617
82 creative works found
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As calm as this image looks, the waves crashing over the rocks were huge. I had to grab my gear and jump out of the way of the waves numerous times to capture this image. Captured 10-15 minutes before sunrise. Camera – Fuji GX617 / Film – Fuji Velvia 100 To see more of my work please visit www.gallerym-australia.com
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as always please click on the image for a better view.. A windy evening looking up Tidal river towards the cloud capped Mt. Latrobe. With any chance of nice light gone because of the weather. I had a perception that the very strong winds could add to a moody image by creating leading lines on the river surface with a longer exposure. I hope you like the resultant photograph. / / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography below / /
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Getting to know the stars is an important part of landscape photography. Using a compass and G.P.S I was able to pinpoint the South Celestial Star. Because of the rotation of the earth, using a six hour exposure gives the feeling of the stars trailing around this point. I used a 5 million candle power flashlight to illuminate the sand dune. Because of the massive size of the dune I had to climb an adjacent dune and paint the light on from there. Camera – Fuji Gx617 / Film – Fuji Velvia To see more of my work please visit www.gallerym-australia.com
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After discovering this amazing forest of Californian Redwood’s, I spent about 5 day’s on this image returning to this same spot everyday. Location – Victoria / Camera – Fuji Gx617 / Film – Fuji Reala 100 To see more of my work please visit www.gallerym-australia.com
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One of my favorite Sunrises, I visited this spot numerous times to capture this light. I think the small illuminated cloud on the right gives the image great balance. Camera – Fuji GX617 – 90mm Lens / Film – Fuji Velvia 50asa
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as always please click on the image to see greater detail and a larger view / / The coastal cliffs around the Great Otway NP glow vibrantly in the first light of the morning. After coming to this location over many years I finally got an image I like even though the sunrise’s themselves this trip were ‘nice’...they were not sensational, so I feel pretty happy with this result. / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / / / / see more of my TRUE panoramic photography below / / / / / thanks for viewing this piece (-:
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This was a strange morning, I woke up a 3am to be on the sunshine coast for sunrise. Only to find the beach covered in sea foam. I thought oh well the images will be different. So in I went, within 5 minutes I was covered in foam so was my camera bag and tripod. The sunrise was great. Just as I was finished shooting a lady walking her dog looked me up and down and “said oh my god, you poor thing” Camera – Fuji GX617 / Film – Fuji Velvia 50asa To see more of my work please visit www.gallerym-australia.com
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as always – click image for a better view / / / I had been planning on shooting pelicans on the poles of this pier, but the composition and sunset sky just was not working… So the mild autumn evening had me sticking about a bit longer. Under the rise if a near full moon I came up with this shot. / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more of my TRUE panoramic photography by clicking on the image from the same location below / / / /
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Camera – Fuji GX617 / Film – Fuji Velvia 100 To see more of my work please visit www.gallerym-australia.com
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as always please click on the image to see greater detail and a larger view / / The coastal cliffs around the Great Otway NP glow vibrantly in the first light of the morning. I had noticed this tidal pool the previous morning with overcast skies, so I returned the following dawn in the hope a vibrant reflection of the cliffs being possible. / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / / / / see more of my TRUE panoramic photography below / / / / / thanks for viewing this piece (-:
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As always – click image for a better view / / A chilly morning on the Mt William range sees cloud and mist plummet off the ridgeline as the colder air sinks into the shadows of the range. Meanwhile the rising sun warms the rockfaces and slopes to the west, forcing the cold damp air to warm,rise and dry – thus lifting and dissapating the ‘downstream flow’ of this ‘waterfall of clouds’. / This ongoing spectacle continued for several hours and was a real highlight to watch and experience ! / / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more of my TRUE panoramic photography by clicking on the image below / /
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As always – click image for a more detailed view / / A chilly morning on the Powlett river…cold air descends from the hinterland and a slow moving fog drifts throughout the basin before exiting the river mouth in a spectacular plume into Bass Strait. / Here I try in vain to sneak up on a Royal Spoonbill feeding from on this mirror islet..alas – it flees to the opposing river bank as I meter this special scene. stand up now and have your say for our future – tell the Victorian Labor government – ‘NO DESALINATION’ more info @ yourwateryoursay.org – 100% of all profits I make on this goes to this crucial campaign that effects ALL of us. / / Fuji G617 – Velvia 100F, digitally converted to true B&W. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / / see more photography of this beautiful region under threat below / /
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An extremely weathered old jetty grimly stands defiant amidst the advancing mangroves in Westernport Bay. The mozzies and knee deep mud was well worth the experience of witnessing the twilight from this location. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / see more of my TRUE panoramic photography by clicking on the image below / / -
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A shard of golden light finds it way through the clouds and hills to brilliantly illuminate the rustic framework of the historic trestle bridge. Clicking on the image for a more detailed view is highly recommended. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / see more of my TRUE panoramic photography by clicking on the image below / / -
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Clicking on the image for a more detailed view is highly recomended. The last glow of the day gently renders the scene in soft hues.An incoming tide and swell has already forced me from my original composition and threatens to do so again…It’s a tedious wait for the exposure to finish without my gear and I getting wet ! / When viewed even at only 30% of the original 2 Sooty oyster catcher birds can sharply be seen on the rock outcrop in the right of frame. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / see more of my TRUE panoramic photography by clicking on the image below / / -
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Click on the image for a more detailed view. The last glow of the sun kisses the western flank of some coastal instability which rapidly develops into a short lived cold air thunderstorm. As this light is reflected in small puddles in the foreground waves surge through rock platforms generating waterfalls into the larger channels. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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After a run of foggy mornings during May in southern Victoria I was fortunate enough to photograph this location in one of two ways that I photographically envisage it. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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Fallen casuarinas that tumbled to the water from wave erosion during deep low pressure systems in 2007 and 2008 line the beaches near Inkskip point in SEQ. / The view sweeps around to the famous coloured dunes of Rainbow beach and onwards to Double Island point and on large versions the glow from the lighthouse that adorns this point can be seen. / Fuji G617 – Velvia 50. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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Located off private property adjoining Westernport Bay stand the remnants of a private jetty and mooring. Available as large format fine art print or canvas for purchase HERE Fuji G617 – Velvia 50. / ©T.Middleton2008 bubblesite / photography blog / portfolio —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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More fun with the 617 from Melbourne’s Rialto Observation Deck. Camera/Lens: Fuji GX617, 90mm Lens / Film: Fuji T64 / Filters: Center ND / Exposure: 1min, f/8, ISO 64
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Dismantled jetty relics slowly become reclaimed by the elements and the night. Clifton Springs. Fuji G617 – Velvia 50. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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I was retuning home after scouting for a possible new location for a panoramic photo when I came across these old jetty posts. I decided to place them centrally and create a strong sense of perspective to give depth to the photo. As an added bonus two pelicans landed opposite each other on the very last posts. While waiting patiently for light, it appeared that the sun was would disappear behind a hill before it would light up the scene. Fortunately the sun briefly lit the sides of the posts and I was able to capture the shot and then the light was gone.
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Island Arch is located along the Great Ocean Road, Victoria Australia. While staying in the area I took the opportunity to take a photograph of this popular tourist attraction. I visited this location on the previous evening to check out a suitable composition and the best direction for lighting. To capture the image I arrived early in the morning and set up before the sunrise and waited for the light.
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Whisper | Great Ocean Road | Victoria Camera: Fuji GX617 Film Fuji Reala 100 PLEASE VIEW LARGE. To see more of my work please visit www.gallerym-australia.com
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