True Colours - Sydney Harbour (20 Exposure HDR Pano ) The HDR Experience by Philip Johnson

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True Colours - Sydney Harbour (20 Exposure HDR Pano ) The HDR Experience by 


This shot taken from the North Sydney CBD.
Technique: 20 Bracketted Exposures shot in brackets of 5 exposures.each bracket tonemapped to form 4 tiff images. The 4 tiff files were then merged in Photoshop Elements to form one panoramic tiff file . The file was then tidied up in Capture NX NX

Equipment: Nikon D300 Nikon 18-200mm

See Also

It’s All Black & White:


harbour, white, black, australia, sydney, bridge, cityscape, harbor, cbd, hdr

Philip Johnson is a Photographer located on the Northern Beaches of Sydney. Specialising in HDR photography his works have been shown in galleries,published in Tourism campaigns. His work will also be available as Jig Saws through Crown & Andrews

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  • donnnnnny
    donnnnnnyalmost 4 years ago

    somewhere above lavender bay i would say, care to share the location philip:)

  • 10th floor of a office buildingin North Sydney

    – Philip Johnson

  • donnnnnny
    donnnnnnyalmost 4 years ago

    how do i frame my shots in redbubble?

  • Tom Gomez
    Tom Gomezalmost 4 years ago

    Lovely image Philip, nice work …

  • Barbara Burkhardt
    Barbara Burkhardtalmost 4 years ago


  • ECH52
    ECH52almost 4 years ago

    Wow…big undertaking, turned out fantastic Phillip!!!

  • GailD
    GailDalmost 4 years ago

    Great in colour too Philip.

  • Chris Clark
    Chris Clarkalmost 4 years ago

    outstanding pano technique Philip and beautiful image

  • Ryan Davison Crisp
    Ryan Davison C...almost 4 years ago

    wonderful pano shot

  • Renee D. Miranda
    Renee D. Mirandaalmost 4 years ago

    That is so awesome…again you deserve an award or to be famous or something like that :)

  • Phineous "Flash"   Cassidy
    Phineous "Flas...almost 4 years ago

    yeah cracka shot is the HDR for the light or the colour im new to it i notice i can bracket white balance in camera and just wanting to no more

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