Aboriginal Wall Art

515 creative works found

  • The Blue Lagoon
    by lightsmith

    US$4.28–US$114.00

    The lagoon was of course not blue. the blue of the sky is false colour obtained from the exchange of the red and blue channels of an infrared picture. The photo was taken in Geelong at the Aboriginal Craft & Cultural Interpretation Centre – Narana Creations. They have a beautiful walk and lots of artwork to buy. It’s a great chance to learn a little more about Australia’s real history. If it sounds like a plug then I guess it is although only by someone who’s been there once and was very impressed. It’s my first infrared lake so I’m happy with the results.

  • Elder
    by Alyson Pearson

    US$4.70–US$125.40

    Hand illustration with pencil

  • Uluru
    by Rosina Lamberti

    US$3.79–US$101.08

    The rock is sacred to the local Anunga Aborigines. Ayers Rock is the popular English designation (named after Sir Henry Ayers, a 19th century Australian governor). However, the rock’s official appellation is Uluru, the one given by the Anunga Aborigines. dinner out in the desert, watching the full moon rise Digital photography / Composition of three images

  • Cedric, a portrait
    by Sheila Smart

    US$3.71–US$98.80

    Cedric, one of Sydney’s street performers

  • Aboriginal Man
    by Annette Blattman

    US$4.28–US$114.00

  • Ficus religiosa
    by Crowmanic

    US$3.42–US$28.50

    Buddha reached enlightenment, whilst sitting under a variety of Fig tree known as Ficus religiosa so I’ve read They never mention his Aboriginal — as in, absolute original — mates!!

  • Portrait of an aborigine
    by Sheila Smart

    US$3.99–US$106.40

    Portrait of an Australian aborigine

  • Another collaboration with the fabulous Mel Brackstone http://www.redbubble.com/people/melbrackstone Ive run out of name the picture ideas!

  • red sunset painted
    by sunset

    US$4.42–US$117.80

    and yes, people love clouds, but even more, we looove a sunset. especially when it’s original. an original sunset painting turned into an electronic glow. (altered via photoshop) and in breaking news-this painting (the original) sold at the weekend exhibition! Gold!

  • this image depicts the dreaming story of creation in Mungo

  • Elder Vigil
    by Crowmanic

    US$3.71–US$98.80

    The original photo was taken at the William Rickett’s Sanctuary, in the Dandenong Mountains, near Melbourne, Australia. This Place is one of my favourite locations, whenever I visit Victoria. Further info about the Sanctuary here /

  • IrrgilMarrga
    by sekodesigns

    US$3.85–US$102.60

    IrrgilMarrga is a word used by the Bardi ‘Saltwater’ people meaning boomerang & shield. The Bardi people are from the Dampier Peninsula situated around 200 kilometres north-east of Broome, Western Australia. They are coastal people who have looked to the land, open waters, tidal flats and mangrove creeks for thousands of years for food, law and traditions. Even to this day Bardi people continue to practice their culture and to live this way of life. Each print is in 5 seasons: Summer,Winter,Spring,Autumn,and Monsoon (Black-White).

  • Fiery red sunrises have often been a feature and a great experience of camping at Batton Hill in the North Simpson Desert.The black silhoutted trees and messe form a strong contrast against the fiery red sky

  • The Elder
    by Anuja Manchanayake

    US$3.71–US$98.80

    An Aboriginal Elder of GUNDUNDARRA tribe, Blue Mountains National Park, NSW.

  • Lest We Forget
    by Crowmanic

    US$3.71–US$98.80

  • Ajijaak
    by KBelleau

    US$3.90–US$103.82

    Ajijaak = Crane Oil on Canvas 24” x 36” Inspired by the style that my Anishinabek Grandfathers started, but with my own style for the 21 century. / It is also what Dodem I belong.

  • A Dream
    by Arnold Isbister

    US$3.42–US$91.20

    A dream or vision where the unreal becomes real.

  • Indigenous Artist
    by Lee Wilde

    US$5.70–US$152.00

    Watercolour on paper. 2007. Portrait of an Indigenous artist, Papunya, ca. 1970 from a photograph by Michael Jenson. source: National Library of Australia / / / / Papunya (23°13′S, 131°54′E), is a small Indigenous Australian community of about 350 people roughly 240 km northwest of Alice Springs in the Northern Territory, Australia. It is now home to a number of displaced Aboriginal people mainly from the Pintubi and Luritja tribes. / / / / Pintupi and Luritja people were forced off their traditional country in the 1930s and moved into Hermannsburg and Haast’s Bluff where there were government ration depots. There were often tragic confrontations between these people, with their nomadic hunter-gathering lifestyle, and the cattlemen who were moving into the country and over-using the limited water supplies of the region for their cattle. / / / / The Australian government built a water bore and some basic housing at Papunya in the 1950s to provide room for the increasing populations of people in the already-established Aboriginal communities and reserves. The community grew to over a thousand people in the early 1970s and was plagued by poor living conditions, health problems,[such as flu, the disease of the white man which the aboriginals’ bodies found hard to fight off] and tensions between various tribal and linguistic groups. These festering problems led many people, especially the Pintupi, to move further west closer to their traditional country. After settling in a series of outstations, with little or no support from the government, the new community of Kintore was established about 250 km west of Papunya in the early 1980s. / / / / It was during the 1970s that a striking and unique blend of ancient and modern art styles began to emerge in Papunya and by the 1980s had begun to attract national and then international attention, now commanding a proud place on world art markets. source: www.wikepedia.org / / / / / / / / New original art listed every Sunday night in my eBay store

  • Reverence
    by eXposure

    US$3.42–US$91.20

    over the archway reads / All Living Things With Us Are For Ever One With Us and on a plaque under the seated man reads / Reverence For Life / Mountain of Remembrance in my dreaming / my love ever seeks the holy mountain / in our giving and receiving / our love in beauty becomes / An ECSTACY words and statues around every corner and not always the vantage point to get a good capture … but a truly amazing place … William Ricketts Sanctuary is well worth a visit.. Any profits made from the sale of this image will be happily given to the / William Ricketts Sanctuary

  • Mates
    by Alyson Pearson

    US$4.70–US$125.40

    Hand illustration of a couple of little aboriginal boys. The background texture adds to the rough and dusty outback these mates live and play in. Illustration also available on a tee here

  • Carved out by water
    by Rosina Lamberti

    US$3.85–US$102.60

    Carved out by water / The rock is sacred to the local Anunga Aborigines. / Water has shaped the valleys, potholes and pools of Uluru. Rainstorm after rainstorm over millions of years has sent water plummeting down the hard rock, wearing it away to form grooves, and chains of potholes and plunge pools. Uluru Waterhole / / The heart of Uluru / Carved out by water /

  • This is the smooth rich red sands of the Hay River located in the wilderness area of the North Simpson Desert. / Seasonal rains create flash floods, brining life to the desert… a ribbon of life that runs from NT near Jervios through the heart of the Simpson, on toward Poepell corner near the QAA line which is normal desert crossing to Birdsville / A very rare scene experience only by a few travellers.

  • The extreme angles, and highly contrasty treatment of this image represents my view on how Australia’s Indigenous peoples are still very much a marginalised community, pushed to the far fringes of our society. / I believe our past and present treatment to be nothing short of disgraceful. Statistics pertaining to our indigenous communities, regarding population health, infant mortality and general living standards, would NEVER be tolerated by our otherwise white, western societies. So why do our governments, and we ourselves, still turn the other cheek, & allow some to be treated this way, when we otherwise believe ourselves to be part of a civilized society? Aboriginal didgeridoo player, Adelaide Fringe Fesival. This image is not for sale Image copyright © Marion Cullen. All rights reserved. Considered & Constructive critique invited and welcome.

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