1984
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153 creative works found
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Your government is watching you. All. The. Time. Also available as a print here
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This art work was created in collaboration with Bradley Nichol We discovered that we are each U2 fans and decided to collaborate illustrating the songs from The Joshua Tree. This is the first work we have done together. The main image of the tree and stars is all Brad. I absolutely fell in love with the photograph and added the miners, lighting, and red. The image of the miners is public domain. Finally the song, “Red Hill Mining Town,” was written by Bono some say in response to the United Kingdom miner’s strike in 1984 when Maggie Thatcher closed “unprofitable” mines, placing already economically fragile families in peril. Featured on Red Bubble’s Home Page: Art / Featured in the Group: JPG Cast-Offs / Featured in the Group: Collaborations / Featured in the Group: Not What It Seems Companion Photograph: “One Tree Hill” /
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Original Creation Date: September 25th, 2006 There is little that can move me as rapidly as a good 80’s song. / Simple Minds. Depeche Mode. Tears For Fears. Prince. The Cure. / My moods are no more than mere rhythmic reactions. / To me, they are gospel. Religion. Faith. / I raise my hands and worship in the church of 1984. Charcoal on 90 lb. paper, freehand, 16” x 22” / Original available for purchase.
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Letraset. Paper. Half a lifetime. Originally it was a graphic about ‘not heeding warnings’ and ‘time running out’, but as I made it I started to think more and more about how 1984 is just as much an instruction manual for the powerful as it is a warning for the proles. There’s a name for this effect I think, but I have forgotten it. 3mm Helvetica Condensed Bold. / The bottom half of the hourglass never made it on. Looked too much like a moustache. / “Nothing was your own except the few cubic centimetres inside your skull.” / There was also a variation I quite liked but the text was too small I think.
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Homage to the year it all started for me and most of my friends: 1984. I don’t really know if history considers it a good year or a bad year … maybe for designers since it was the year the first Mac hit retail shelves. With apologies to Milton Glaser.
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“1984” designed by indie artist Eric Murphy of sadmachine.com Copyright 2006-2009.
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Gouache on Paper. In 1984 I started my Textile design studies In Shenkar College, Israel.I had almost none basic knowledge in REAL Drawing or painting…just the STRONG wish to create, to paint and design . At that time only 17 students were selected each year to study in the textile design department, I was one of them, that means the committee who selected me found I had the talent to study there.The base for design is drawing & painting …Not every designer though can really paint or draw..The first week of my studies, one of my lecturer, Bram presented our first project with him – ” THE PROJECT “( of course we had several more with other lecturers )... As I saw the year before’s projects of students, not only that I was amazed by their work…I said to myself : – ).. ” Nira I think they made a mistake by selecting you to learn here :-) ”...Undoubtedly I was not the only one who felt this way.The demands for perfection were very STRONG.I was doing my efforts 7 days a week, until 2:30 a.m usually and there were few nights that I simply didn’t go to sleep.Here You can view part of Bram’s project, which was to copy a photo in gouache and then to draw or paint the same photo using all kinds of techniques : like pencils coloured pencils ,Ink, and more . It was Bram but other lecturers as well who taught me to demand THE VERY BEST of myself. when the first semester of my studies finished, I had to present also this project . That same day when we ALL Students hanged our projects on the walls…Bram said to us : ” You thought you would not be able to do so at the end of semester, but in fact you did…From now on…everything you wish to do in your life, you know you can. ” I will never forgot these words, especially because it came after that project,I didn’t believe I could do…It become one of the most important lessons of my life. True that sometimes I use it more in my thinking…and at other times less…But it is so very true…We say in Hebrew :” En davar ha’omed bifney haratson ” = where there is a will there is a way, nothing is impossible. This image is dedicated to Bram Veiler our dutch lecturer then…Copyrights© Nira Dabush
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Click here to add me to your watch list. / .................................. / The Bank of Nova Scotia building. / Downtown St. John’s, Newfoundland. “The ideal set up by the Party was something huge, terrible, and glittering—a world of steel and concrete, of monstrous machines and terrifying weapons—a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting—three hundred million people all with the same face.” Nineteen Eighty-four—George Orwell
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Taken with Pentax LX and 28 mm shift lens on Kodachrome The simplicity of some of the small French churches was very appealing. In smaller towns they had not been reworked (renovated, modernised etc) and you could feel the sense of worship in so many of them without pressure of conformity to a pattern.
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Peugeot 205 GTI 1987 – classic car
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Silver-geatin photograph of Robert with his Mirantz sound system and Simon the siamese.He was studying philosophy at the time.
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Taken with Pentax LX on Kodachrome. / We were travelling by Campervan and found a small camping ground near Canterbury. This was our first experience of a February night in England, and it was cold. The frost was the thickest we had ever seen. The horse must have been cold, but it was still interested in the only other dwellers in the camping ground.
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Richard the Lionhearted built a castle to control movement across the Seine at les Andelays. Within about twelve months from his death his brother John had lost it to the French and control of the river. / Taken with Pentax LX and 28 mm shift lens on Kodachrome
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Conques was on the pilgrimage route to Santiago de Compostela in Spain. The first hermits lived here in 819 and were followed by a monastery. The present church was started in the rule of abbot Odolric 1030-65, worked on by another abbot and then finished by Begon abbot 1087-1107. / It is not known for sure when the tympanum was done, but there are people in it who enable a rough dating. / The last judgment was a favourite for this position over the church door, and shows events after the return of Christ to earth and the rising of the dead. / I took this portion of the tympanum because there was just a little of the original colour left on the background behind the people. / Taken with Pentax LX on Kodachrome film.
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There had been a rich monastery at Souvigny for many years, but at the time of the revolution it was almost completely destroyed. We found two short portions of the cloisters, and one of these was being used as a junk heap for statuary discarded from the church. / This section was readily reached from the church and was in pretty good shape. / Taken with Pentax LX and 28 mm shift lens on Kodachrome film.
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REMEMBER! / “WAR is PEACE. / FREEDOM is SLAVERY. / IGNORANCE is POWER.”
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1 – 1984 – At the the beginning = two photographs : / - One representing the principal character of Brazilian film “Antonio Das Mortes” carried out by Glauber Rocha in 1969. / - The other : a repetition of a ballet of Maurice Béjart in Avignon, at the time of the festival. (Photo catch in the same years). 2 – 1984 – Drawings large size : 110×75 cm (pencil graphite) / - The first: the character of film / - The second: unfinished and lost… 3 – 1984 – A notebook called “Meet with two photos”, where all the graphic emotions starting from these two photographs. 4 -1984 – // the slides taken during the realization of the notebook and other large drawings, more of the settings in scene (where I play the part of the dancer !! :)) 5 – 2004 – These slides then projected on the wall of my space of working and photographing again. To see the serie : Meet 2 / Meet 3 / Meet 4 / Meet 5 / Meet 6 ** / - Featured in the group Experimental Photography and Editing
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1 – 1984 – At the the beginning = two photographs : / - One representing the principal character of Brazilian film “Antonio Das Mortes” carried out by Glauber Rocha in 1969. / - The other : a repetition of a ballet of Maurice Béjart in Avignon, at the time of the festival. (Photo catch in the same years). 2 – 1984 – Drawings large size : 110×75 cm (pencil graphite) / - The first: the character of film / - The second: unfinished and lost… 3 – 1984 – A notebook called “Meet with two photos”, where all the graphic emotions starting from these two photographs. 4 -1984 – // the slides taken during the realization of the notebook and other large drawings, more of the settings in scene (where I play the part of the dancer !! :)) 5 – 2004 – These slides then projected on the wall of my space of working and photographing again.
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1 – 1984 – At the the beginning = two photographs : / - One representing the principal character of Brazilian film “Antonio Das Mortes” carried out by Glauber Rocha in 1969. / - The other : a repetition of a ballet of Maurice Béjart in Avignon, at the time of the festival. (Photo catch in the same years). 2 – 1984 – Drawings large size : 110×75 cm (pencil graphite) / - The first: the character of film / - The second: unfinished and lost… 3 – 1984 – A notebook called “Meet with two photos”, where all the graphic emotions starting from these two photographs. 4 -1984 – // the slides taken during the realization of the notebook and other large drawings, more of the settings in scene (where I play the part of the dancer !! :)) 5 – 2004 – These slides then projected on the wall of my space of working and photographing again.
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Alright, who brought the dog? /
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I always think of 1984 when i look at this pic! Its the outside of a derelict office building
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Click here to add me to your watch list. / .................................. / Behind the Bank of Nova Scotia building. / Downtown St. John’s, Newfoundland.
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