This is the first medium format print that I’ve uploaded to RB, I’ve been experimenting in the darkroom recently, and I’ll upload more of this stuff soon. Camera: Mamiya c33
Pick of the role – some syntilating succulents from our back garden. Camera: Mamiya c33, with Mamiya-Sekor 65mm lens on tripod Film: 120mm ILFORD FP4 Exposure: roughly f16 at a secound or so
I shot this lovely picture in Essaouira on the Moroccan coast with my rather tetchy Holga camera which uses 120mm film. Holgas are loved by photographers for the erratic results they produce and the interesting speckling which the plastic lens creates and random light leaks and vignetting….I know this doesn’t sound so great in this age of digital perfection, but it’s actually a very charming effect and Holga images are increasingly popular. So please note, that this is not a 100% ‘clean’ image and that’s all part of the charm!
I shot this lovely picture in Moulay Idris in Morocco with my rather tetchy Holga camera which uses 120mm film. Holgas are loved by photographers for the erratic results they produce and the interesting speckling which the plastic lens creates and random light leaks and vignetting….I know this doesn’t sound so great in this age of digital perfection, but it’s actually a very charming effect and Holga images are increasingly popular. So please note, that this is not a 100% ‘clean’ image and that’s all part of the charm!
Taken at 10 in my front garden. Exposure was a minute with full apperture.
A beautiful bluestone lane with a chair? Film: Porta colour slide (120mm) Camera: Mamiya c33 (65mm mamiya-sekor lens) Exposure: Somewhere around f4 on 1/60. The focus is maybe too shallow, although some enjoy the effect.
Holga CFN camera, 120 mm film. / Frosty tree on a sunny december morning in The Netherlands.
Holga / 120 infrared film / Itacare, Brazil
This is my new Ukranian Kiev 88 Medium format camera system. It is essentially a blatant copy of the Hasselblad 1000s or 1600f, at a fraction of the price. The upside of buying this reasonably priced hunk of cast aluminiam, is that it takes Zeiss, Pentacon 6 and other lenses. Camera: Mamiya c33, Sekor-Mamiya 65mm lens Film: ILFORD FP4 Exposure: 1/60 at f2.8 Tripod used
Yeah, probably a little cliche and over used, but I had to find something my new Kiev 88’s ridiculously fast, fun, and unnessessary shutter speed of 1/1000th of a secound could snap! Camera: Kiev 88, with Arsat 80mm lens Film: Ilford Delta 400 (120mm) ISO was 160 Exposure: 1/1000 of a secound at f5.6 Tripod used
FEATURED: Metallic Junktion
holga / 120 format
Some tasty walnuts from the farmers market. I decided on a low depth of field to crisp up their grooved and cracked surfaces. Camera: Mamiya c33 with Sekor-Mamiya 65mm lens Film: Kodak 160vc Portra (colour slide film) ISO 160 Exposure: ...roughly 1/60th at f4 Tripod used
Thank god for spell-check! Camera: Mamiya c33 with 65mm lens Exposure: around f8 at 1/60th on tripod Film: Kodak 160VC (120mm) ISO @ 160 / .
holga macro / 120 film
holga pinhole / 120 infrared Itacare, Brazil
officer on horse back, shot with a Holga 120. in a digital world, film is a nice change.
Lower East Side, NYC 1990
Mooloolabah Beach / pinhole camera 120mm film / scanned negative / no digital effects
holga / ISO 100 / 120mm film / scanned negative / no digital effects
Well, the Yashica didn’t work out, so I decided to wind the clock back another few decades It’s an English box camera from the 1940s. ...
Well, the Yashica didn’t work out, so I decided to wind the clock back another few decades It’s an English box camera from the 1940s. A Houghton Ensign Ful-View. I am going to make a neutral filter for it tomorrow so that it doesn’t wash out every darn photo with modern film, then it’s ready to go. The wonderful Jess and I will have our sip ‘n snap adventure soon, and all the results (for good an bad) will be inflicted on everyone through my journal Isn’t it awesome? It just screams use me!
Bris-vegas 2008 / pinhole camera / 120mm film / iso 400 / scanned negative / no digital effects
Coolum beach 2008 / pinhole camera 120mm film / iso 400 / scanned negative / no digital effects /
Del Toro CD launch / Powerhouse Bris-Vegas 2008 / Lubitel2 / ISO 800 / 120mm film / scanned negative / no digital effects
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