Abstract art painting 

5336 creative works found

  • 1200×900 acrylic and mixed media on canvas / inspired by the ocean, the sky and all things blue… / original available for sale – leimanben@yahoo.com.au

  • Original painting was done in acrylic on stretched canvas, with slight texture. If you look close enough, you might be able to see the traces of a scar….:)

  • Small contemporary abstract floral in earth tones and gold. Acrylic on stretched canvas. Original available. Size is 14 X 16 inches. /

  • Taken from my blog: I was going through some paintings in my studio and stumbled upon this one that I had done some time ago. I had initially put it aside calling it a “WIP” and had fully intended to go back and do more work on it but never did. I’d shown it as a WIP to some arteeeest friends who had liked it very much “as is” and then just rolled it up and forgot about it. It’s huge…not exactly sure off hand how large but it’s on unstretched canvas….I’d say about 4ft X 5ft. What this piece represents is (and I remember painting it during one of those dry spiritual periods when I was trying desperately to pray but just couldn’t find the words) our prayers, which are sometimes nothing more than moans and groans….but are interpreted for us by the Holy Spirit giving us a direct and uninterrupted line to our Father. This happens often during our times of spiritual emptiness when we are reaching out to God and the words just don’t come. For those of you who are Christians, you will know this scripture from the Bible: Romans 8:26 (New International Version) “In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us with groans that words cannot express.” Anyway, when I pulled the painting out this morning, I decided that just as Jesus said on the cross, “it is finished”.....and would like to share it with you all. Never stop talking to God, He always hears….even the moans and groans! Be Blessed. /

  • Acrylic abstract on stretched canvas.

  • Textured acrylic on deep gallery wrapped canvas.

  • Collaged painting with Apophysis overlays

  • Abstract landscape. The original acrylic painting (30” x 24” ) was sold to a private collector. Visit my own website Arts-Fine.co.uk for more Contemporary paintings

  • / My ‘First Tree’ is officially published in the coffee table book Artists of the West / For information on purchasing a signed copy of the book, go to Carrie Glenn Studios Thanks! First Tree was Featured in Lifestyles Magazine as part of an article about the Artists of the West coffee table book I am also honored to announce my painting First Tree was a part of the Rialto Towers two week art exhibit in Melbourne, Australia in of July 2007 Acrylic and pastel on illustration paper. (1995) This is truly the first tree I ever painted, the need to paint and create was something brewing so strongly inside I had to do something about it. Yet my resources were very limited, I grabbed the only paint I had any access to, a can of my father’s black spray paint, I sprayed it into the lid of the can and used the only paintbrush I owned a cheep nylon brush from a water color kit and created. I then finished my work with the only two pastels I owned brown and black. / Necessity is the mother of invention, or maybe it’s that there is more than one way to skin a cat. (Sorry cat lovers) At any rate I grew up in a home with very few luxuries but I did have a passion to create, always, I had to feed the creativity. So this is a very special piece to me and I hope to you as well. Down through the dark trees, you came and saved me... For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios / CarrieGlennStudios.Com

  • Abstract in acrylic

  • The original painting is 30” x 24” Acrylic on canvas. / a film of me painting it with music by myself can be seen Here Or you can visit my main website to see original paintings for sale by myself and some other artists

  • The original painting is 30” x 24” Acrylic on canvas. A film of me painting it can be seen on my website to see me Painting On Canvas The original was Sold to a Private collector. See my Online Art Gallery at arts-fine.co.uk

  • In my most recent series: ‘Face Navigation’ , I have used the fluidity of watercolour painting to express a personal perception of self and others. There is an awareness of the universal human condition through facial expression, and in some cases I create a progression of images, exploring the changing perception of a person by deconstructing facial recognition. As there is a shift over time in attitude or mood, there is a corresponding shift in visual interpretation. Sizes variable, average sizes 250×102 mm. Watercolour on rag paper. / / Web: www.littlemalopgallery.com.au For availability of original work please contact Robert Avitabile at: METROPOLIS GALLERY / 64 Ryrie Street / Geelong, Victoria, AUSTRALIA 3220 Telephone: +61 3 5221 6505 www.metropolisgallery.com.au

  • In my most recent series: ‘Face Navigation’ , I have used the fluidity of watercolour painting to express a personal perception of self and others. There is an awareness of the universal human condition through facial expression, and in some cases I create a progression of images, exploring the changing perception of a person by deconstructing facial recognition. As there is a shift over time in attitude or mood, there is a corresponding shift in visual interpretation. Sizes variable, average sizes 250×102 mm. Watercolour on rag paper. / / Web: www.littlemalopgallery.com.au For availability of original work, please contact Robert Avitabile at: METROPOLIS GALLERY / 64 Ryrie Street / Geelong, Victoria, AUSTRALIA 3220 Telephone: +61 3 5221 6505 www.metropolisgallery.com.au

  • acrylic on paper 14”x17” / Dancing in lighted pools of Jello-textured neon. “That’s the way to do it,” an old stranger called to the young man who, being suddenly aware of what he was doing, stopped, looked over his shoulder and glanced down at the ragged multi-colored sheet that was pulled tightly around his shoulders. He leaned back and peered up at the sun. Smoke rose from the side of a brick building and the odor or ginger floated through the air. The source of both puzzled him, as he remembered distinctly thinking he was the only person in the world just a few moments before. The old man smiled a toothless smear of flabby lips and bowed down to the dancing youth, who smiled back, jiggled aimlessly for a few seconds on thin, scratched legs and then sat down on a patch of grass in from of a building that had been painted by clowns. The young man pulled back the corner of his gown of rainbow hues and let out his heart, which had been beating all along, but in being freed, started to do a dance all of its own, though it had no legs. It also sang, which surprised the young man as he had always thought he was mute.

  • All photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.

  • Prints are available for all my artworks!

  • My latest self-portrait; I am my art and my art is myself. Original work is 18”x24”, acrylic paint on masonite panel.

  • Layers of acrylic covered in grey and scratched to reveal underlying colors. Accented with linework and markings.

  • Watercolor and pencil on illustration board, / 10×8 / 2009 Model: Adhara Batul One of the Greek myths I adore the most, for its incredible strength, poetry and significance, is the myth of Persephone. In Greek mythology, Persephone was the goddess of the underworld and of the Spring growth. Daughter of Demeter, goddess of the harvest, she was abducted by Hades and taken to the land of the dead. By a determination of the Fates, she was forced to stay for two seasons each year after eating pomegranates seeds, thus becoming consort of Hades and queen of the underworld. This time I opted by depicting her sorrow and solitude after having the seeds, although there’s quite an air of resignation with her destiny.

  • Please visit www.yehanart.com for more about the artist

  • Inspired by the music of Sam Phillips, too much coffee at 4 am, Alice, and the first hint of autumn in Boston

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