16
936 creative works found
-
A street photo taken at Changi Airport, Singapore. Using the natural light as backlighting, these people were quickly snapped in silhouetted as they were walking away. I’m surprised how similar these people are. They echoed each other in terms of being in a pair. Also, the pairs in the foreground are single dad with their only child. All this captured at the time 16:57.
-
Charcoal drawing, etching plate and 2 Apophysis images layered in PaintNet
-
Yellow sodium light on the seaside. All natural colour. P1170256.jpg Collaroy Beach after the sunset / 2005-12-03 8:31pm Panasonic Lumix DMC-LC1 / 2 sec / f/2 / ISO-100 © All rights reserved :hinting Please see the rest of my portfolio. /
-
Do you remember? This is an interpretation of a particular that have signed an era…
-
Artwork for the group Leichenwetter CD: Klage, 2007 www.leichenwetter.de
-
Ink drawing and 2 photos
-
16
by John NelsonPart of my 20 images that changed my portfolio set. In this picture I was drawn to the spaces in the walls. I could not explain why or anything except that when I stood inside the broch and looked up I was humbled by the immense structure which encircled me and my eyes were drawn across to the 16 spaces in the frame. I hope you like it too. / Built in the Iron Age period this is Mousa Broch which stands alone on the small uninhabited island of Mousa in the Shetland Islands, Britains most northerly area. This is the best preserved broch in Europe and stands a full 13 metres tall. Awe inspiring history we can touch.
-
The nurse walked into her seclusion to find that the patient in room 33 had given birth by herself. There is more from this series at www.cjphotography.co.nr sorry if i offend anyone with this piece. all the stories are true and i have spoken to the people involved with the story.
-
Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A larger aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
-
The useful Sunny 16 rule always with you!
-
The useful Sunny 16 rule always with you! Version printed in black:
-
BEST VIEWED LARGER* This shot taken using 5 Exposures generating one HDR image, taken at sunset from Mc Mahons Point on the Northern shore of Sydney Harbour. / For those visiting Sydney , Berrys Bay/Balls Head is easily accessable from by tain on the North Shore railway line . This side of the harbour offers panoramic views and the cheapest way to explore Sydney is with an explorer pass . Equipment: Nikon D300, Nikon 18-200 lens, no filters, processed usin Photomatix HDR Software My continuing experience with HDR is a learning one some tries work the way you expect sometimes they are a bit different… but hey it’s fun !
-
1 Thessalonians 4:16 / For the Lord himself shall descend from heaven with a shout, with the voice of the archangel, and with the trump of God: and the dead in Christ shall rise first: / Then we which are alive and remain shall be caught up together with them in the clouds, to meet the Lord in the air: and so shall we ever be with the Lord. / / / / Visit my website On The Rock Photography / / Canon 400d / /
-
A series of silhouette self-portraits taken in front of a venetian blind.
-
16th of my series… the Holy cow….!!! / holier than thou, / non of the grass to mow, / asks she, I worship?...how? / and why slaughter me now?? / give me just a moment…please vow… / before I make my final bow….!!! a collaboration with / AMORSPAINTER / his work: / and LINDA SYMS / her work: / dedicated to you my friends….DICK and Linda…. I combined Dick’s and Linda’s work / with my own….... / Oh, well, but the credit goes to them, / ...they just INSPIRED me… / and so…. / I did a lot of cutting and cropping, / to constitute just 10 layers…. / lots of masks… / more transparencies / dodges and burns, / color enhancements / tone and histograms corrections, / and / a handful of digital painting retouches
-
I spent a bit too much time trying to same money on my insurance… they don’t warn you about that, do they? — “She turned me into a newt… I got better” – Monty Python
-
Alternate Colors! /
-
Cyanotype of Lucky Strike #16. 4×5 neg captured with an antique Graflex Speed Graphic. (for those interested, a cyanotype is a print made by painting the solution directly onto paper, contact printing the negative by exposing it to sunlight and developing it in water. It is the ‘greenest’ of all photographic processes.)
-
plastic flower arrangement i painted in high school (once upon a time) with cheap prang student grade watercolor pans. / . / please don’t hate me but i used to think i was a better artist than my art teacher in high school.. ;P / he decided that he’d like to help me and painted a cluster of tiny flowers… i hated it… i hated him… / i hated him with all my mighty passion for ruining my piece (but only for this reason)... respected him for many other things. / the style’s so different from the rest of the painting, / but i had to finish in the style he’s started… . / prang watercolor on french arches paper / 21”x 29” .
-
Shutter Speed 1/10 / F8 / ISO 800 / Focal Length 200m / Nikon D80 As is This was taken at the Fort Wayne, Indiana USA Airbase.
-
... this I drew when I was 16 and I thought it means I am an artist .. LOL … / A3 size , cartridge paper, conte like crayon
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 306,300 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.