Abstract acrylic art
1143 creative works found
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Small contemporary abstract floral in earth tones and gold. Acrylic on stretched canvas. Original available. Size is 14 X 16 inches. /
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Taken from my blog: I was going through some paintings in my studio and stumbled upon this one that I had done some time ago. I had initially put it aside calling it a “WIP” and had fully intended to go back and do more work on it but never did. I’d shown it as a WIP to some arteeeest friends who had liked it very much “as is” and then just rolled it up and forgot about it. It’s huge…not exactly sure off hand how large but it’s on unstretched canvas….I’d say about 4ft X 5ft. What this piece represents is (and I remember painting it during one of those dry spiritual periods when I was trying desperately to pray but just couldn’t find the words) our prayers, which are sometimes nothing more than moans and groans….but are interpreted for us by the Holy Spirit giving us a direct and uninterrupted line to our Father. This happens often during our times of spiritual emptiness when we are reaching out to God and the words just don’t come. For those of you who are Christians, you will know this scripture from the Bible: Romans 8:26 (New International Version) “In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us with groans that words cannot express.” Anyway, when I pulled the painting out this morning, I decided that just as Jesus said on the cross, “it is finished”.....and would like to share it with you all. Never stop talking to God, He always hears….even the moans and groans! Be Blessed. /
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Acrylic abstract on stretched canvas.
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Acrylic on canvas. This piece was literally painted either side of a storm, I began the base layers as the clouds welled and the thunder began to rumble, I let it dry as the storm passed, and then completed the final layers. I have decided not to make my paintings available on canvas, as they are already on canvas I feel reproductions should be on a different medium.
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Textured acrylic on deep gallery wrapped canvas.
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Acrylic on stretched canvas. Digitally altered.
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/ My painting ‘Color Floats’ is officially published in the coffee table book Artists of the West / For information on purchasing a signed copy of the book, go to Carrie Glenn Studios Thanks! Featured in Abstract Art / (Thanks Everyone!) Featured in Western United States Artists and Photographers / (Thanks Karön Melillo d’Vega My original painting 42×32 was created with acrylic and mixed media (including metallic and porcelain paint) on canvas; sealed with wax. / In this piece my attempt was to create riveting color combinations and captivating eye movement. I used a variety of mediums to achieve a wet and dry look. Select portions of the canvas appear as wet paint and dramatically contrast the airy and light spaces, which does seam to make the “color float.” This was a commissioned project designed as a focal point to tie all of my client’s glass artwork collection together perfectly. My client was thrilled with the outcome and receives many generous compliments on this bold work. / Original *SOLD / For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios My painting was also chosen as a part of the Painters In Modern Times “Best of Showcase” works. Thanks everyone!!!
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/ My ‘First Tree’ is officially published in the coffee table book Artists of the West / For information on purchasing a signed copy of the book, go to Carrie Glenn Studios Thanks! First Tree was Featured in Lifestyles Magazine as part of an article about the Artists of the West coffee table book I am also honored to announce my painting First Tree was a part of the Rialto Towers two week art exhibit in Melbourne, Australia in of July 2007 Acrylic and pastel on illustration paper. (1995) This is truly the first tree I ever painted, the need to paint and create was something brewing so strongly inside I had to do something about it. Yet my resources were very limited, I grabbed the only paint I had any access to, a can of my father’s black spray paint, I sprayed it into the lid of the can and used the only paintbrush I owned a cheep nylon brush from a water color kit and created. I then finished my work with the only two pastels I owned brown and black. / Necessity is the mother of invention, or maybe it’s that there is more than one way to skin a cat. (Sorry cat lovers) At any rate I grew up in a home with very few luxuries but I did have a passion to create, always, I had to feed the creativity. So this is a very special piece to me and I hope to you as well. Down through the dark trees, you came and saved me... For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios / CarrieGlennStudios.Com
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Acrylic on canvas with some digital applications.
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Acrylic on canvas. Contemporary abstract botanical.
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Mixed media – archival black ink, acrylic, collage – paper painted, mono & screen-printed, drawing, photo; screen-printed cotton fabric, carpet material; on canvas. Work exhibited in the Visual Arts Association Group Exhibition ‘Four Seasons’, held Cairns Regional Gallery, Qld. / Theme – ‘The Four Seasons’ by Vivaldi Background: I had working individually on art compositions relative to my passion to interpret music, rhythm/movement and energy through the use of formal visual art elements ie. line, colour, tone, shape, texture and art media. The interpretation requires one’s senses to hear and feel, absorb sound and energies, to internalize and contemplate, as apposed to recording information seen/perceived through the eyes from the physical ‘outer’ world. One has to create and interpret a visionary abstract, from a pure transitional and spiritual sensual state, from one’s own internal environment, of knowledge, understanding and experience. I jumped at the chance when this exhibition theme came up. Also I am much inspired by Kandinsky and his work, a long time favourite art philosopher and mentor. ....................................... /
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My latest self-portrait; I am my art and my art is myself. Original work is 18”x24”, acrylic paint on masonite panel.
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Acrylic on canvas. Please view large image.
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An acrylic painting, 15” x 12” on Arches watercolour paper of a couple in love silhouetted against the vibrant brilliant colours of the heart of the sun, oblivious to everything except each other. Trusting this painting brings the one you love to mind. / / Come with me and take my hand / together we will walk onto the sand / our love will keep us warm all night / please kiss me softly and hold me tight! We all need to be loved and it is love that keeps the world turning….. FEATURED IN: ALL ABOUT WATER / CREATIVE CARDS / FIRST THINGS / MORNINGS AND EVENINGS, SUNBEAMS AND STORMS / GOING COASTAL / NO. 1 ARTISTS OF RED BUBBLE
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Acrylic on canvas. / Deuteronomy 4:39 / Acknowledge and take to heart this day that the LORD is God in heaven above and on the earth below. There is no other. /
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Inks, Acrylic & Mixed Media / Painted by Ciska / Nov 2008 / Each one is 54cm x 44cm framed. (162cm x 132cm) ORIGINAL FOR SALE – (Individually Framed) – (Sold as set) / Works also at TOP FRAMES – Castletown Shopping Centre, Townsville, Queensland, Australia
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Acrylic on canvas. View My YouTube Videos For This Painting
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Layers of acrylic covered in grey and scratched to reveal underlying colors. Accented with linework and markings.
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/ I find the patina of age very intriguing and exciting to recreate in paint…I always have cuts of MDF and Masonite primed with gesso waiting in the wings, ready for when inspiration hits me…lately I’ve been preoccupied with doors and things to do with doors….I made this door old…very old…it has withstood the test of time and all kinds of weather and has been painted many times, attesting to a tale of many owners…lately someone dressed it with a shiny new red door knob…why? if it could talk it would tell many stories.... Watercolour with Acrylic on Gessoed Masonite “Too little has been said of the door / It’s one face turned to the night’s downpour / It’s other to the shift and glisten of firelight”...excerpt Charles Tomlinson / Door #6 / Door#5 / Door #4 / Door#3 / Door #2 / Door #1
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/ This painting, is inspired by Turner’s painting of a slave ship in the midst of a typhoon, which he called a “Typhon”...Turner captured the horror of the event and terrifying grandeur of nature through hot, churning color and light that merge sea and sky. The critic John Ruskin, the first owner of Slave Ship, wrote, “If I were reduced to rest Turner’s immortality upon any single work, I should choose this.” / I chose to create an abstract work evoking the turmoil of the storm, not so much stressing the wind and the waves, but instead ferocity and power portrayed by the intense shock of deep red amid the more serene blues... “Aloft all hands, strike the top-masts and belay; / Yon angry setting sun and fierce-edged clouds / Declare the Typhon’s coming. / Before it sweeps your decks, throw overboard / The dead and dying – ne’er heed their chains / Hope, Hope, fallacious Hope! / Where is thy market now?”..J.M.W. Turner Acrylic on Canvas FEATUREDON THE HOME PAGE ON 21/09/09 AND IN THE FOLLOWING GROUPS… / Creative cards.. / Light in the Darkness.. / Decorative and Traditional Art / FEATURED FEATURES
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Acrylic on canvas. / /
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Acrylic on canvas. Size is 20 X 30 inches. /
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Acrylic on unstretched canvas. Original is 24×30 inches.
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