16
306 creative works found
-
A street photo taken at Changi Airport, Singapore. Using the natural light as backlighting, these people were quickly snapped in silhouetted as they were walking away. I’m surprised how similar these people are. They echoed each other in terms of being in a pair. Also, the pairs in the foreground are single dad with their only child. All this captured at the time 16:57.
-
Artwork for the group Leichenwetter CD: Klage, 2007 www.leichenwetter.de
-
Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Give a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this (and your histogram displays 8 stops of light) you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A smaller aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
-
Ink drawing and 2 photos layered in PaintNet
-
Charcoal drawing, etching plate and 2 Apophysis images layered in PaintNet
-
The nurse walked into her seclusion to find that the patient in room 33 had given birth by herself. There is more from this series at www.cjphotography.co.nr sorry if i offend anyone with this piece. all the stories are true and i have spoken to the people involved with the story.
-
In this picture I was drawn to the spaces in the walls. I could not explain why or anything except that when I stood inside the broch and looked up I was humbled by the immense structure which encircled me and my eyes were drawn across to the 16 spaces in the frame. I hope you like it too. / Built in the Iron Age period this is Mousa Broch which stands alone on the small uninhabited island of Mousa in the Shetland Islands, Britains most northerly area. This is the best preserved broch in Europe and stands a full 13 metres tall. Awe inspiring history we can touch.
-
BEST VIEWED LARGER* This shot taken using 5 Exposures generating one HDR image, taken at sunset from Mc Mahons Point on the Northern shore of Sydney Harbour. / For those visiting Sydney , Berrys Bay/Balls Head is easily accessable from by tain on the North Shore railway line . This side of the harbour offers panoramic views and the cheapest way to explore Sydney is with an explorer pass . Equipment: Nikon D300, Nikon 18-200 lens, no filters, processed usin Photomatix HDR Software My continuing experience with HDR is a learning one some tries work the way you expect sometimes they are a bit different… but hey it’s fun !
-
Yellow sodium light on the seaside. All natural colour. P1170256.jpg Collaroy Beach after the sunset / 2005-12-03 8:31pm Panasonic Lumix DMC-LC1 / 2 sec / f/2 / ISO-100 © All rights reserved :hinting Please see the rest of my portfolio. /
-
The useful Sunny 16 rule always with you!
-
This is a photo of my mum that I repaired .
-
16 SALES AT THE SAME TIME!!!
by Lui GrandeA VERY BIG THANK YOU!!! Somebody bought 16 cards at the same time: / You sold a card of “Killer” / You sold a card of “A Morning Star” …
A VERY BIG THANK YOU!!! Somebody bought 16 cards at the same time: / You sold a card of “Killer” / You sold a card of “A Morning Star” / You sold a card of “A Skyscraper” / You sold a card of “Cuba” / You sold a card of “The Fields of Gold” / You sold a card of “Glow” / You sold a card of “Passion” / You sold a card of “The Perfection!” / You sold a card of “The Sea of Love” / You sold a card of “Disco” / You sold a card of “By Silent” / You sold a card of “Gala” / You sold a card of “Muse” / You sold a card of “Contraposto” / You sold a card of “Milky Way Madonna” / You sold a card of “Tarzan” OH, THAT REALLY MAKES MY DAY, MAKES MY WEEK, MAKES MY MOUNTH….. ALL THAT HAPPENED AFTER ME BEING A WHOLE MONTH IN SILENCE! SO GOOD THAT YOU HAVEN’T FORGOTTEN ME AND MY WORK! :) Jarko
-
Instruction piece (16)
by Paul Compton. Have no secrets. .
-
Long way to go / My 3rd child / I am longing / I am tired / I am happy / You give me pain / You give me purpose / You give me joy I wait for you
-
ABOUT MY EXHIBITION The woks exhibited represent the linkup of two artists, a photographer and a sculptor. Such an attempt to blend two spheres of art is really innovative and a bit unexpected. There had been few who were successful in such an attempt. Both authors, blending their art by the means of the photo art, are the winners. Sculpture, as such, is rather a static art, sometimes “performing” in a specific, sometimes artificial, environment. However, the means of the plastic photography, seemingly, make the sculptures movable, dynamic; they make you feel the sculptures are moving. They become alive, start moving and react both to the environment and the views captured by the photographer. I would like the viewers also note the colour solutions of the photos, aimed at the strengthening of the overall impression of the imagery. The original blend and overlapping of two arts let see the impressive plastic metaphors, giving birth to various associations. CLICK PHOTO IF YOU WANT VIEW / / /
-
Part of a series of portraits taken across the european continent. Work is only meant to be bought by myself for an exhibition, thus the insane markup price!
-
Just outside the city of Sydney down by the end of the airport is the amazing conglomeration of Port Botany and Kurnell. The dense and complex arrangements of tanks and containers in this heavy industry location have long facinated my with there paradoxical combination of danger and beauty. This particular perspective is long gone as the sight has been buildt up heavily over the last couple of years. This shot always looked to me like as sort of theatre set with its graceful arrangement of huge tanks containing all sorts of gas and oll and god knows what else. another upload for my next calendar.
-
Acrylic Artist Colors on Canvas / (16) 6” x 6” / SOLD Collection of Fashion Designer Barbara Bates
-
An old scan of my Dad’s from many years ago at Avalon. HDR’d from one 600dpi scan and then I replaced the sky in Photoshop with what I thought was a more interesting one. Also like it in a Selenium Tone which is one of Lightroom’s presets so I left it as that and did a bit of touching up with the levels etc.
RedBubble is a great place to find art, design, photos and writing from over 50,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 110,100 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.