Aboriginal 

1553 creative works found

  • I am not Sorry – Acrylic on canvas 2005 The artists soul laid bare!

  • THis quote was taken from a history book that I found when I was doing research at the Noosa regional library – It’s really sums up what happened in this Country (My Country) – Kabi Kabi NAtion!

  • Watercolour on paper. 2007. Painted from a photograph by Frank Johnston, held at the National Library of Australia. Albert Namatjira (1902 – 1959) was one of Australia’s most acclaimed visual artists. He was a Western Arrernte man, an Indigenous Australian of the Western MacDonnell Ranges area. Albert Namatjira is one of Australia’s great artists, and perhaps the best known Aboriginal painter. Though in his early career he painted a wide variety of subjects, he is best known for his watercolour Australian outback desert landscapes, a style which inspired the Hermannsburg School of Aboriginal art. While his work is obviously the product of his life and experiences, his paintings are not in the highly symbolic style of traditional Aboriginal art; they are richly detailed depictions. He is also notable for being the first Northern Territory Aborigine to be granted Australian citizenship in the sense of being freed from the restrictions of discriminatory legislation that made Aborigines wards of the State. source: www.wikipedia.org New original art listed every Sunday night in my eBay store

  • Bardi ‘Saltwater’ people at England’s most famous sacred site Stonehenge: Photo: © Julian Andrews. Barni is a word used by the Bardi ‘Saltwater’ people meaning goanna. The Bardi people are from the Dampier Peninsula situated around 200 kilometres north-east of Broome, Western Australia. They are coastal people who have looked to the land, open waters, tidal flats and mangrove creeks for thousands of years for food, law and traditions. Even to this day Bardi people continue to practice their culture and to live this way of life. About Framed Prints: Finely-crafted custom frames create stunning art pieces from RedBubble prints. Frames are crafted from quality timbers in a range of finishes. A white, off-white or black matte surrounds the print to emphasize the artist’s work and bring the piece to life. Premium ultra-clear perspex in front provides a superior finish and means the piece is lighter and easier for you to move without breaking. Each print is available in 5 seasons: Summer Print Winter Print / Spring Print / Autumn Print / Monsoon Print – Black White. /

  • Bardi ‘Saltwater’ people at England’s most famous sacred site Stonehenge: Photo: © Julian Andrews. Goorlil is a word used by the Bardi ‘Saltwater’ people meaning turtle. The Bardi people are from the Dampier Peninsula situated around 200 kilometres north-east of Broome, Western Australia. They are coastal people who have looked to the land, open waters, tidal flats and mangrove creeks for thousands of years for food, law and traditions. Even to this day Bardi people continue to practice their culture and to live this way of life. About Framed Prints: Finely-crafted custom frames create stunning art pieces from RedBubble prints. Frames are crafted from quality timbers in a range of finishes. A white, off-white or black matte surrounds the print to emphasize the artist’s work and bring the piece to life. Premium ultra-clear perspex in front provides a superior finish and means the piece is lighter and easier for you to move without breaking. Each print is available in 5 seasons: Summer Print / Winter Print / Spring Print / Autumn Print / Monsoon Print – Black White.

  • Sorry seems to be the hardest word….. Such a small word, but today it sits at the centre of an hourglass of eternity…. / In the past – a vast ocean of existence, awash with the dreams, goals and agendas of mankind, full of intent both selfish and pure … / humanity displaying its best and its worst for that time… / ... / leading us to this moment….. / ... / And emerging through this pivotal word into an ever expanding future, where there will still be those of pure intent, and those of selfish intent, but with renewed hope for greater healing and oneness, a testimony that humanity will go on, and we will walk together… / ... / .. / . The words of my prayer would read…. / ... I honour the equality of all people of this Earth. / If anything I have ever said or done, or worse still THOUGHT, has ever hurt, or diminished the equality or rights of another human being, or living thing, including myself, / Then / I / Am / Truly / Sorry. / ... / .. / . / (Any proceeds from sale of this work will be donated to Wardan Aboriginal Cultural Centre, Yallingup, Western Australia. / My thanks go to Ray Buchanan and Bill Webb for their presence in my images)

  • Sunset Dreaming. A real Australian sunset. Bushfire smoke enhances the colours of this untouched photo.

  • So many things in this world we leave unfinished…..

  • A portrait

  • Project Brief: Students Traced a uniform cut-out of a waving man onto black scrapboard and used an etching needle to reveal the a white surface which defined the outline. Students then etched individual exo-skeletal markings into the scrapboard with the influences of machine-part imagery, Australian Indigenous art as well as pop culture. Student: Declan Lawrence / Teacher: Lee Jenkinson / Class: 7F / T-Shirt Layout/Concept: Ellen Benson (St. Kevin’s Art Tech)

  • Atsá
    by Sena

    Atsá – Eagle Eagle, the master of the sky, is considered a carrier of prayers. Many Indian Nations honor this bird as possessing courage, wisdom, and a special connection to the creator. This is often confused with the “thunderbird” image concept. Eagle is also a Directional Protector(the Sky) spirit, and an image associated with spirits and visions. My depiction represents three Bald Eagles circling about the Sun, here symbolized by the sacred Zia (Zia Pueblo word for ‘Sun’). Its rays marking the four directions; in the year, with its four seasons; in the day, with the sunrise, noon, evening, and night; in life, with its four divisions—childhood, youth, manhood, and old age. Everything is bound together in a circle of life and love, without beginning, without end.

  • I was fortunate enough to be asked by nurses and other community workers in Bamaga (far far Nth Queensland) to take photos of the local children at a series of community “Fun Days” to promote an anti smoking campaign education programme. I’d like to share some of the photos of these gorgeous, happy and generous people. They made my stay in Bamaga a delight! 100% of proceeds received from Redbubble in respect to sales of “Children of Bamaga” will be donated to Bamaga “Community Health Centre”. Canon EOS 300D / Shutter Speed 1/60 / Aperture Value 5.6 / ISO Speed 100 / Flash on / Lens EOS 24-105 / Focal Length 85mm

  • Nikon D40X…Tokina 12-24mm-F4 / The two Aboriginal Brothers were crossing the road in Midland. I approached them asking, May I take your photography”f “Yes” thy replied. The Brothers smiled and posed Click, thank you very much. I wished I would had shaken there hands and found out there names. SORRY BROTHERS ! / /

  • Original stone carving/statue (part of the Fountain of Tears) is at Colebrook Reconciliation Park on Shepherds Hill Road, Eden Hills, Sth Australia. This is part of a tribute monument (31 May 1998), on the site of the original Colebrook Home for Aboriginal Children 1943-1972; commissioned by Colebrook Tji Tji Tjuta Dreaming Committee, with assistance from the Blackwood Reconciliation Group. [I applied a texture + tonal effects to my original photograph, for emphasis and effect.]

  • Buffalo skull adorned with paint, leather and Hawk, all placed upon a leather shield. Behind the shield radiate the rays of a Zia (Sun).

  • Oil over Acrylic on Linen / 1220×606mm The very talented photographer Ronald Rockman graciously granted me permission to paint from his incredible image no where man . / I have used much texture under the oils- piped and palette knifed on, providing a linear counterpoint to the ironic disenchantment etched on this mans face, and echoed in the palette knife finishing textures in the hair. / Have to let it dry now so I can sign it!

  • Transmitting Power From Shaman to Man, imparting the knowledge of nature, the stars, sun, wind, waters of the earth, the world, and wisdom of harmony.

  • Amid one of the smaller vineyards at The Minya Winery on The Surfcoast of Victoria. / / Pentax istDS Camera. An HDR image with three exposures bracketed and processed using Dynamic Photo HDR.

  • I visited Uluru/Ayers Rock in January 2008. It was summertime there, and it was incredibly hot (it was 42C at 3.00 am!!) but also incredibly interesting. When I took this photo I was on an aboriginal tour, which I really enjoyed and highly recommend to anyone who travels there. Beautiful landscape, colors and people. Featured in / -Rural Around the Globe in May 2009 / -Northern Territory_in May 2009 / -_JPG Cast Offs in May 2009 / -That One Great Shot in May 2009. This photo is also contained in the following calendar: /

  • Aboriginal boy in the water with a river gum reflecting in the late summer sun It rained in Alice Springs. / This is very unusual! / This kid asked me to take his photo. for the dutch group: I am dutch living in beautiful central australia and I am female

  • Hunab Ku / The Hunab Ku or Galactic Butterfly symbol as seen in the middle of this enhanced design: This symbol is called the “Galactic Butterfly” which is said to represent all of the consciousness that has ever existed in this galaxy. This is all of our physical ancestors both human, animal, reptile, fish, shell fish, plants as well as the consciousness which organized all of the raw material from a whirling disk into stars then planets and solar systems. Big Meaning. So big that the original Maya had no symbol for this. In their civilization it was like having no name for God. Just knowing the concept was good enough.

  • Two Spirit All tribes were aware of the existence of two-spirit people, and each still has a name for them. The Diné (Navajo) refer to them as nàdleehé one who is ‘transformed’, the Lakota (Sioux) as winkte, the Mohave as alyha, the Zuni as lhamana, the Omaha as mexoga, the Aleut and Kodiak as achnucek, the Zapotec as ira’ muxe, the Cheyenne as he man eh. Among the Mescalero Apache: “Multigendered adult people at Mescalero are usually presumed to be people of power. Because they have both maleness and femaleness totally entwined in one body, they are known to be able to ‘see’ with the eyes of both proper men and proper women. They are often called upon to be healers, or mediators, or interpreters of dreams, or expected to become singers or others whose lives are devoted to the welfare of the group. If they do extraordinary things in any aspect of life, it is assumed that they have the license and power to do so and, therefore, they are not questioned.” A Crow traditionalist stated, “We don’t waste people the way white society does. Every person has their gift.”

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