Wine is a Primary Industry

Xenedis

Wine is a Primary Industry

Wine is a Primary Industry belongs to the following groups:

All About Water and Still Life Photography Available for sale as

Greeting Cards, Matted Prints, Laminated Prints, Mounted Prints, Canvas Prints and Framed Prints

Wine is a Primary Industry by Xenedis
Wine is a Primary Industry by Xenedis
  • Mark Willson

    Mark Willson

    Very clever how this is donw. Nice capture of colours, i think this should be in an office of a winemaker personally…

  • midzing

    midzing

    fantastic image,,,, well done

  • Mark Williams

    Mark Williams

    great one!

  • Simon Mears

    Simon Mears

    fabulous stuff, colourful, sharp and hugely eye-catching

  • Xenedis replied

    Thanks Simon. This has become a personal favourite of mine.

  • MichelleR

    MichelleR

    This is extremely cool. The set up and colors are amazing. Nice work.

  • Elle Advincula

    Elle Advincula

    Awesome! clever..you had me thinkin, you have these glasses stuck on a tilted surface, maybe? The colors are lovely and i love how each one has different amount in them.

  • Warwick Mason

    Warwick Mason

    I really like this mate – well done.

  • Xenedis

    Xenedis

    For those who are wondering how I did this, here’s a long and detailed explanation:

    I knew a while ago that I wanted to create this type of shot. On Flickr I saw some incredible images along this line, created by another photographer. This inspired me to actually do it. I’ve been busting to create lately, and this guy’s work got me revved up.

    The setup was quite simple, but took a long time to arrange.

    I spent around an hour and a half just setting up this shot, and 1/200th of a second actually capturing it.

    The amount of work that goes into setting up a shot like this is quite time-consuming and very fiddly. One needs to be exact, as you’ll see.

    A while back, I bought some food colouring, knowing I wanted to create this type of image.

    I knew how I wanted to light the scene: Pure white backdrop, with backlighting.

    The first thing I did was set up the “studio”. The white backdrop was simply my 800×800 x 800mm light tent. It was collapsed flat, and I leaned it against a wall.

    I grabbed my Canon Speedlite 580EX II, positioned in behind the wine glasses, and pointed it at the backdrop. I attached a PocketWizard PLUS II to trigger the flash remotely. Some fiddling around with heights was done, as was some fiddling around with the flash power output settings.

    The final flash setting was 24mm at 1/64th power. This was sufficient to illuminate the backdrop and not blow out the detail in the glasses, or bleed light around the edges of the glasses.

    Camera-wise, I had an 85mm prime and another PocketWizard attached, all mounted on a tripod.

    I placed one of the wine glasses on a pedestal (a moderately large box). I took some reference shots to check the exposure, and make sure that what my mind saw translated to the camera’s chimp screen. I fiddled with exposure settings, and went with 1/200th at f/5.6 (my base exposure settings when I’m using strobes).

    I soon found that my 85mm lens didn’t give me the nice, tight framing I wanted, and its rather long minimum focusing distance (MFD) of around 90cm prevented me from moving it closer to the subject. I knew that I needed my 135mm prime, whose MFD is also around 90cm. This gave me much nicer framing.

    To set up the wine glasses, I used a plastic cutting board. I used large blobs of Blu-Tak to stick the bases of the glasses to the cutting board. I used a T-square to line them up evenly. The glasses had to be affixed to a flat surface, as the entire assembly would be tilted on an angle, and I couldn’t risk the chaos of the subjects moving out of alignment, or far worse, sliding right off.

    I placed a thick book under the left side of the cutting board to tilt the glasses to the right. The slant is around 13 degrees.

    I tilted the camera so that the tops of the wine glasses were parallel to the top edge of the frame.

    The next part was the liquid.

    I pre-mixed the red, blue and yellow food colouring with water. I used way too much colouring at first (half a cap full), and with the blue in particular, it was too dark. The yellow was also too rich, and appeared orange. I then diluted all of the mixtures considerably so that they were saturated enough to look nice, but not too saturated to appear dark on camera.

    I poured out even measurements of the liquids into a jug for dispensing into the glasses.

    Unfortunately at first, I used the same amount of liquid in each glass, which meant that the surfaces of the liquid in the glasses did not line up.

    I then had to disassemble the subject, wash and dry the glasses, reassemble the subject and pour the liquid again carefully so that the surfaces would line up such to give the appearance of a continuous line of liquid.

    Now, pouring liquid is actually fiddly business. I discovered quickly that using the jug wasn’t a good idea, as there was too much splashing (even when poured slowly, as I was doing), which meant that there were droplets on liquid on parts of the glass above the liquid line. It was also harder to control the amount of liquid dispensed. Back to the sink for a wash and dry.

    When setting up again, I reached for a funnel, and used that to complete the job.

    There was still a little bit of splashing, so I used cotton tips to touch-dry those little droplets on the inside and outside of the glasses.

    Finally I was ready to shoot. I ended up capturing three images. I captured the second because I’d missed a spot on the blue glass. The third and final frame was captured because there were a couple of droplets on the stem of the yellow glass.

    Third time lucky.

    To say I am pleased with the result is an understatement.

    However, as I’ve outlined, just getting to a point where I was ready to actually shoot was very time-consuming, consisted of trial and error, and was fiddly.

    There was very little post-processing: Just conversion from RAW, contrast adjustment, tighter cropping, some sharpening (not really needed), and a bit of burning of the not-so-white corners where the light faded off.

    Oh, and the wavy lines above the liquid lines are a result of the geometry of the glasses; they have a swirled pattern which protrudes away from the curvature of the glass.

  • Honor Kyne

    Honor Kyne

    Cool….I like it :))

  • LisaR

    LisaR

    Wow this is truly amazing!! Thank you for sharing the process :D

  • James Iorfida

    James Iorfida

    This picture is great, and really captures what you set out to create! AWESOME!

  • Andrew Walker

    Andrew Walker

    very clever! like it a lot you certainly have something special here

  • Taylor Sawyer

    Taylor Sawyer

    Hello there! I just wanted to let you kno wthat I used this as the cover image for the following challenge; Color Combos 2: Primary Colors Please feel free to join the group (if you are not already a part of it) and enter this piece or another of your choosing into the challenge.

  • Xenedis replied

    Thanks Taylor. It’s nice to have my image appear on the main page of your group’s current challenge.

  • RiSH :

    RiSH :

    This is superb shot … and love your explanation. :) Keep up the good work

  • Xenedis replied

    Thanks RiSH. People might wonder how I shot like this is created, and it’s always interesting to see what goes on behind the scenes.

  • Roka

    Roka

    Such a beautiful shot. Very creative! Thanks for the explanation! It was worth all the work, believe me!

  • Sally Green

    Sally Green

    stunning image!! you are a person with the same sort of creative mind as me!! x

  • Xenedis replied

    Thanks for such a nice compliment.

    I’m not convinced that I’m as creative as you; these things come to me infrequently, unfortunately!

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