60s
832 creative works found
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Baby Tee @ Zazzle / / BEST VIEWED LARGE / from this…. / / to this…... / / / / Flower Power is a mixed media production on brown paper created from / white gesso acrylic / lead pencil / coloured pencils / marker pen / charcoal / acrylics / chalk pastel Flower Power is the latest design from my ‘Children of the World’ series, hope you like her…
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This was shot in an amazing house, it was caught in a time capsule….the property was recently sold and the furniture sold off too, this shoot is all that remains. I wanted to look back, not through the rose coloured glasses we usually gaze back with, but to look at the tension that lies just below the surface. The 50’s and early 60’s have this all to perfect image, surface image that is…
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“I wouldn’t recommend sex, drugs or insanity for everyone, but they’ve always worked for me.” Hunter S. Thompson (American Journalist and Author, 1937-2005)
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Artwork Listen to: VIRGIN STEELE – the marriage of heaven und hell Worktime: 10 hours
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This was shot in an amazing house, it was caught in a time capsule….the property was recently sold and the furniture sold off too, this shoot is all that remains. I wanted to look back, not through the rose coloured glasses we usually gaze back with, but to look at the tension that lies just below the surface. The 50’s and early 60’s have this all to perfect image, surface image that is…
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Long exposure by a local pier. Jevnaker, Norway. October 2007.
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Taken in 1966, this is one of my favourite images of the 60’s of the iconic DJ, Sir Jimmy Savile OBE. I took the shot when I was 20 during my assistant days at 1:15 am, after a long advertising shoot for a petrol company with my boss, top fashion and advertising photographer John Cowan. I asked Sir Jim if I could run a couple of rolls of film for my portfolio. True gent that he is, Jim said “Sure!” even though every one was pretty tired after the 5 hour gasoline ad session. Anyhow, this is the result and it remains one of my favourite pictures to this day as it shows Sir Jim as he really was and is – a strong and generous human being who did not take himself too seriously. You are a true professional Jim, and I am eternally grateful to you for giving me this opportunity. Technical Details: Camera: Hasselblad 500C / Lens: 80mm Planar / Film: Tri-X / ASA: 400 rated at 200 / Exposure: 1/125 sec at f/16 / Lighting: 5,000 Joule Strobe in perspex light bank. © 1966 John Hooton Photography
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A photograph of a heart shape on a stamen of a small flower. / Diascia Hybrid :)
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Yes, they are my feet and I’m relaxing on the beach watching the kids play in the water. I gave this image some texture and it reminds me of a very lazy, Aussie summer’s day at the beach.
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Socialite and model Elizabeth Hooley. One of my shots showing my style during the 60’s. I have left the banner on in the hopes that this may be considered as a poster. Now it would hardly make a poster without some sort of blurb at the bottom would it!? © 1966 John Hooton Photography
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other work by nook
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Bryce 5 Music to Digital Art. Beatles – Eleanor Rigby. I’ve sold one in a Matted Print! mystery buyer on RB Eleanor Rigby
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I love swings, they make me happy and so does my dearest of them all, Caitlin
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a beautiful song on your t-shirt
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Orchid, shot with a Canon EOS 350D with Canon EFS 60mm f/2.8 macro lens. / Straight from camera.
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60’sSoundandlighteffectsfromwoodstock smashingpumpkins set the controls for the heart of the sun cover / Copyright pink floyd
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♥ What more is there to say? ♥
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Classic cars calendar … / Vector dogs calendar … / Book of drawings … / Animals and birds / Cartoons / Cars, trucks & tractors / Drawings / Illustrations / Portraits / Rust / Vector art
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Super Vixen is a tribute to the over the top, tongue in cheek, almost preposterous movie style of the infamous Russ Meyer. Set in a barren desert I love the bizarreness as much as the pure aesthetics of this montage. I want to engage the viewer into an almost surreal, dreamlike state.
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One of the first street shots I ever took back in 1964 in the East End of London. This was before Playstations, and probably the only ‘toy’ these kids shared between them was a skipping rope. Old bomb sites still held a fascination though as a form of amusement and exploration, as can be seen here. It was taken using a Yashica Mat 120 film twin lens reflex camera that took me six months to save up for. I used Tri-X B/W film and printed on a hard grade of paper to get the punchy contrast, a characteristic of all my early B/W work. This image was photographed digitally from the original print in my portfolio. © 1964 John Hooton Photography
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