617
81 creative works found
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After discovering this amazing forest of Californian Redwood’s, I spent about 5 day’s on this image returning to this same spot everyday. Location – Victoria / Camera – Fuji Gx617 / Film – Fuji Reala 100
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As calm as this image looks, the waves crashing over the rocks were huge. I had to grab my gear and jump out of the way of the waves numerous times to capture this image. Captured 10-15 minutes before sunrise. Camera – Fuji GX617 / Film – Fuji Velvia 100
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Clicking on the image for a more detailed view is highly recomended. The last glow of the day gently renders the scene in soft hues.An incoming tide and swell has already forced me from my original composition and threatens to do so again…It’s a tedious wait for the exposure to finish without my gear and I getting wet ! / When viewed even at only 30% of the original 2 Sooty oyster catcher birds can sharply be seen on the rock outcrop in the right of frame. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / see more of my TRUE panoramic photography by clicking on the image below / / -
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As always – click image for a better view / / A chilly morning on the Mt William range sees cloud and mist plummet off the ridgeline as the colder air sinks into the shadows of the range. Meanwhile the rising sun warms the rockfaces and slopes to the west, forcing the cold damp air to warm,rise and dry – thus lifting and dissapating the ‘downstream flow’ of this ‘waterfall of clouds’. / This ongoing spectacle continued for several hours and was a real highlight to watch and experience ! / / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more of my TRUE panoramic photography by clicking on the image below / /
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Fallen casuarinas that tumbled to the water from wave erosion during deep low pressure systems in 2007 and 2008 line the beaches near Inkskip point in SEQ. / The view sweeps around to the famous coloured dunes of Rainbow beach and onwards to Double Island point and on large versions the glow from the lighthouse that adorns this point can be seen. / Fuji G617 – Velvia 50. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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An extremely weathered old jetty grimly stands defiant amidst the advancing mangroves in Westernport Bay. The mozzies and knee deep mud was well worth the experience of witnessing the twilight from this location. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / see more of my TRUE panoramic photography by clicking on the image below / / -
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Camera – Fuji GX617 / Film – Fuji Velvia 100
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After a run of foggy mornings during May in southern Victoria I was fortunate enough to photograph this location in one of two ways that I photographically envisage it. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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Click on the image for a more detailed view. The last glow of the sun kisses the western flank of some coastal instability which rapidly develops into a short lived cold air thunderstorm. As this light is reflected in small puddles in the foreground waves surge through rock platforms generating waterfalls into the larger channels. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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Getting to know the stars is an important part of landscape photography. Using a compass and G.P.S I was able to pinpoint the South Celestial Star. Because of the rotation of the earth, using a six hour exposure gives the feeling of the stars trailing around this point. I used a 5 million candle power flashlight to illuminate the sand dune. Because of the massive size of the dune I had to climb an adjacent dune and paint the light on from there. Camera – Fuji Gx617 / Film – Fuji Velvia
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This was a strange morning, I woke up a 3am to be on the sunshine coast for sunrise. Only to find the beach covered in sea foam. I thought oh well the images will be different. So in I went, within 5 minutes I was covered in foam so was my camera bag and tripod. The sunrise was great. Just as I was finished shooting a lady walking her dog looked me up and down and “said oh my god, you poor thing” Camera – Fuji GX617 / Film – Fuji Velvia 50asa
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as always – click image for a better view / / / The sun gathers strength as it rises higher through the thick smoke haze generated by countless controlled burns across Gippsland over the preceding days. / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more of my TRUE panoramic photography by clicking on the image from the same location below / / / /
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as always please click on the image for a better view.. A windy evening looking up Tidal river towards the cloud capped Mt. Latrobe. With any chance of nice light gone because of the weather. I had a perception that the very strong winds could add to a moody image by creating leading lines on the river surface with a longer exposure. I hope you like the resultant photograph. / / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography below / /
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Clicking on the image for a more detailed view is highly recomended. A shard of golden light finds it way through the clouds and hills to brilliantly illuminate the rustic framework of the historic trestle bridge. / Fuji G617 – Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / see more of my TRUE panoramic photography by clicking on the image below / / -
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Dismantled jetty relics slowly become reclaimed by the elements and the night. Fuji G617 – Velvia 50. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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as always – click image for a better view / / / I had been planning on shooting pelicans on the poles of this pier, but the composition and sunset sky just was not working… So the mild autumn evening had me sticking about a bit longer. Under the rise if a near full moon I came up with this shot. / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more of my TRUE panoramic photography by clicking on the image from the same location below / / / /
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As always – click image for a more detailed view / / A chilly morning on the Powlett river…cold air descends from the hinterland and a slow moving fog drifts throughout the basin before exiting the river mouth in a spectacular plume into Bass Strait. / Here I try in vain to sneak up on a Royal Spoonbill feeding from on this mirror islet..alas – it flees to the opposing river bank as I meter this special scene. stand up now and have your say for our future – tell the Victorian Labor government – ‘NO DESALINATION’ more info @ yourwateryoursay.org – 100% of all profits I make on this goes to this crucial campaign that effects ALL of us. / / Fuji G617 – Velvia 100F, digitally converted to true B&W. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / / see more photography of this beautiful region under threat below / /
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Whisper | Great Ocean Road | Victoria Camera: Fuji GX617 Film Fuji Reala 100 PLEASE VIEW LARGE. www.gallerym-australia.com
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as always please click on the image to see greater detail and a larger view / / The coastal cliffs around the Great Otway NP glow vibrantly in the first light of the morning. After coming to this location over many years I finally got an image I like even though the sunrise’s themselves this trip were ‘nice’...they were not sensational, so I feel pretty happy with this result. / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / / / / see more of my TRUE panoramic photography below / / / / / thanks for viewing this piece (-:
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More fun with the 617 from Melbourne’s Rialto Observation Deck. Camera/Lens: Fuji GX617, 90mm Lens / Film: Fuji T64 / Filters: Center ND / Exposure: 1min, f/8, ISO 64
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Captured near Babinda Boulders FNQ just before sunset, freshly planted sugar cane. This was one of the most spectacular lightshows to witness. It was a challenge to capture the range between the highlight and shadows. Camera – Fuji GX617 / Film – Fuji Velvia 100
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As always please click on the image for a larger more detailed view. / I took this photograph last week (02-04-2008) on the day that gale force northerly winds ripped through the state of Victoria. The winds raised dust in the north west to central west of the state, some of which eventually blew into Bass Strait. / Here on the South Gippsland coast the blanket of red-brown dust approaches and crosses Bass Strait ahead of the rainband. I had to find a place of relative shelter from the 100km/h winds to capture this amazing scene before me. With the shores protected from the winds by the towering cliffs the water several hundred meters offshore was almost a blur with ‘reverse’ whitecaps. The ocean took on an incredible cobalt blue colour whilst the sky looked eerie and from another planet. KEEP THIS SPECTACULAR COAST PRISTINE – SAY NO TO DESALINATION / more info @ yourwateryoursay.org / / / / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography below / / see more of my photography and read about this coastline under threat below / / see more of my meteorology based photography below / /
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as always please click on the image to see greater detail and a larger view / / The coastal cliffs around the Great Otway NP glow vibrantly in the first light of the morning. I had noticed this tidal pool the previous morning with overcast skies, so I returned the following dawn in the hope a vibrant reflection of the cliffs being possible. / / / Fuji G617 – no cropping,no stitching. Velvia 100F. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / / / / see more of my TRUE panoramic photography below / / / / / thanks for viewing this piece (-:
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Located off private property adjoining Westernport Bay stand the remnants of a private jetty and mooring. / / Fuji G617 – Velvia 50. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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