My Mom just opened her own gallery here at Red Bubble and I know it would make her really happy if you would all welcome her. Thanks ever…
My Mom just opened her own gallery here at Red Bubble and I know it would make her really happy if you would all welcome her. Thanks everyone! Mary Horne
My Smudge Art TM . Outside The Vase is being featured in the wall art! This is my first Smudge Art to be featured! Yipeeeeeeee! !h…
My Smudge Art TM . Outside The Vase is being featured in the wall art! This is my first Smudge Art to be featured! Yipeeeeeeee! Madeline / Maddy / SmudgeArt
*The whole notion of intent is one that fascinates me almost to the point of obsession; when looking at or making artwork I always wonder…
The whole notion of intent is one that fascinates me almost to the point of obsession; when looking at or making artwork I always wonder, what is the artist’s intent for this thing that they are making?; what effect, exactly, is it supposed by the artist to have on others?... what effect does making it have on the artist?... and so on. This question of intentionality is strangely absent from most of what is considered critical thinking about Art. Probably the various art objects could even be meaningfully classified according to the various intentions and effects, but somehow this is never done. It can be quite enlightening to try and arrive at a more specific sort of clarity about what our intentions for, and suppositions about, the specific things that we create actually are. Not in the sense of why do artists make Art and what is the purpose of Art?, but rather what are my intentions for this specific thing that I have made, and what effect do I suppose that it will have on others? My personal opinion is that ambiguity is an essential quality of all really great Art. I’m not taking the position that one should read words like “intent”, “understanding”, and “meaning” as if any piece of visual Art shouldn’t be just Art for Art’s sake, as opposed to Art with a message. Speaking only for myself, and the intentionality vs. ambiguity question, my thesis is not contra ars gratia artis; rather, I’m saying that, on close examination, artists actually do have purposes and goals for these things that they make (whether they’re capable of articulating and/or admitting them or not), and these things that they make are worthy of being examined in terms of the artist’s own intentions. “An unexamined life is not worth living.” – Socrates Here’s to plain speaking and clear understanding: intent Law: the state of a person’s mind that directs his or her actions toward a specific object. Adjective: 1.firmly or steadfastly fixed or directed. 2.having the attention sharply focused or fixed on something. 3.determined or resolved; having the mind or will fixed on some goal. 4.earnest; intense. - The American Heritage Dictionary (A propos: P.D. Ouspensky, and others, would argue that most of us only imagine that we have intent.) It strikes me that Art making may be the only organized human activity in which a lack of purposes or goals is considered by anyone to be a virtue. Why is this important? Well, for example, try to imagine a major business, charitable, or government organization with no stated purpose or “core values”. No such thing exists. There’s a reason for that: an organization so completely rudderless wouldn’t survive for 15 minutes in the real world. Recently I have initiated some discussions on the topic of “The Question of Intentionality”in a few artists’ forums on the Internet. The Surrealists, as a group, are the ones that get the most upset at the very notion that artists (like everyone else) exhibit goal-directed behavior. Here are some typical responses: “Sorry, don’t have time to think, I just paint because I like it. Don’t want to know the reasons, I prefer mystery, as an open space for imagination.” ”...a drawing with the intention of creating images without having any intentions about what those images will be… the intention to create something unintentionally…” Certainly one can do this, Surrealists, in particular, often do. Nothing wrong with that. However this only brings up other questions of intentionality, as if one were peeling an onion. First, one might ask, what was the artist’s motive (intent) for wanting to “create something unintentionally” in the first place? What result, exactly, did the artist hope to achieve via this method? ”...to connect with deeper psychological and emotional levels.” And then, what is the purpose of that? Self-knowledge? If so, then why show it to anyone else? Because if one makes something with the intent to show it to other people, it seems that there is implied an intent on the part of the artist to produce some effect on the viewer. Artists working within the Abstract paradigm tended to have a different set of objections to the notion of art being intentional. Here’s a particularly articulate example: ”...a reason for someone to dabble in the the arts has been called an addiction and the reason they do it (some artists) is to seek a particular state of being (mind) while in this process of mark making. This is the primary motive or intention of some artists and by using this method it may have been achieved, or not. The actual image, or images, created evolved as an accident. There was no intent to draw, let’s say, eyeballs but when the artist steps back and takes a look all she sees are eyeballs staring back at her. The artist can’t decide whether to show anyone her art… Eventually… she decides to show it to her mom. No matter what the artist does… her mom always says after looking at the daughter’s marks, “That’s nice dear, but why so many nipples.” ...Curiously the observer of the art sees images that are different than what the artist sees. There was no intention to create eyes nor was there any intention to create nipples. After a while the artist gets up enough nerve and shows her work to many people. Each individual sees something different in this abstract piece of art. It appears that each viewer interprets the drawing differently. Perhaps that is another of the artist’s intent, a secondary intent to create mystery and the result was that she succeeded. Bottom line, there was no intention to create eyes, nipples or toes or whatever one might see. The intent was to create ambiguity. Each viewer was allowed to interpret the marks without being told what they should see. The drawing becomes a sort of mirror and reflects back more about the viewer than the artist. Abstract art is curious in this way and perhaps why it leaves many people baffled as to the artist’s intent. They want to see the artist’s intentions, they want to know what it means. Are they being put-on? They may feel that way but few artists apply their art just to make fools of people, maybe.” That’s a chain of events that I find plausible, although I find it disturbing. Not the part about the artist’s intention to “seek a particular state of being (mind) while in this process of mark making.” – that’s something that I’m intimately aware of, and it’s certainly one of a multiplicity of intentions that I ascribe to myself. What disturbs me about this hypothetical anecdote is that it seems to imply that important Art can somehow be made by accident, or, even more disturbingly, that the critic’s rationalization after the fact is somehow more important than the artist’s original act. This was precisely the initial point of contention, reflecting back to a seminal conversation that I had with David Cohen in the September, 2003 issue of Art Critical . Assigning meaning or value to such an object beyond the intentions of its maker seems to me a rather questionable idea. ”...”If a herd of pigs knocked over a table of paints and smeared a canvas, and you liked it, then you’d have to call it art…” We do often find beauty or significance in the chance arrangement of things, whether done by an artist or an accident; an historical accident, in the case of some museum pieces. And, as Carl Jung pointed out with his concept of Synchronicity, this is far from trivial – it tells us something important about ourselves (and nothing in particular about the object). ”...do you think people need to know what your intentions are to understand your paintings? Do you not think something is lost by explaining it? If they don’t get it without it being explained to them, have you failed?” I don’t think there’s anything to “understand”; I’m more interested in having the viewer experience a certain state of mind, of emotion, a profound and lucid calm. If they don’t experience that state when looking at my paintings , I don’t think there’s anything to be gained by “explaining” my intentions; insofar as that particular viewer is concerned, my work has failed utterly. To quote David Cohen, ”...I wouldn’t want to participate in a criticism the function of which would be to award brownie points for good intentions.” One’s paintings might work for some people and not for most people, regardless of any intentions. The fact that some viewers understand and appreciate and others do not has absolutely nothing to do with the question of intentionality. Intentionality is about one’s own purposes and goals, not about the reactions of others. An artist of a mystical/Symbolist bent had this to say: ”...consciousness reflects reality, thus if you alter consciousness, you alter reality… Intent is simply a concentrated, intense energy that we apply—to whatever. As bodies of energy ourselves, we certainly can manifest many things. It is the same with prayer, per se, or meditation. It’s all energy.” And a very pragmatic artist shared this point of view: ”...Intent has to do more with Preparation. Even Improvisation requires some sort of preparation. Spontaneity requires also preparation. The very ability to approach a blank page, a blank canvas or a computer screen is contingent on our inner preparations… contingent on the alignment of our heart, mind, and hands… in the direction of the task.” In conclusion, here is an interesting area of thought: i.e., the historical relationship between Art and ceremonial magick. Arguably this may have been the original (prehistorical) reason for the invention of representational Art. Perhaps Art is something that exists in a realm beyond intentionality, more akin to instinct. It seems to me that the impulse to make Art is both necessary and inevitable, an inextricable part of human nature. I refer again to P. D. Ouspensky: “Man is a machine, but a very peculiar machine which, in the right circumstances, and with the right treatment, can know that he is a machine, and, having fully realized this, he may find ways to cease to be a machine. First of all, what man must know is that he is not one; he is many. He has not one permanent and unchangeable “I” or Ego. He is always different. One moment he is one, another moment he is another, the third moment he is a third, and so on, almost without an end… In reality there is no oneness in man and there is no controlling center, no permanent “I” or Ego. Every thought, every feeling, every sensation, every desire, every like and dislike is an “I”. These “I’s” are not connected and are not co-ordinated in any way. Each of them depends on the change in external circumstances…” (from “The Psychology of Man’s Possible Evolution”, Chapter 1) Finally, it occurrs to me that Intent plays no role in “evolution” as defined by Charles Darwin; evolution is the result of environmental factors acting on random mutations. In other words, blind chance. Does Art “evolve” in an analogous manner? Or is it, more properly, the intentional product of work done by sentient beings? Heartfelt thanks to all of the thoughtful artists who have taken the time to participate in my ongoing investigation of the Question of Intentionality, and to David Cohen, art critic for the New York Sun, who started me down this path back in 2003. I sincerely hope that readers of this essay will contribute their thoughts to my investigation.
A day ago, another great artist, SusanC decided she wants my Universe...
A day ago, another great artist, SusanC decided she wants my Universe as a card, so she went ahead with that impulse and placed the order. Thank you so very much Susan for your commited appreciation of my work. I hope the Universe will bring to your door even more inspiration and creativity. Happiness is a given. Please visit Susan’s art shoppe, she’s got a great palette of wonderful compositions.
My good friend in arts Silvia Manuela from Australia purchased the canvas version of one of my…
My good friend in arts Silvia Manuela from Australia purchased the canvas version of one of my very recent artworks The colours of Love – Mother and child Thank you so very much Silvia for your committed appreciation of my artwork and for your continuous support. Silvia , a multi talented artist engaged in visual arts and writing poetry, is the third Australian artist to purchase one of my artworks. / Australia is definitely in my heart now. You good Aussie people rock. Perhaps I’m just lucky to be playing your kind of music: music to your eyes. And last but definitely not least, big, big thank you to all of you great artists at RB for your continuous support. You simply make my day. Every day.
They say: when you’re hot, you’re hot … people noticed my Heart burning-...
They say: when you’re hot, you’re hot … people noticed my Heart burning and, kind and loving beings as they are, bought it from me for full asking price without a blink! First, my very good friend in arts, well known by now for his luminous art and “operating” under the conspicuous names of Mr. B, aka butchart, bought the card version while I was sleeping, tiptoed into RB shop and, without me noticing, bought the card and sneaked right back out as fast as he came. Thank you so, so very much my friend. Just a couple of days later, another very good friend of mine in arts and an outstanding artist, Anthea Slade, have bought my Heart burning in card form and, to make me feel even better, added to it the Tango card, as if to say that she invited my Heart burning to dance. Thank you, thank you, thank you so Anthea. Oh, my good friends in arts, you make me feel too good about my art. / Now, I must better myself again not to dissapoint your kind appreciation. This is such a pleasant burden to have. Thank you so very much again.
Yes, one of my dear RB friends and a passionate photograph artist, who asked me to keep the anonimity intact, has confessed to the a…
Yes, one of my dear RB friends and a passionate photograph artist, who asked me to keep the anonimity intact, has confessed to the act of commited appreciation for my art by purchasing three cards: The Communist Party Summer blues Abstract Study I For me this sale, just like every sale, is really a sail that carries away my art to distant shores to those loving my art for reasons I may never know, but only their hearts know. A simple thank you to this wonderful person I feel is enough, because it comes right from the heart with deep appreciation and humble attitude. And perhaps, needless to say, the many thankyou’s I say every day in my heart to all those honoring me with a visit and many even adding a beautiful comment. Thank you again my dear RB friends, your appreciation and attention goes much further than you may think it goes. And it is never forgoten or taken lightly: the gift of time to others is the most precious thing one can give.
I finally took some of my fractal work and put them into a picture book. The book contains work that is old, new and some that has never…
I finally took some of my fractal work and put them into a picture book. The book contains work that is old, new and some that has never been published. If anyone has an interest in taking a look, you can take a peek here: Fractal Me Baby – Scenes From The Fractaled Mind
LIES PERCEPTIONS AND BELIEFS *BY RL HALL AND LINAJI...
LIES PERCEPTIONS AND BELIEFS BY RL HALL AND LINAJI A collaboration of loving work between rlhall & linaji – Webs & Layers Your Spiritual side is wise, intuitive, creative, loving, compassionate, peaceful, forgiving, always aspiring to truth and goodness – or – your life is lived in confusion, anger, and perhaps, even, layers of lies and deceit.” ~ Dr. John Sarno, The Divided Mind “If you cannot find the truth right where you are, where else do you expect to find it?” / ~ Dogen “It is only with the heart that one can see rightly, what is essential is invisible to the eye.” ~ Antoine Saint-Exupéry “If the doors of perception were cleansed everything would appear to man as it is, infinite.” ~ William Blake _“Believe that your life is worth living, and your belief will create the fact.” ~ William James Acceptance ~ Robert Frost When the spent sun throws up its rays on cloud / And goes down burning into the gulf below, / No voice in nature is heard to cry aloud / At what has happened. Birds, at least must know / It is the change to darkness in the sky. / Murmuring something quiet in her breast, / One bird begins to close a faded eye; / Or overtaken too far from his nest, / Hurrying low above the grove, some waif / Swoops just in time to his remembered tree. / At most he thinks or twitters softly, ‘Safe! / Now let the night be dark for all of me. / Let the night be too dark for me to see / Into the future. Let what will be, be.’_ _Layers of Beliefs I have unfurled my wisdom / And before me / I only know / Truths / That have been born and branded / By my hand / How can it be any other way? I have heard and have been told / Of / About / Yours… / But My core is the listener / The one who knew before the knowing / Or of the Telling We are parted now.. / maybe for 4 years or 10 / Maybe it is not again But the knowing you / Was like a root plant / Better left in the shade of its’ own calling Than to open to the sun of my smile / Or yours. Past Lives are just that, / Past.. The Now that pulsates and thrives Has been dropped from view.. It is no longer about you Time for a new lesson Time for a new view._ Thank You Everyone, espically RL Hall for linking into my heart and for setting up most of this show.. her finding the amazing quotes from our favorite poets and leaders made the core of our work shine!! What a pleasure this collaboration was between us!
!http://images-3.redbubble.com/img/art/border:blackwithdetail/product:laminated-print/size:small/view:preview/724267-1-sunset-from-tambor…
/ thanks so much Linaji“ And Terri Lee“ / super friendly people
_My studio was in an uproar as I was redecorating…everything was in boxes packed away…I had to paint, I had to do something to take m…
My studio was in an uproar as I was redecorating…everything was in boxes packed away…I had to paint, I had to do something to take my mind of the horrors that were being shown day and night and yet I could not turn the television off. / Then I found my large journal with some blank pages in it…o.k. I thought I’ll do some flowers….I could find only some tubes of paint but no brushes…I was desperate…looking around I found something and started to paint with it…I could not really see what I was doing…the images just flowed out of my brain on to the paper…several weeks later I looked at them more closely and then I realized what they were…these are the images that I painted and I gave them titles that I thought expressed the emotion that was felt in the city at the time... / / September City.. still with no idea of what was in store…colours are bright, but on an even keel.. / / September City 2...the days before the horror..no one could imagine how things can change in a day…colours begin to darken… / / September City 3..Chaos...when the horrors started..no where to turn…no where to run…the city is covered in clouds of white dust…colours are dark and obscured…. / / September City..Disbelief...this could not be happening…we should be safe…why is this happening to us? shades of darkness hover over everything now… / / September City..Fear...where next..what is to happen to us…all around us are the shadows of fear…no place to go… / / September City..Lost...we’ll never recover from this…there is no going back…this is the end…. / / September City..Missing...where are they…our loved ones…have you seen this man? / / September City..Redemption...it will take time, but we will recover….we are proud to be Americans… I used acrylic paint and an old plastic membership card, to do these paintings…nothing else...they are dated the week of September 11 2001….
I’ve just sold two calendars Paperbark Art and “Austra…
I’ve just sold two calendars Paperbark Art and Australian Bark Series – 1 This is no small thing….I’m so excited, jumping all over the place. Soooo….a big THANKYOU to whoever purchased my calendars. best wishes Kathie :) :) :) :) :) UPDATE: OH MY GOSH…..another card sale of my Spider flower and another Calendar of Australian Bark Series! Thankyou so much!!
hey to all of my sydney bubblers please join the new sydney exhibition group u’ll find it in my groups or just read the title of this jo…
hey to all of my sydney bubblers please join the new sydney exhibition group u’ll find it in my groups or just read the title of this journal, it is also for the people in the blue mountains ,newcastle,wollongong and the central coast, it will inform you about what is going on art wise in all types of artistic media get you word out about what’s happening with you or someone you know. / wouldn’t it be great to have a tonne of bubblers just rock up at your show- it happens and it is a fantastic feeling. / as one person doing a show it is hard when you can’t get your word out to other artists but as a group the word can just spread with unlimited possibilities. / steve
I have put together this year’s collection of my favourite photos in a gallery. A couple of things - / These are not necessarily my bes…
I have put together this year’s collection of my favourite photos in a gallery. A couple of things - / These are not necessarily my best photos, whatever that means. They definitely are not my most popular photos – in fact, the majority of them have not been seen before. But they are my personal favourites in 2008 (in chronological order), for many and various reasons. You’ll find many genres, from landscape to street, from floral to abstract. However, many of my favourites cannot be shown, as they were taken for clients who do not give permission for public display. Another bit of trivia – I counted 11 photos that have been cropped. I mention this, because one of the things I enjoy about photography is to frame and compose on site. Anyway, enjoy. There are a lot of them – 105, I think. Slideshow works best, on black. If you skim through them, I’ll know, and come and eat your cat. 2008 – A Photographic Retrospective
Just a little update on some of my work that has been featured in groups over the last couple of months *Featured in the Grevillia...
Just a little update on some of my work that has been featured in groups over the last couple of months Featured in the Grevillia group, May 2009 Featured in the Color me a Rainbow group April 2009 Featured in the group Watercolor Paintings February 2009 Featured in the group In the Pink in February 2009 Featured in the group Textures February 2009 Featured in the group Textures in February 2009 A *big thankyou to all the groups that chose to feature my work. Much appreciated. I’ve been having a little break from RB with the help of two co-hosts to look after my two groups, Richie Fox is looking after Abstract Macro Urban Art for me, and Shelley Heath is looking after Nature’s Macro Canvas
I’m proud to present my wallart: Abstract realism at the “*PUM…
I’m proud to present my wallart: Abstract realism at the PUMA RUNNING website... It’s all about Berlin, Captured moments and Light… Read from my blog about: Tutorials or Downloads or Marketing
In what has become an unusual move for me, I opened my journal today - after a 3 month hiatus - to jot down the following: / . / On Sept…
In what has become an unusual move for me, I opened my journal today - after a 3 month hiatus - to jot down the following: / . / On September 14th, F.A. Moore, the proud owner of a large number of online art galleries worldwide, has given me the honour of hosting my first international SoLo ExhiBiTIon. / . / Details about this event will appear on the RB press shortly and be made available on a subscription/membership based only. However, I will reprint (with permission) in my journal the breaking news when available. Until then, here’s the banner with the announcement: / . / / . / Please join me there on the opening day. Refreshments will be made available online courtesy of the wonderful multi talented artist, art activist, web designer, business owner and dear friend Frannie. / Thank you from the bottom of my heart Frannie for your support, keen dedication and the tremendous efforts to make this event a success. / . / And thank you everybody that will visit my first SoLo ExhiBiTIon. I’m looking forward to see you all there.
Today’s inspiration post comes with a small disclaimer. I’ve been wanting to do a post on abstract art for a while but it’s one of those …
Today’s inspiration post comes with a small disclaimer. I’ve been wanting to do a post on abstract art for a while but it’s one of those genres that can appear complex to those who aren’t well versed with the theory or history behind it. My technical knowledge is limited but I’m hoping a few more experienced abstract artists on RedBubble will jump in on the comments below and give us their take on why they love this style and what these works mean to them. Abstract art is generally understood to mean art that uses colour and form in a non-realistic way. Abstracts generally fall into one of two catagories, Abstract Expressionism and Representational or Abstract Realism. Abstract Expressionism describes art color and form in a non-representational way, where as Abstract Realism describe art that portrays recognisable subject matter in an abstract way. If you’re interested in learning more, the following links are a good place to start. Understanding Abstract Art Abstract Art (Wikipedia) Abstract Realism (Article by Samuel Durkin) We have a number of wonderfully talented abstract artists on RedBubble: If you’re interested in exploring more abstract art, the following groups feature some amazing talent: Abstract Realism Digital Abstracts & Patterns Abstracts from Nature Landscape and Abstract Photography Mysteries of the Common Abstract Macro Urban Art We’d love you to share your favourite RedBubble abstract works with us in the comments below. We’d also welcome any abstract artists to comment in a bit more detail about the genre, the way they work or their influences. If you have any questions about abstract art, you’re welcome to post them below. Nat
happy to announce the birth of my new Incendia calendar, if you like it PLEASEPLEASEPLEASE order since I will donate all profits towards …
happy to announce the birth of my new Incendia calendar, if you like it PLEASEPLEASEPLEASE order since I will donate all profits towards the futher development of the program! If you are working with Incendia as well I encourage you to do the same!!! We need to help this guy!!! / ENJOY / / / / / / / !http://images-2.redbubble.net/img/calendars/page:6/product:calendar/size:medium/view:preview/3823883-1-incendiatricks.jpg1 / / / / / /
About a week ago, somewhere on this RB planet, a wonderful soul named Melissa Brett has seen enou…
About a week ago, somewhere on this RB planet, a wonderful soul named Melissa Brett has seen enough beauty in my artwork: Foc, lacrimi si flori (Fire, tears and flowers) / ...to convince her to buy a greeting card version of it. And this gives me the nice excuse to brag about Melissa’s great taste in art… / (LOL, today I’m again a brag-bag!) Thank you from the heart Melissa for your committed appreciation of Foc, lacrimi si flori.
NSFW
Yes, someone very special who loves anonymity, has bought two (not one) framed prints of Muladhara & Swadhisthana Chakra Dance...
Yes, someone very special who loves anonymity, has bought two (not one) framed prints of Muladhara & Swadhisthana Chakra Dance below: It is always difficult to give enough thanks to such wonderful people that love someone’s art to the point of financial commitment, to the point of “I must have this on my wall, desk, etc”. However, I will say this from the bottom of my heart: Thank you my dear friend and lover of art!. Your committed appreciation of my composition goes into my heart much further than you will ever know. And a big Thank You always goes to the over 2,300 people who have visited the Muladhara & Swadhisthana Chakra Dance page over the course of fifteen months since publication. Thank you all for taking the time to read this note of thank you. Wish you all an inspired and wonderful week ahead. 08 November, 2009.
What a surprise when I logged in and found the Home Page featuring several creative photo’s from the group that I host “Abstract Macro Ur…
What a surprise when I logged in and found the Home Page featuring several creative photo’s from the group that I host Abstract Macro Urban Art including one of my own shots. An honour indeed to be on the front page….goosebumps…LOL! Thanks Red Bubble for an awesome site, it really is an amazing art community here, I’ve learned so much and made many friends from Australia and all over the world. Definitely a steady flow of inspiration to so many artists including myself.
INSPIRATION FROM ART Features from RB groups I host or co-host, and 12 Personal Favorites from this week. *What’s inspired you th…
INSPIRATION FROM ART Features from RB groups I host or co-host, and 12 Personal Favorites from this week. What’s inspired you this week? / Feel free to link your comments to your own or someone else’s art, writing, or journal. Scott Naismith in Solo Exhibition / Features 2009-November-09, Monday Arran From Portencross / by Scott Naismith Morar Sunset / by Scott Naismith Soft Sky Study / by Scott Naismith Sgurr of Eigg study / by Scott Naismith Bay At Trotternish / by Scott Naismith Ardmhor, Barra / by Scott Naismith Earsary, Barra / by Scott Naismith Crinan Croft / by Scott Naismith Bellanoch Boats / by Scott Naismith North End Beach, Iona / by Scott Naismith Sanna Bay 2 / by Scott Naismith Barra Breeze 1 / by Scott Naismith Southern United States Artists (SUSA) / 2009-November 10, Tuesday Stuck on you / by Isa Rodriguez / Fort Myers, Florida Cow Dreams / by Tibby Steedly / Near Penrose, North Carolina Family Portrait / by Melinda Page / Leitchfield, Kentucky White Gator / by Bob Johnson / Gainesville, Florida Perspective / by Kathy S. Gillentine / Stump Pass Beach, FL / Canon 5D MarkII 17-40mm 20mm / ISO 100, 1/60 f/7.10.9 ND filter Between Worlds / by Tibby Steedly / Pisgah National Forest, / North Carolina / w/Photoshop Orton effect Twilight hour / by Kathy S. Gillentine / Estero Bay, Florida / Canon 5D Mark II 17-40mm 17mm / ISO 100, f/4 30 sec., blue filter POV / by Tim Sanders / James River Foot Bridge, / Snowden, Virginia / Canon Digital Rebel XSI 28-105mm Hydrangea Faerie / by MoonSpiral / 9×12 in. Soft Pastel on / Sennelier la carte paper Kansas Webster / by Deborah Glasgow / 20×30 in. Acrylic on canvas HUNGRY LOVE / by Kevin Mawson / Mixed Media Big Brother is Plugged In / by Esther Johnson / Apophysis, Poser, Vue, Photoshop ENCRUSTATION I / by Frances Perea / Painted in Painter and Photoshop Nora’s Arrangement / by by suzannem73 / Kodak Easyshare photo, / Dynamic-Auto Painter, Picasa On a Pedastal / by Deirdre Reynolds / Apophysis 3D DARKNESS / by Kevin Mawson / Digitall painted in Photoshop Art Nouveau and the Arts & Crafts Movement / Features 2009-November-11, Wednesday Cinderella with The Green Mask / of Envy… / by Reynaldo / Acrylic on canvas 30×40 in Some Small Kindness / by Jaymilina / Oil on canvas 16×20 in. Lady in Blue / by Caroline Lembke / Silk painting Colorful memories / by Wieslaw Borkowski / Acrylics on 420×600 mm. / drawing paper Petals Pirouette / by Mel Davies / Coloured pencil on / Linen-textured 280gsm Butterfly Girl / by Anita Inverarity / Pen and Ink Snake / by Kseniya Beliaeva / Acrylic, pen paper 200g/m Stileto / by Mel Davies / Acrylic and sculptural medium RED LIPS / by Brigitte Hintner / 30×40 cm. Watercoulor pencil Camp Fire Island / by linmarie / 11×14 in. Watercolor/India ink Untitled / by Sienna Morris / 19×24 in. Drawn w/numbers 1-12 Ho’okipa Wai’ola… / by Sharon Mau / Canon EOS Digital Rebel XTi / And here are a select 12 from my PERSONAL FAVORITES recently! Gemma Re- enacting / by Ted Blackall / Oil on canvas, 24×30 in. Abandoned… / by Elisabeta Hermann / Palette knife Acrylic / on canvas, 16×20 in. Charros / by Reynaldo / Mixed media and oil / on canvas, 36×36 in. Dragonfly…Towards The Light 2 / by Janis Zroback / Mixed media on hand-woven / linen, ink/acrylic overpaint The Transformers / by Airmoe69 / Airbrushed on canvas 34×28 in. 11:11 Gatekeeper / by MoonSpiral / Acrylic on canvas panel, / 16×20 in. Blades Of Grass / by Ruth Palmer / Acrylic on canvas subtle fusion…. / by banrai / Digital Fine Art / Abstract Landscape Series — Cloud Walker / by RavenSoul / Digital Fine Art Taurus – The triumphant journey / by Anna Shaw / Photoshop CS4 from orig. stock Circles II / by Susan Grissom ...silient i… / by suncent— / Fine Art Photography
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