In the early stages of Japanese history there were female entertainers: saburuko (serving girls) were mostly wandering girls whose families were displaced from struggles in the late 600s.
Some of these saburuko girls sold sexual services, while others with a better education made a living by entertaining at high-class social gatherings. After the imperial court moved the capital to Heian-kyō (Kyoto) in 794 the conditions that would form Japanese Geisha culture began to emerge, as it became the home of a beauty-obsessed elite. Skilled female performers, such as Shirabyōshi dancers, thrived.
Traditional Japan embraced sexual delights (it is not a Shinto taboo) and men were not constrained to be faithful to their wives. The ideal wife was a modest mother and manager of the home, by Confucian custom love had secondary importance.
For sexual enjoyment and romantic attachment, men did not go to their wives, but to courtesans. Walled-in pleasure quarters were built in the 16th century, and in 1617 the shogunate designated “pleasure quarters”, outside of which prostitution would be illegal, and within which “yūjo” (“play women”) would be classified and licensed.
The highest yūjo class was the Geisha’s predecessor, called “Oiran”, a combination of actress and prostitute, originally playing on stages set in the dry Kamo riverbed in Kyoto. They performed erotic dances and skits, and this new art was dubbed kabuku, meaning “to be wild and outrageous”. The dances were called “kabuki,” and this was the beginning of kabuki theater.
Public Domain Images:
FEATURED IN SHAMELESS SELF PROMOTION
FEATUTED IN IMAGE WRITING
FEATURED IN QUALITY ART AND PHOTOGRAPHY
FEATURED IN HIGH QUALITY IMAGES
FEATURED IN PINK PANTHER MAGAZINE
FEATURED IN RETIRED AND HAPPY