watersoluble

.:: w o r k i n p r o g r e s s

_{‘vision is the art of seeing what is invisible to others’
Jonathan Swift (1667-1745)}

I find holding a camera accentuates one’s view, from the daily mundane, translating into a reflection of nuance. When that creates a moment worth consideration, it is then that I feel some success.

- dennis william gaylor
- centre for reasonable photography

www.enzo.gen.nz

The best way to see ALL of my work, is to navigate down & to the right, where it says RECENTLY and then click on the MORE link/button.

photography & graphic design organised by keywords/ aka tags
… works that have been featured somewhere on RedBubble
… the best vote of all, best sellers
… vintage lenses celebrate, bokeh DoF & OoF
… himalayan magnolia series and trees in general
… images in B&W + bw and similar monotones …
… t-shirts & apparel, my wearable-art catalogue
… Find different t-shirt choices, styles & other useable art, both spreadshirts and zazzle – if it’s not listed, simply ask/and or create your own when you get there!
… i-phone covers, here

… it has already been said by someone far more clever, that a snapshot captures a precise moment that is frozen in time for our inspection. While a long exposure creates an event that never existed before … these are loose boundaries of what a photograph can represent to the artist, or the casual observer, whether they are engaged in it’s creation, or viewing the result. Even by these guidelines it’s hard to catagorise what is to be expected.

Any style has likely evolved from my own early facination in photography. The concept that a black and white image equates to a photo, while other media exploits colour, is as ingrained as any. The common flaws inherent in capturing light and motion; blur, grain, shadows, flare, perspective – our eyes do so much better than the tools we use, so in evoking these aspects can broaden our perception. We have yet to digitalise dreams, still, for all the reality we accept in this medium, it is better observed as a simulacrum of the original. If the photographer’s influence wasn’t a direct catalyst, then CCTV archives would have long replaced the photographers … this symbiotic blend of the camera and the artist is the formula that creates anew …

legalise …
none of my redbubble catalogue belongs to the Public Domain. All content, [images/writing] are copyright ©MMVIII-MMXII by dennis william gaylor – centre for reasonable photography, all rights reserved. Copying, alteration/modification, displaying and/or redistribution of any of this content, [outside of redbubble,] without my written permission is a direct violation of the artists’ copyright.