from the series “Red Umbrella”
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A tribute to Pink Floyd…
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4th work from series called “Divorce”.
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A tribute to Beatles.
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Another work from the series “Red Umbrella”
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Two actual digital photographs. One of a clump of trees on a dreary day and another of the lovely tulips. I thought it showed that even when things seem dull and hopeless, there is always something to hold on to
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This was pure luck, but I see many things within each sphere, especially the far right one. Tell me what you see. Lisa C. Weber ©2008 (Created with Bryce 6.1) Visit My Complete Bubble for all My 3D Artwork. Thanks for dropping by and enjoy!
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Fractal Explorer composite / A big thank you to jennyfnf for the spot files and tutorials to illuminate this fascinating program! And I am the tree / with candles / in its fingers / the tree with lights / Menorah / Yule-flame / tree of life Judy Grahn
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Fractal Explorer composite The radiant ones are burning / beneath this world. Linda Hogan
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Fractal explorer composite The circles, however large their arcs, / close at last, / reminding us of what we’ve seen / and why we come round again. Paula Gunn Allen
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Fractal explorer composite Winds and the rain, / seeds and feet and feathers / knit the knot / making the great coat, / the coat of all colours. Judy Grahn
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Fractal explorer composite my leaves, my green filaments / like fingers spread / to catch the suns attention Judy Grahn
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Fractal explorer composite Remember the earth whose skin you are. / Red earth yellow earth white earth brown earth / black earth we are earth. Joy Harjo
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Fractal explorer composite She gleams / in the wildwood where you have not dared / to walk Diane Di Prima
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Another work from a series called “Divorce”.
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Subliminal though it may be, Desirée / Glanville speaks through her fantastic / fractal renderings and choice of music. / The Wiz – Ease on down the road, a / combination of fractals created with / Apophysis, is an example of her / music-inspired work. / A late seventies movie follow-up to a smash Broadway hit,The Wiz, / with its updated, urban Wizard of Oz theme, features characters / rising above their background and others’ expectations of them. / “Ease on Down the Road”, Desirée’s subtitle, is their road-trip theme song; sung by the late Michael / Jackson and Diana Ross, playing the scarecrow and Dorothy, respectively. The two joyfully make their / way down the yellow brick road, laughing, stumbling, and dancing, off to see “the Wiz” (the late Richard / Pryor). / Desirée strews our path with pink and yellow flowers and fantasy crystals, through which we see more / worlds. The landscape is draped in a muli-colored veil of dreams. Butterflies hover above, harbingers of / new life. / Dorothy, ultimately tells the Wiz, when he turns to her for help. ”…you’ll never find [what you’re looking / for] in the safety of this room. I tried that all my life. It doesn’t work. There’s a whole world out there. And / you’ll have to begin by letting people see who you really are.” / Is this Desirée’s message? As artists, getting out of that safe zone and letting others know who we really / are is probably where we begin to “ease on down the road”; the ultimate road trip to the pinnacle, where / the art of joy and the joy of art meet. (F.A. Moore- INSIDE SOLO-Oct 2009) featured in SOLO EXHIBITION (Oct 2009) / featured in Digital Abstracts & Patterns 06-10-2009 / featured in The Voyage Of The Surrealists 02-02-2009 / featured in The Feature Fraternity 01-31-2009 / featured in Unconvential Artistry 01-22-2009 / featured in Fractal frenzy 01-23-2009 / / / Cheshire Cat: Oh, by the way, if you’d really like to know, he went that way. / / Alice: Who did? Cheshire Cat: The White Rabbit. / / Alice: He did? Cheshire Cat: He did what? Alice: Went that way. Cheshire Cat: Who did? Alice: The White Rabbit. Cheshire Cat: What rabbit? a combination of Fractals created with Apophysis
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...feeling truly serene today..finished my painting and my website about 1am…phew! hard work but am happily creating my heART again…painted this on my digital Tablet last nite then enhanced it in CS4+plug-inz …this landscape is the third in the Japanese ‘Bamboo’ series ..... the Japanese writing on the painting means Serene …God grant me the serenity / to accept the things / I cannot change, / the courage to change the things I can, / and the wisdom to know the difference”. Japanese poem – 世の中を 憂しとやさしと おもへども 飛び立ちかねつ 鳥にしあらねば / Yononaka wo / Ushi to yasashi to / Omo(h)e domo / Tobitachi kanetsu / Tori ni shi arane ba / I feel the life is / sorrowful and unbearable / though / I can’t flee away / since I am not a bird. / Piano ....
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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featured in Peace,LOve&Happiness Hippies 11-01-2009 / featured in The World As We See It 10-27-2009 Now that she’s back in the atmosphere / With drops of Jupiter in her hair / Yeah, yeah, yeah / She acts like summer and walks like rain / Reminds me that there’s time to change / Yeah, yeah, yeah / Since the return of her stay on the moon / She listen’s like spring and she talks like June / Yeah, yeah, yeah But tell me, / Did you sail across the sun / Did you make it to the Milky Way / To see the lights are faded / And that heaven is overrated Tell me / Did you fall for a shooting star / One without a permanent scar / And did you miss me while you were looking for yourself out there Now that she’s back from that soul vacation / Tracing her way throught the constellation / Yeah, yeah, yeah / She checks out Mozart while she does Tae-Bo / Reminds me that there’s room to grow / Yeah, yeah, yeah / Now that she’s back in the atmosphere / I’m afraid that she might think of me as / Plain ‘ol Jane / Told a story ‘bout a man who was to afraid to fly so he never did land But tell me / Did the wind sweep you off your feet? / Did you finally get the chance to / Dance along the light of day / And head back to the Milky Way Tell me / Did Venus blow your mind / Was it everything you wanted to find? / And did you miss me while you were looking for yourself out there? Can you imagine no / Love, pride, deep-fried chicken / Your best friend always sticking up for you / Even when I know you’re wrong / Can you imagine no / First dance, freeze-dried romance / Five hour phone conversation / The best soy latte that you ever had and me But tell me / Did the wind sweep you off your feet / Did you finally get the chance to / Dance along the light of day / And head back to the Milky Way Tell me / Did you sail across the sun / Did you make it to the Milky Way / To see the lights are faded / And that heaven is overrated Tell me / Did you fall for a shooting star / One without a permanent scar / And did you miss me while you were looking for yourself Na, na, na, na / (And did you finally get the chance to dance along the light of day?) / Na, na, na, na / (And did you fall from a shooting star, fall from a shooting star) / Na, na, na, na / (An now you’re lonely looking for yourself out there) (Train) Created with Apophysis&Incendia /
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