Abbey 

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1916 creative works found

  • Like a fairytale castle Mont Saint Michel at dusk in the rain, I got wet and cold but it was worth it for images like this. A blended exposure using HDR techniques. All money raised in the sale of my art until November goes towards the Steven T. Hill Stroke Foundation. For more information on the foundation and Steve’s touching story please follow this link. here Steven T. Hill Stroke Foundation

  • taken at Fountaines Abbey in Yorkshire – and amazing medieval monastry – this is Fleur trying to get in a locked door.

  • Taken at Fountains Abbey today – this is Abe taking photos – he is such an inspiration. * /

  • Taken today at a beautiful Christmas Carol service at Fountains Abbey – the children were given candles and we had mulled wine – not an easy combination with a two year old who refuses to have her wild hair tied back and a mother who has wine in one hand and a camera in the other – thank goodness for dads :0) * /

  • This is my attempt at colour (yes i know it is dark and ironically i thought i would shoot a couple of shots in colours too) – but it is for Andrew Walker who thinks that my family is painted in black and white LOL!!!! If you have no idea what i am talking about then read his superb soap bubble.

  • I am Not interested in history – i want to play in the puddles!!! Happy New Year to you all in RB land xxxx

  • Painted from an 1880’s photo, of the fishing port of Whitby on the North East coast of England. Here, laid up, is the collier brig, ‘Opal’. The ruins of the priory, immortalised by Bram Stoker’s Dracula, can be seen on the hill. My first pen and watercolour work. Watercolour washes over a pencil drawing, then finished in ink. Hannemuhle, 200lb paper 7”x 8”.

  • Valle Crucis Abbey is in North Wales. My father was born in Wrexham and I love going to Wales. The hills have to be walked over to truly appreciate them. I often use ink and watercolour, but here I am trying ink and gouache. For those who are interested, this is A3 size (29.7cm x 42cm). FEATURED BY FINE ARTS GROUP – 16th July 2008 FEATURED BY WALES, RICH IN BEAUTY GROUP – 25th October 2009

  • Sanctuary – Middle English, from Old French sainctuarie, from Late Latin s?nctu?rium, from Latin s?nctus, sacred, sanctify. Sacred place, especially the most sacred part of a sacred place. In ancient times and in the Middle Ages, a sanctuary served as asylum, a place of refuge for persons fleeing from violence or from the penalties of the law. To injure a person in sanctuary or to remove him from it forcibly was considered sacrilege. In Egypt the temples of Osiris and Amon offered the right of sanctuary. Under the Greeks all temples enjoyed this privilege, and certain ones, like the Temple of Apollo at Delphi, were known throughout the Mediterranean world as a haven for fugitives. In Rome fugitive slaves often sought sanctuary. Christian churches were given the right of sanctuary by Constantine I. Abuses of sanctuary, tending to encourage crime, led to its curtailment and abolition. Modern penal codes no longer recognize the right of sanctuary.

  • Whitby Abbey taken at 4:30 am (yawn). The first light of the day from the rising sun gave this amazing glow to the stones of this ancient building bringing it to life. Whitby is a wonderful seaside town along the North Yorkshire coast of England. This is a fascinating place to visit. HP PhotoSmart C945 bridge camera / f/5.6 / 1/60, / exposure bias -.67 / Used a tripod

  • Hello? London calling?

  • WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.

  • Long live the – ......BEETLES? SEE THE ART PRINT HERE

  • Long live the – …...BEETLES? SEE THE TSHIRT HERE

  • / This image was nominated for the prestigous Pay it Forward group. / The redbubble member who nominated it was Andreisky and this is why he nominated me & this image - ”because he’s doing some sort of magic which I can’t. And he also writes so many interesting things…” According to tradition the abbey was first founded in 616 on the present site, then known as Thorn Ey (Thorn Island); based on a late ‘tradition’ that a fisherman called ‘Aldrich’ on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the presents of salmon from the Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065, only a week before the Confessor’s death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial. The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry’s own tomb, under the highest Gothic nave in England. The Confessor’s shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone). In 1535, the Abbey’s annual income of £2400-2800 during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression “robbing Peter to pay Paul” may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul’s Cathedral. The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a “Royal Peculiar”—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet. The abbey’s two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the 20th century but was not executed. Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.

  • Featured Members in That One Great Shot Shot Agoust – 24 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Challenge Winner in That One Great Shot Group – That One Great Shot SUNSET Challenge Agoust – 24 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Featured in That One Great Shot Group Agoust – 24 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Placed 8th in à EUROPA! Group – EUROPEAN SUNSETS Challenge July – 24 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Challenge Winner in Italy and all Things Italian Group – Italian Sunsets Challenge June 08 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Featured in Sunrise, Sunset April – 14 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— Featured in Live, Love, Dream April – 30 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— Featured in DSLR Users Only – 3 A Day May – 02 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— HDR processed in Photomatix Pro 3.1.3 from a single RAW image, then processed using CS4 – no tripod used Nikon D100 Sigma 15/30 Camogli – the “City of the Thousands Sailships” Our city has very old origin. Traces of a first settlement, dating back to the prehistoric age, have been discovered on the Castellaro hill, located east of the present downtown, in the middle of the park of the Cenobio dei Dogi Hotel, where we can find the the majestic maritimes pines. Unfortunately, we cannot retrack any remains of the Middle Ages, when the first beach village and the fort which protected the “Island”, which was rocky ram that forms the natural port. The first inhabitants were fishermen, right after they became seamen to serve the genoese fleet and later they kept their own business as shipowners. The glorious era of the camogliese people, extraordinary seamen, goes back to the 19th century, when their trade crossed with international events. In that period, they joined the Egypt’s and Algiers’ campaign and, overall, the Crimea war, as the only military striking force of the Piedmontese army. This useful contribute was possible thanks to their well equipped maritime fleet. Their audacity and skillness at sea were decisive to the result of the was and brought a solid welfare to the city. This welfare was well visible through the buildings and in the institutions, in the social services as well. The growing importance of Camogli allowed to obtain from king Vittorio Emanuele II the title of “City”. About its name, there are few speculations: camuggi in genoese dialect means “house of the wives” (their husbands were out at sea); another version says that cà a muggi (packed houses) reminds its landscape as seen from far out at sea. Finally and more realistically, scholars determined that the name Camogli comes from etrurian or celtic deities: Camulo or Camolio. Camogli has three neighbours: Ruta, St. Rocco and St. Fruttuoso and many valued places for environmental and historical matters. / Ruta, which was named by the route that passes through of it, has been built on the hills, at an altitude of 300 metres. There we experience a mild and dry climate, for this, Ruta was a reknown tourist destination until the last century. Today this neighbour is the departure point for the many escursions to the Portofino Park. By going to a private boulevard, we can reach the Portofino Kulm hotel, built on the first years of the 20th century and restored recently.St. Rocco lies on a rocky wall falling to the sea: up there you can admire the Paradiso Gulf panorama.St. Fruttuoso, which is only reachable by foot or by boat, is a sea village framed in a narrow valley of the Portofino promontory. There we find a very valuable monumental complex : the abbey, the church and the Andrea Doria’s tower. Camogli, among the many historical and artistic treasures, has various religious buildings. On the “Island”, close to the medieval castle, we can admire the Basilica, named after Santa Maria Assunta, which hosts many art masterpieces of the camogliese sculptors Francesco and Bernardo Schiaffino and of the genoese painters Niccolò Barabino and Francesco Semino. Inside the church, among the altars, decorated by valuable marbles, we can admire the paintings of the Patron saints of Camogli: St. Fortunato, protector of fishermen and seamen and St. Prosperous, patron of the city.Uphill of the Repubblica Street, you will find the Oratory of St.Prosperous and Caterina, dating back to the 15th century. The old crucifix inside the building has a great value for the camogliese people: it was carried out in procession during the difficult times. On the hills, we meet the church and monastery of St. Prosperous, still today it is hosting a small community of benedectine friars; then we meet the sanctuary of Our Lady of the Boschetto, loved specially by seamen which invoke the Lady during sea storms and perils, as painted in the various votive images.In the downtown of Ruta we can admire the parish church, built on 17th century. Inside there, we find masterpieces of painters and sculptors such as Bernardo Castello and Francesco Schiaffino. Along the road which leads to St. Martino of Noceto, we meet the millenary church dated back to the 12th century, national monument, seat of classic concerts specially in the summertime.Between St Rocco and Chiappa Point, western tip of the Portofino promontory, we mmet the romanic church of St. Nicolò of Capodimonte which is placed into a spectacular and natural frame. Finally, in the sea village of St. Fruttuoso, it is possible to admire the benedectine abbey, placed by side of the romanic church, donated on 1983 along with the built-up area, by the Doria Pamphily princes to the Italian Fund for the Environment (F.A.I.), which arranged to restore it.In the St. Fruttuoso bay we can dive to reach the Abyss Christ, a bronze statue which is object of devotion by many divers. Since the old times, due to its location, the inhabitants of Camogli looked for sustenance from the sea. Before as fishermen and after as captains and shipowners. Since 1800 until 1900, Camogli prduces 3700 ship captains, 2932 merchant vessels and more than 500 naval engineers. Indeed, in the middle of the 19th century, our city reaches the top of its maritime economy. Camogliese ships and crews join the events which had been lead to the Unity of Italy on 1860. Simone Schiaffino, the ensign of the ” Mille”, the Garibaldi’s army, was a brave camogliese ship captain. Again, on the middle of 1800, the first camogliese maritime insurance was founded: it covered the damages originated by the perilous sailings of those times. Just in that period, Camogli is named “the City of the Thousands Sailships”. The most famous ships were the bricks and barks and the camogliese crews were very brave to handle them. At the beginning of the 20th century, along with the mechanic propulsion, the “family management” of the sailships started to decline: it was extremely expensive to keep the maintenance all around the world of an “iron ship”. As a remain of the extraordinary maritime tradition of Camogli, we have today the high professional value of its seamen, specially on board the most modern cruise and cargo ships where the highest level of technology can be found. To admire the maritime tradition of Camogli, please visit the Maritime Museo “G.B.Ferrari”, located in the stairways in front of the railway station. In the museum, you will find rare parts of ships and seamen’s belongings wich are donations of the camogliese families of 1800 and 1900. HDR processed in Photomatix Pro 3.1.3 from a single RAW image, then processed using CS4.Nikon D300 camera Sigma 15/30 Lens no tripod use.

  • The eastern archway of St Benet’s Abbey on the marshes of the Norfolk Broads. 30 second exposure and partially lit with set of blue led lights.

  • Featured in Castle Magic Group October – 24 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-——- Featured in Communities Group October – 19 – 2009 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Featured in JPG Cast-Offs Group October – 13 – 2009 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Featured in All Castles Around The World Group Agoust – 25 – 2009 Challenge Winner in All Countries ~ Wetlands, Ponds, Lakes & Rivers Group – Calm As The Mirror Challenge Agoust – 20 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— Featured in The Male Photographer Group Agoust – 18 – 2009 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Featured in All Countries ~ Wetlands, Ponds, Lakes and Rivers Group Agoust – 15 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Castel Toblino – Trentino – Italy Renowned for the romantic legends associated with it, and as the pleasure retreat of the episcopal court, Castel Toblino is a rare example, in Trentino, of lake fortification. / It was probably a prehistoric fort and Roman site, on an island in the middle of the lake which, due to the lowering of the water level later became a peninsula. It is a very old site, once occupied by a small temple dedicated to the worship of the Fates, as recorded in the rare 3rd century epigraph (walled under the northern portico of the castle). Its original religious function was soon replaced by a military function, given its strategic position. In the 13th century the castle passed from the hands of the lords of Toblino into those of the lords of Campo, who owned the castle bearing the same name in the Giudicarie (Castel Campo). Later on, the castle fell into the hands of the church of Trento (1495) and the Cardinal Bernardo Clesio had the place restored and rebuilt (1536-1537) on Renaissance lines, to become a lord´s residence: it was decorated by some of the artists working at the Magno Palazzo of the Castello del Buonconsiglio in Trento. The prevailing 16th century elements are due to the subsequent transformations (courtyard portico and loggia, round arches) ordered by Gian Gaudenzio Madruzzo. All that remains of the Medieval castle layout are the wall to the west, a turret to the north-west of the present enclosure and the 20 meter high cylindrical tower, which may be considered a keep, strengthening the fortifications closing the summit of the fortified rock. Lake of Toblino This valley bottom lake has marsh vegetation (in particular ) and lacustrine (a few samples of “lamineto” of the ninfea gialla type); At certain points of the shore there are willow groves. The site includes the surrounding hills, where holm oaks woods grow(Celtidi australis-Quercetum ilicis). Nikon Coolpix 990

  • Also in Black & White Also in Disco

  • Also in Colour Also in Black & White

  • A 3 shot HDR processed in Photomatix Pro Camera Fuji S100FS This is an image from the HDR study I am doing on Painshill Park, This is from visit 2. It`s the reverse view from the one below The Abbey / To the right of the vineyard and on the lake edge, the abbey was the last of the follies to be created, over Charles Hamilton’s brick and tile works, when the park was put up for sale in 1772.

  • A compilation of my photo of Sir Luke and his horse, with some awesome stock backgrounds by UmbraDeNoapte and textures from Nick. View this on a black background

  • / ©MCN:CA479-DDYKE-4TPKN / Canon 1000D / f/6.3 / 1/100sec / 18mm (18mm-200mm Sigma) / ISO 200 Melrose Abbey is a Gothic-style abbey in Melrose, Scotland. It was founded in 1136 by Cistercian monks, on the request of King David I of Scotland. It was headed by the Abbot or Commendator of Melrose. Today the abbey is maintained by Historic Scotland (open all year; entrance charge). The ruins of Melrose are widely considered among the most beautiful of religious houses in the United Kingdom, being especially notable for a wealth of well-preserved figure-sculpture, and its architecture is considered to be some of the finest in Scotland.[1] The east end of the abbey was completed in 1146. Other buildings in the complex were added over the next 50 years. The abbey was built in the form of a St. John’s cross. A considerable portion of the abbey is now in ruins, though a structure dating from 1590 is maintained as a museum open to the public. Alexander II and other Scottish kings and nobles are buried at the abbey. The embalmed heart of Robert the Bruce is also said to rest on the abbey’s grounds, while the rest of his body is buried in Dunfermline Abbey. In 1812, a stone coffin that some speculated was that of Michael Scot the philosopher and “wizard”, was found in an aisle in the abbey’s south chancel. It is known for its many carved decorative details, including likenesses of saints, dragons, gargoyles and plants. On one of the abbey’s stairways is an inscription by John Morow, a master mason, that says: “Be halde to ye hende” (Keep in mind, the end, your salvation), which has become the motto of the town of Melrose. info from Wikipedia

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