Abbey 

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1487 creative works found

  • Long live the – ......BEETLES? SEE THE ART PRINT HERE

  • knock knock
    by Deborah Parkin

    US$4.32–US$98.80

    taken at Fountaines Abbey in Yorkshire – and amazing medieval monastry – this is Fleur trying to get in a locked door.

  • Standing in my Shadow
    by Deborah Parkin

    US$3.99–US$91.20

    Taken at Fountains Abbey today – this is Abe taking photos – he is such an inspiration. * /

  • Mont Saint Michel
    by Craig Goldsmith

    US$4.66–US$106.40

    Like a fairytale castle Mont Saint Michel at dusk in the rain, I got wet and cold but it was worth it for images like this. A blended exposure using HDR techniques.

  • Monk's Solace
    by Wickerman

    US$6.65–US$152.00

  • Candlelight
    by Deborah Parkin

    US$3.99–US$91.20

    Taken today at a beautiful Christmas Carol service at Fountains Abbey – the children were given candles and we had mulled wine – not an easy combination with a two year old who refuses to have her wild hair tied back and a mother who has wine in one hand and a camera in the other – thank goodness for dads :0) * /

  • FOR ANDREW WALKER
    by Deborah Parkin

    US$3.99–US$91.20

    This is my attempt at colour (yes i know it is dark and ironically i thought i would shoot a couple of shots in colours too) – but it is for Andrew Walker who thinks that my family is painted in black and white LOL!!!! If you have no idea what i am talking about then read his superb soap bubble.

  • Puddles
    by Deborah Parkin

    US$3.99–US$91.20

    I am Not interested in history – i want to play in the puddles!!! Happy New Year to you all in RB land xxxx

  • Forgotten
    by Globalphotos

    US$4.99–US$114.00

    WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.

  • "Morning Glow"
    by Bradley Shawn Rabon

    US$4.16–US$95.00

    Whitby Abbey taken at 4:30 am (yawn). The first light of the day from the rising sun gave this amazing glow to the stones of this ancient building bringing it to life. Whitby is a wonderful seaside town along the North Yorkshire coast of England. This is a fascinating place to visit. HP PhotoSmart C945 bridge camera, f/5.6, shutter 1/60, / exposure bias -.67, use of tripod to steady the shot.

  • Old Whitby
    by Colin Cartwright

    US$4.16–US$95.00

    Painted from an 1880’s photo, of the fishing port of Whitby on the North East coast of England. Here, laid up, is the collier brig, ‘Opal’. The ruins of the priory, immortalised by Bram Stoker’s Dracula, can be seen on the hill. My first pen and watercolour work. Watercolour washes over a pencil drawing, then finished in ink. Hannemuhle, 200lb paper 7”x 8”.

  • Camogli - Sunset - Italy
    by paolo1955

    US$5.99–US$136.80

    Challenge Winner in Italy and all Things Italian Group – Italian Sunsets Challenge June 08 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- Featured in Sunrise, Sunset April – 14 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— Featured in Live, Love, Dream April – 30 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— Featured in DSLR Users Only – 3 A Day May – 02 – 2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— Camogli – the “City of the Thousands Sailships” Our city has very old origin. Traces of a first settlement, dating back to the prehistoric age, have been discovered on the Castellaro hill, located east of the present downtown, in the middle of the park of the Cenobio dei Dogi Hotel, where we can find the the majestic maritimes pines. Unfortunately, we cannot retrack any remains of the Middle Ages, when the first beach village and the fort which protected the “Island”, which was rocky ram that forms the natural port. The first inhabitants were fishermen, right after they became seamen to serve the genoese fleet and later they kept their own business as shipowners. The glorious era of the camogliese people, extraordinary seamen, goes back to the 19th century, when their trade crossed with international events. In that period, they joined the Egypt’s and Algiers’ campaign and, overall, the Crimea war, as the only military striking force of the Piedmontese army. This useful contribute was possible thanks to their well equipped maritime fleet. Their audacity and skillness at sea were decisive to the result of the was and brought a solid welfare to the city. This welfare was well visible through the buildings and in the institutions, in the social services as well. The growing importance of Camogli allowed to obtain from king Vittorio Emanuele II the title of “City”. About its name, there are few speculations: camuggi in genoese dialect means “house of the wives” (their husbands were out at sea); another version says that cà a muggi (packed houses) reminds its landscape as seen from far out at sea. Finally and more realistically, scholars determined that the name Camogli comes from etrurian or celtic deities: Camulo or Camolio. Camogli has three neighbours: Ruta, St. Rocco and St. Fruttuoso and many valued places for environmental and historical matters. / Ruta, which was named by the route that passes through of it, has been built on the hills, at an altitude of 300 metres. There we experience a mild and dry climate, for this, Ruta was a reknown tourist destination until the last century. Today this neighbour is the departure point for the many escursions to the Portofino Park. By going to a private boulevard, we can reach the Portofino Kulm hotel, built on the first years of the 20th century and restored recently.St. Rocco lies on a rocky wall falling to the sea: up there you can admire the Paradiso Gulf panorama.St. Fruttuoso, which is only reachable by foot or by boat, is a sea village framed in a narrow valley of the Portofino promontory. There we find a very valuable monumental complex : the abbey, the church and the Andrea Doria’s tower. Camogli, among the many historical and artistic treasures, has various religious buildings. On the “Island”, close to the medieval castle, we can admire the Basilica, named after Santa Maria Assunta, which hosts many art masterpieces of the camogliese sculptors Francesco and Bernardo Schiaffino and of the genoese painters Niccolò Barabino and Francesco Semino. Inside the church, among the altars, decorated by valuable marbles, we can admire the paintings of the Patron saints of Camogli: St. Fortunato, protector of fishermen and seamen and St. Prosperous, patron of the city.Uphill of the Repubblica Street, you will find the Oratory of St.Prosperous and Caterina, dating back to the 15th century. The old crucifix inside the building has a great value for the camogliese people: it was carried out in procession during the difficult times. On the hills, we meet the church and monastery of St. Prosperous, still today it is hosting a small community of benedectine friars; then we meet the sanctuary of Our Lady of the Boschetto, loved specially by seamen which invoke the Lady during sea storms and perils, as painted in the various votive images.In the downtown of Ruta we can admire the parish church, built on 17th century. Inside there, we find masterpieces of painters and sculptors such as Bernardo Castello and Francesco Schiaffino. Along the road which leads to St. Martino of Noceto, we meet the millenary church dated back to the 12th century, national monument, seat of classic concerts specially in the summertime.Between St Rocco and Chiappa Point, western tip of the Portofino promontory, we mmet the romanic church of St. Nicolò of Capodimonte which is placed into a spectacular and natural frame. Finally, in the sea village of St. Fruttuoso, it is possible to admire the benedectine abbey, placed by side of the romanic church, donated on 1983 along with the built-up area, by the Doria Pamphily princes to the Italian Fund for the Environment (F.A.I.), which arranged to restore it.In the St. Fruttuoso bay we can dive to reach the Abyss Christ, a bronze statue which is object of devotion by many divers. Since the old times, due to its location, the inhabitants of Camogli looked for sustenance from the sea. Before as fishermen and after as captains and shipowners. Since 1800 until 1900, Camogli prduces 3700 ship captains, 2932 merchant vessels and more than 500 naval engineers. Indeed, in the middle of the 19th century, our city reaches the top of its maritime economy. Camogliese ships and crews join the events which had been lead to the Unity of Italy on 1860. Simone Schiaffino, the ensign of the ” Mille”, the Garibaldi’s army, was a brave camogliese ship captain. Again, on the middle of 1800, the first camogliese maritime insurance was founded: it covered the damages originated by the perilous sailings of those times. Just in that period, Camogli is named “the City of the Thousands Sailships”. The most famous ships were the bricks and barks and the camogliese crews were very brave to handle them. At the beginning of the 20th century, along with the mechanic propulsion, the “family management” of the sailships started to decline: it was extremely expensive to keep the maintenance all around the world of an “iron ship”. As a remain of the extraordinary maritime tradition of Camogli, we have today the high professional value of its seamen, specially on board the most modern cruise and cargo ships where the highest level of technology can be found. To admire the maritime tradition of Camogli, please visit the Maritime Museo “G.B.Ferrari”, located in the stairways in front of the railway station. In the museum, you will find rare parts of ships and seamen’s belongings wich are donations of the camogliese families of 1800 and 1900. HDR processed in Photomatix Pro 3.1.3 from a single RAW image, then processed using CS4.Nikon D300 camera Sigma 15/30 Lens no tripod use.

  • For the Beatles fan.

  • The Road to Delcombe Farm
    by A90Six

    US$4.19–US$95.76

    Featured in The Patchwork 5th Nov, 2008. / Featured in Live, Love, Dream 4th Nov, 2008. This road is opposite the entrance to Milton Abbey (school) in Milton Abbas. The autumn colours in the small group of trees caught my eye.

  • Beetles on Abbey Road ART
    by DieselLaws

    US$4.32–US$98.80

    Long live the – …...BEETLES? SEE THE TSHIRT HERE

  • Buckfast Abbey, Devon.
    by rodsfotos

    US$4.32–US$98.80

    The current abbey was built by an order of Benedictine monks and was completed less than a hundred years ago though an abbey has stood on this site for over 1000 years. / Situated in the small village of Buckfast below the foothills of the Dartmoor National Park, over recent years a strong commercial side has evolved in the abbey with regular visitors, gift shops and a restaurant. / World famous for the production and sale of their fortified wine and honey from a unique strain of honey bees which goes towards the upkeep and education of children in the local school amongst many other things. / Many of the locals now nickname the abbey Fast Buck Abbey but the money is well spent within the local community and a visit is more than worthwhile. Taken in warm evening light.

  • Before and After
    by Ed Stone

    US$4.66–US$106.40

    More from In the Garden Set For those wondering the core was already there but I did place the other whole one on the bench. This is taken in the La Cock grounds, where photography was born.

  • A Rose for You
    by Richard Veal

    US$5.32–US$121.60

    This beautiful Rose was crying out to be photographed, then I came along and ruined it. LOL / Taken in the gardens of Buckfast Abbey, Devon. / If you ever come to Devon, or on your way to Cornwall, please make time to visit this wonderful place. It is just 2 minutes off the A38 Devon Expressway. Thanks for looking. / Hope you like it. Pentax K110D. / Pentax 18-55mm Lens. / Aico x2 Tele Converter. /

  • Abbey Trees, Shap
    by Richard Ion

    US$3.99–US$91.20

    Just delving back a few years to a picture from Shap Abbey in Westmorland (now Cumbria) and on the eastern borders of the Lake District. More details of this wonderful abbey will follow if and when I get round to putting up some pictures! / However, as is so often the case with our treasured abbeys, the location of Shap Abbey is such a potent part of the whole experience. As you stroll towards the west tower you pass by the River Lowther with the blur of a dipper coming to rest on a stone to “dip” up and down before plunging into the rushing waters, whilst above, on the bank, trees, gnarled with age and battered by the harsh climate cling on to life for hundreds of years watching patiently as the abbey slowly returns to Nature’s grasp. / Thanks for looking, / Richard

  • Abbey Trees, Shap
    by Richard Ion

    US$3.99–US$91.20

    Just delving back a few years to a picture from Shap Abbey in Westmorland (now Cumbria) and on the eastern borders of the Lake District. More details of this wonderful abbey will follow if and when I get round to putting up some pictures! / However, as is so often the case with our treasured abbeys, the location of Shap Abbey is such a potent part of the whole experience. As you stroll towards the west tower you pass by the River Lowther with the blur of a dipper coming to rest on a stone to “dip” up and down before plunging into the rushing waters, whilst above, on the bank, trees, gnarled with age and battered by the harsh climate cling on to life for hundreds of years watching patiently as the abbey slowly returns to Nature’s grasp. / Thanks for looking, / Richard

  • St Benet's Abbey
    by Steve Sharp

    US$4.16–US$95.00

    The eastern archway of St Benet’s Abbey on the marshes of the Norfolk Broads. 30 second exposure and partially lit with set of blue led lights.

  • Hello? London calling?

  • Valle Crucis Abbey is in North Wales. My father was from that area and I love going to Wales. The hills have to be walked over to truly appreciate them. I haven’t uploaded anything onto Redbubble for a while and that is because this seemed to take me longer than most of my paintings. I often use ink and watercolour, but here I am trying ink and gouache. For those who are interested, this is A3 size (29.7cm x 42cm). FEATURED BY FINE ARTS GROUP – 16th July 2008

  • Westminster Abbey - London
    by A90Six

    US$4.19–US$95.76

    / This image was nominated for the prestigous Pay it Forward group. / The redbubble member who nominated it was Andreisky and this is why he nominated me & this image - ”because he’s doing some sort of magic which I can’t. And he also writes so many interesting things…” According to tradition the abbey was first founded in 616 on the present site, then known as Thorn Ey (Thorn Island); based on a late ‘tradition’ that a fisherman called ‘Aldrich’ on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the presents of salmon from the Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065, only a week before the Confessor’s death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial. The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry’s own tomb, under the highest Gothic nave in England. The Confessor’s shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone). In 1535, the Abbey’s annual income of £2400-2800 during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression “robbing Peter to pay Paul” may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul’s Cathedral. The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a “Royal Peculiar”—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet. The abbey’s two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the 20th century but was not executed. Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.

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